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This is the course book of preliminary level sessions taught by Rythm Seven for Music, Performing arts and a preliminary course on Understanding Indian Music through Rhythms. Mastery over a particular instrument and the journey from sound to non sound, quest and exploration of the "unborn, unstruck sound" made audible by eradication of concepts, judgments, comparisons and criticism that obscure cognition of the pure sound of the instrument, triggers can give you liberated and elevated feeling . This feeling is verily the same as being one with god -and is Nada Yoga. Percussion instrument is taken for this quest and we travel together to achieve this divine experience from just living to musing and ecstasy . Team at Rythm Seven will ensure the reader becomes more awesome than he/she is today by indulging and surrendering to Rhythm and Nada Yoga. Rest assured and read, join and do together a Dhin Dhin Na.
This book is perhaps the first comprehensive guide to understanding all the aspects and finer nuances of Hindustani classical music. It is aimed at the serious listener, that is, someone who may not have had any formal lessons himself in this performing art, but who, nevertheless, has picked up an initial interest in listening to classical music, and is, therefore, seeking to know more about its underlying structure, system and traditions. By explaining in a straightforward and extremely readable style, the basic features of Indian music, how time and melody are structured, the main principles of r?ga delineation and development, and the various genres and styles of vocal as well as instrumental performances, the book aims to enhance the serious listener’s understanding of Hindustani music, and heighten his appreciation of this art form. This book includes a glossary of musical terms, a select discography and a select bibliography.
When Namita is ten, her mother takes her to Dhondutai, a respected Mumbai music teacher from the great Jaipur Gharana. Dhondutai has dedicated herself to music and her antecedents are rich. She is the only remaining student of the legendary Alladiya Khan, the founder of the gharana and of its most famous singer, the tempestuous songbird, Kesarbai Kerkar. Namita begins to learn singing from Dhondutai, at first reluctantly and then, as the years pass, with growing passion. Dhondutai sees in her a second Kesar, but does Namita have the dedication to give herself up completely to music—or will there always be too many late nights and cigarettes? Beautifully written, full of anecdotes, gossip and legend, The Music Room is perhaps the most intimate book to be written about Indian classical music yet.
In an incredible effort, this short book takes one through a musical journey of a lifetime. From mastering a single note to the complexities of raga exposition and emotional expression, from the basic musical perception of time to masterful and intricate rhythmic play, it explores a student's journey through learning, assimilation and an ultimate alchemic transformation into an artiste.
One of the foremost Karnatik vocalists today, T.M. Krishna writes lucidly and passionately about the form, its history, its problems and where it stands todayT.M. Krishna begins his sweeping exploration of the tradition of Karnatik music with a fundamental question: what is music? Taking nothing for granted and addressing readers from across the spectrum - musicians, musicologists as well as laypeople - Krishna provides a path-breaking overview of south Indian classical music.
This Is A Book Of And About The Classical Music Of North India, Among The Oldest Continual Musical Traditions Of The World. This Volume Introduces The Great Richness And Variety Of The Different Styles Of Music As Taught By One Of The Century`S Greatest Musicians, Ali Akbar Khan.