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This book attempts to see al-Mutanabbī, a great poet of the ‘Abbasid period from the lens of humanistic psychology. An effort has been made to discover the deeper aspects of al-Mutanabbī’s personality, which constitutes an important aspect of his artistic expression. Chapters are structured accordingly for better understanding of the whole discussion. The focuses are on: - Biographical sketch of al-Mutanabbī, which comprises on the historical, political, cultural background of the poet as well as his life with his patrons. - The relationship between psychology and poetry. - The major concept of humanistic psychology, as well as the work of Horney, Maslow and Rogers, upon which being the basis of the humanistic psychology. - The Maslovian theory, to consider al-Mutanabbī as a self-actualizing person in the light of his relationship with his patron Sayf al-Dawlah. - How al-Mutanabbī as a neurotic person, overcame the conflict inherent in his relationship with Kāfūr, his second patron. This book concludes that the relationship between al-Mutanabbī and Sayf al-Dawlah is the key to his great achievement as a poet, and the humanistic psychological theories thus enables us to gain a better understanding of him as a whole person. This book also proposes that humanistic psychology can open the door to a new world in the study of both Arabic literature and the life of a poet.
On March 5th, 2007, a car bomb was exploded on al-Mutanabbi Street in Baghdad. More than thirty people were killed and more than one hundred were wounded. This locale is the historic center of Baghdad bookselling, a winding street filled with bookstores and outdoor book stalls. Named after the famed 10th century classical Arab poet al-Mutanabbi, it has been the heart and soul of the Baghdad literary and intellectual community. This anthology begins with a historical introduction to al-Mutanabbi Street and includes the writing of Iraqis as well as a wide swath of international poets and writers who were outraged by this attack. This book seeks to show where al-Mutanabbi Street starts in all of us: personally, in our communities, and in our nations. It seeks to show the commonality between this small street in Baghdad and our own cultural centers, and why this attack was an attack on us all. This anthology sees al-Mutanabbi Street as a place for the free exchange of ideas; a place that has long offered its sanctuary to the complete spectrum of Iraqi voices. This is where the roots of democracy (in the best sense of that word) took hold many hundreds of years ago. This anthology looks toward al-Mutanabbi Street as an affirmation of all that we hope for in a more just society. Contributors include: Beau Beausoleil, Musa al-Musawi, Anthony Shadid, Mousa al-Naseri, Naomi Shihab Nye, Deena Metzger, Sam Hamod, Lutfiya Al-Dulaimi, Zaid Shlah, Persis Karim, Ayub Nuri, Marian Haddad, Sarah Browning, Eileen Grace O’Malley Callahan, Roger Sederat, Elline Lipkin, Esther Kamkar, Robert Perry, Gloria Collins, Brian Turner, Gloria Frym, Owen Hill, Abd al-Rahim, Salih al-Rahim, Yassin “The Narcicyst” Alsalman, Jose Luis Gutierrez, Sargon Boulus, Peter Money, Sinan Antoon, Muhammad al-Hamrani, Livia Soto, Janet Sternburg, Sam Hamill, Salah Al-Hamdani, Gail Sher, Dunya Mikhail, Irada Al Jabbouri, Dilara Cirit, Niamh MacFionnlaoich, Erica Goss, Daisy Zamora, George Evans, Steve Dickison, Maysoon Pachachi, Summer Brenner, Jen Hofer, Rijin Sahakian, Badr Shakir al-Sayyab, Jane Hirshfield, Jack Marshall, Susan Moon, Diana di Prima, Evelyn So, Nahrain Al-Mousawi, Ko Un, Joe Lamb, Katrina Rodabaugh, Mohammed Hayawi, Nazik Al-Malaika, Raya Asee, Gazar Hantoosh, Mark Abley, Majid Naficy, Lewis Buzbee, Ibn al-Utri, Thomas Christensen, Amy Gerstler, Genny Lim, Saadi Youssef, Judith Lyn Suttton, Josh Kun, Dana Teen Lomax, Etel Adnan, Bushra Al-Bustani, Marilyn Hacker, Richard Harrison, Fady Joudah, Philip Metres, Hayan Charara, Annie Finch, Kazim Ali, Deema K. Shehabi, Kenneth Wong, Elmaz Abinader, Habib Tengour, Khaled Mattawa, Rachida Madani, Amina Said, Alise Alousi, Sita Carboni, Fran Bourassa, Jabez W. Churchill, Daniela Elza, Linda Norton, Fred Norman, Bonnie Nish, Janet Rodney, Adrienne Rich, Cornelius Eady, Julie Bruck, Kwame Dawes, Ralph Angel, B.H. Fairchild, Terese Svoboda, Mahmoud Darwish, Amir el-Chidiac, Aram Saroyan, Sholeh Wolpe, Nathalie Handal, Azar Nafisi, Dima Hilal, Tony Kranz, Jordan Elgrably, devorah major, Suzy Malcolm, Ibrahim Nasrallah, Rick London, Sarah Menefee, Roberto Harrison, Fadhil Al-Azzawi, Amaranth Borsuk, Lamees Al-Ethari, Shayma’ al-Saqr, Meena Alexander, and Jim Natal.
This exhaustive and yet enthralling study considers the life and work of al-Mutanabbi (915-965), often regarded as the greatest of the classical Arab poets. A revolutionary at heart and often imprisoned or forced into exile throughout his tumultuous life, al-Mutanabbi wrote both controversial satires and when employed by one of his many patrons, laudatory panegyrics. Employing an ornate style and use of the ode, al-Mutanabbi was one of the first to successfully move away from the traditionally rigid form of Arabic verse, the ‘qasida’.
Understanding Iraq Today is an accurate and contemporary presentation that explores the Middle Eastern nation of Iraq with a focus on the country as it is today: current issues, culture, and lifestyle. The book is written in an easy-to-read enjoyable narrative form for elementary readers 8-11,. The Iraq title includes a native recipe and craft for students to create. Elementary students are encouraged to consider evidence from informational texts to support analysis, reflection, and research. Series titles have been developed to address many of the Common Core specific goals, higher level thinking skills, and progressive learning strategies for middle grade and junior high level students.
Translations of 12 Arabic plays written and produced during the past thirty years.
This volume of The Cambridge History of Arabic Literature covers artistic prose and poetry produced in the heartland and provinces of the 'Abbasid empire during the second great period of Arabic literature, from the mid-eighth to the thirteenth centuries AD. 'Abbasid literature was characterised by the emergence of many new genres and of a scholarly and sophisticated critical consciousness. This volume deals chronologically with the main genres and provides extended studies of major poets, prose-writers and literary theorists. It concludes with a comprehensive survey of the relatively unknown literature of the Yemen to appear in a European language since the manuscript discoveries of recent years. To make the material accessible to non-specialist readers, 'Abbasid authors are quoted in English translation wherever possible, and clear explanations of their literary techniques and conventions are provided. With chapters by leading specialists from the Middle East, Europe and America, the volume represents a wide cross-section of current academic opinion.
AL-MUTANABBI: LIFE & SELECTED POEMS Translation & Introduction Paul Smith Abu 'l-Tayyib Ahmad ibn Husain al-Mutanabbi, (915-965 A.D.), was one of the greatest of Arabic poets (many say the greatest), was born in the town of al-Kufah in Iraq. He was the son of a water carrier who was said to be of noble and ancient southern Arabian descent. In his youth, al-Mutanabbi was educated in Syria in Damascus. He lived among the Bedouin of the Banu Qalb tribe and learnt their skills. In his youth he received his nickname 'al-Mutanabbi', meaning 'one who wants to be a prophet'. Why he was named so is unclear, but... he was the leader of a revolutionary movement and, claiming to be a prophet, led a revolt in his home-town in 932 at the age of 17. It was suppressed and he was imprisoned. During this period he began to write his first poems. R.A. Nicholson in his 'Translations of Eastern Poetry and Prose' says, "Any one who reads him in Arabic must admire the splendour of his rhetoric, the luxuriance of his imagination, and the energy and aptness of his diction; but in a translation these great qualities are overshadowed by others less pleasing to our taste, which have left their mark on the poetic style of many who wrote after him in Arabic and Persian." Al-Mutanabbi is mainly known for his many wonderful qasidas, being one of the true masters of this form. A.J. Arberry says of him... "Greatness, in whatever field of human endeavour, always stems from and thrives upon controversy, and al-Mutanabbi certainly was, and continues to be, a highly controversial figure. That is perhaps the surest proof of his universal greatness." Here is a selection of his most famous qasidas and qit'as in the correct rhymes. Introduction on The Abbasid Caliphate, Poetry of the Abbasid Period, The Forms of Arabic Poetry of the Abbasid Period, The Life & Times & Poetry of al-Mutanabbi. Large Format Paperback 7" x 10" 176 pages. COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'. "It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance." Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran. "Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator of many mystical works in English into Persian and knower of Hafiz's Divan off by heart. Paul Smith (b.1945) is a poet, author and translator of many books of Sufi poets from the Persian, Arabic, Urdu, Turkish, Pashtu and other languages including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, Iqbal, Rudaki, Yunus Emre, Ghalib, and many others, as well as his own poetry, fiction, plays, biographies and a dozen screenplays. www.newhumanitybooks.com
Islamic civilization flourished in the Middle Ages across a vast geographical area that spans today's Middle and Near East. First published in 2006, Medieval Islamic Civilization examines the socio-cultural history of the regions where Islam took hold between the 7th and 16th centuries. This important two-volume work contains over 700 alphabetically arranged entries, contributed and signed by international scholars and experts in fields such as Arabic languages, Arabic literature, architecture, history of science, Islamic arts, Islamic studies, Middle Eastern studies, Near Eastern studies, politics, religion, Semitic studies, theology, and more. Entries also explore the importance of interfaith relations and the permeation of persons, ideas, and objects across geographical and intellectual boundaries between Europe and the Islamic world. This reference work provides an exhaustive and vivid portrait of Islamic civilization and brings together in one authoritative text all aspects of Islamic civilization during the Middle Ages. Accessible to scholars, students and non-specialists, this resource will be of great use in research and understanding of the roots of today's Islamic society as well as the rich and vivid culture of medieval Islamic civilization.
The written text was a pervasive feature of cultural practices in the medieval Middle East. At the heart of book circulation stood libraries that experienced a rapid expansion from the twelfth century onwards. While the existence of these libraries is well known our knowledge of their content and structure has been very limited as hardly any medieval Arabic catalogues have been preserved. This book discusses the largest and earliest medieval library of the Middle East for which we have documentation "e; the Ashrafiya library in the very centre of Damascus "e; and edits its catalogue. This catalogue shows that even book collections attached to Sunni religious institutions could hold rather unexpected titles, such as stories from the 1001 Nights, manuals for traders, medical handbooks, Shiite prayers, love poetry and texts extolling wine consumption. At the same time this library catalogue decisively expands our knowledge of how the books were spatially organised on the bookshelves of such a large medieval library. With over 2,000 entries this catalogue is essential reading for anybody interested in the cultural and intellectual history of Arabic societies. Setting the Ashrafiya catalogue into a comparative perspective with contemporaneous libraries on the British Isles this book opens new perspectives for the study of medieval libraries.