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The bestselling author of Pledged returns with a groundbreaking look at the pressure to achieve faced by America's teens In Pledged, Alexandra Robbins followed four college girls to produce a riveting narrative that read like fiction. Now, in The Overachievers, Robbins uses the same captivating style to explore how our high-stakes educational culture has spiraled out of control. During the year of her ten-year reunion, Robbins goes back to her high school, where she follows heart-tuggingly likeable students including "AP" Frank, who grapples with horrifying parental pressure to succeed; Audrey, whose panicked perfectionism overshadows her life; Sam, who worries his years of overachieving will be wasted if he doesn't attend a name-brand college; Taylor, whose ambition threatens her popular girl status; and The Stealth Overachiever, a mystery junior who flies under the radar. Robbins tackles teen issues such as intense stress, the student and teacher cheating epidemic, sports rage, parental guilt, the black market for study drugs, and a college admissions process so cutthroat that students are driven to suicide and depression because of a B. With a compelling mix of fast-paced narrative and fascinating investigative journalism, The Overachievers aims both to calm the admissions frenzy and to expose its escalating dangers.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Witches and witchcraft are potent metaphors for feminine power, with a history that predates the advent of cinema. The figure of the witch represents a particularly fraught, contested kind of gendered power, and has long inspired filmmakers to explore themes of race, class, trauma, motherhood, grief, and identity. This book examines the relationship between women, witchcraft, and filmmaking, exploring types of storytelling and the central themes in these movies. Such films span the globe and have starred prominent figures like Madonna, Bette Midler, Bjork, and Nicole Kidman, as well as lesser-known women behind the scenes. Some of these filmmakers have premiered their works at major film festivals, while others have produced content for television and video releases. While notable in their diversity, these movies share one crucial thing: they were all created by women in an industry broadly dominated by men.
What made the West 'western'? And has Western civilisation found modernity but lost itself? This provocative and stimulating polemic argues that western culture and civilisation have been destroyed not only in, but indeed by, modernity. How the West Was Lost argues that all modern upheavals – the Reformation, the English, American, French and Russian Revolutions, the Napoleonic Wars, the American Civil War, both World Wars – can only be understood if seen as resulting in an assault on the core values of the West. At its heart lies the belief that the central conflict of our time is cultural and that traditional culture and civilised society have been under attack ever since the Enlightenment. The author traces the development of Western civilisation from its origins – paradoxically in the East – and examines what he sees as its inexorable decline in all forms of art and all walks of life. He asks uncomfortable questions about politics, philosophy, psychology and religion and suggests answers which are provocative and unorthodox. This book is a bold and challenging attempt to present a new concept of modern history for our complacent times. The results are often unexpected but always original and invigorating.
Eve Easton had had enough "neighbor" trauma to last a lifetime, seeing as how her now ex-husband had run off with the woman next door. So off Eve went, to a new state, a new city, a new everything—only to find out her new next-door neighbor was her fellow dumpee, Derek Roland. The tall, dark and handsome former spouse of the woman Eve's ex left her for. Got it? Well, she got it. And when it came to her neighborly policy, she was strictly "hands-off." Only she had a hard time resisting Derek, as did he, her. Seems as though both of them had traveled miles and miles just to find what they were looking for…right in their own backyard….
The groundbreaking classic that explores how women can and should negotiate for parity in their workplaces, homes, and beyond When Linda Babcock wanted to know why male graduate students were teaching their own courses while female students were always assigned as assistants, her dean said: "More men ask. The women just don't ask." Drawing on psychology, sociology, economics, and organizational behavior as well as dozens of interviews with men and women in different fields and at all stages in their careers, Women Don't Ask explores how our institutions, child-rearing practices, and implicit assumptions discourage women from asking for the opportunities and resources that they have earned and deserve—perpetuating inequalities that are fundamentally unfair and economically unsound. Women Don't Ask tells women how to ask, and why they should.