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Over the past two decades, Latin America has seen an explosion of experiments with autonomy, as people across the continent express their refusal to be absorbed by the logic and order of neoliberalism. The autonomous movements of the twenty-first century are marked by an unprecedented degree of interconnection, through their use of digital tools and their insistence on the importance of producing knowledge about their practices through strategies of self-representation and grassroots theorization. The Book in Movement explores the reinvention of a specific form of media: the print book. Magalí Rabasa travels through the political and literary underground of cities in Mexico, Bolivia, Argentina, and Chile to explore the ways that autonomous politics are enacted in the production and circulation of books.
Cover -- Title Page -- Copyright Page -- Dedication Page -- Table of Contents -- Acknowledgments -- Introduction: Subway Stories -- 1. Forming the Subway Habit -- 2. How the Subway became Sublime -- 3. Minding the Gaps in Modernist Poetry -- 4. Underground Assimilation in Ethnic Drama -- 5. Uncanny Migration Narratives -- Conclusion: The Private Subway in the Postmodern City -- Notes -- Works Cited -- Index -- About the Author -- Back Cover.
What caused the New Left rebellion of the 1960s? In Smoking Typewriters, historian John McMillian argues that the "underground press" contributed to the New Left's growth and cultural organization in crucial, overlooked ways.
"Scrupulously researched, critically acute, and written with care, Playing Underground will become a classic account of an era of hard-won free expression." -William Coco "At last---a book documenting the beginnings of Off-Off Broadway theater. Playing Underground is an insightful, illuminating, and honest appraisal of this important period in American theater." -Rosalyn Drexler, author of Art Does (Not!) Exist and Occupational Hazard "An epic movie of an epic movement, Playing Underground is a book the world has waited for without knowing it. How precisely it captures the evolution of our revolution! I am amazed by the book's scope and scale, and I bless its author especially for giving two greats, Paul Foster and H. M. Koutoukas, their proper, polar places, and for memorializing such unjustly forgotten masterpieces as Irene Fornes's Molly's Dream and Jeff Weiss's A Funny Walk Home. Stephen Bottoms's vivid evocation of the grand adventure of Off-Off Broadway has woken and broken my heart. It is difficult to believe that he was not there alongside me to breathe the caffeine-nicotine-alkaloid-steeped air." -Robert Patrick, author of Kennedy's Children and Temple Slave Few books address the legendary age of 1960s off-off Broadway theater. Fortunately, Stephen Bottoms fills that gap with Playing Underground---the first comprehensive history of the roots of off-off Broadway. This is a theater whose legacy is still felt today: it was the launching pad for many leading contemporary theater artists, including Sam Shepard, Maria Irene Fornes, and others, and it was a pivotal influence on improv comedy and shows like Saturday Night Live. Off-off Broadway groups such as the Living Theatre, La Mama, and Caffe Cino captured the spirit of nontraditional theater with their edgy, unscripted, boundary-crossing subjects. Yet, as Bottoms discovers, there is no one set of truths about off-off Broadway to uncover; the entire scene was always more a matter of competing perceptions than a singular, concrete reality. No other author has managed to illuminate this shifting tableau as Bottoms does. Through interviews with dozens of the era's leading playwrights, performers, directors, and critics, he unearths a countercultural theater movement that was both influential and transforming-yet ephemeral and quintessentially of its moment. Playing Underground will be a definitive work on the subject, offering a complete picture of an important but little-studied period in American theater.
Featuring newly commissioned essays and extended appendices of new interview and oral material, Late Century Dream takes a fresh, detailed look at both lesser-reported aspects of familiar movements like grunge--by way of progenitors such as Green River and Mudhoney, and other lesser-known but influential groups such as TAD and Skinyard--and the '80s hardcore and punk scene in Washington DC, and in cities and regions with little or no prior discussion around their music scenes.
In this elegant family history, journalist Thai Jones traces the past century of American radical politics through the extraordinary exploits of his own family. Born in the late 1970s to fugitive leaders of the Weather Underground and grandson of Communists, spiritual pacifists, and civil rights agitators, Thai Jones grew up an heir to an American tradition of resistance. Yet rather than partake of it, he took it upon himself to document it. The result is a book of extraordinary reporting and narrative. The dramatic saga of A Radical Line begins in 1913, when Jones's maternal grandmother was born, and ends in 1981, when a score of heavily armed government agents from the Joint Anti-Terrorism Task Force stormed into four-year-old Thai's home and took his parents away in handcuffs. In between, Jones takes us on a journey from the turn-of-the-century western frontier to the tenements of melting-pot Brooklyn, through the Great Depression, the era of McCarthyism, and the Age of Aquarius. Jones's paternal grandfather, Albert Jones, committed himself to pacifism during the 1930s and refused to fight in World War II. The author's maternal grandfather, Arthur Stein, was a member of the Communist Party during the 1950s and refused to collaborate with the House Un-American Activities Committee. His maternal grandmother, Annie Stein, worked closely with civil rights legends Mary Church Terrell and Ella Baker to desegregate institutions in Washington, DC, and New York City. His father, Jeff Jones, joined the violent Weathermen and led hundreds of screaming hippies through the streets of Chicago to clash with police during the Days of Rage in 1969. Then Jeff Jones disappeared and spent the next eleven years eluding the FBI's massive manhunt. Thai Jones spent the first years of his life on the run with his parents. Beyond the politics, this is the story of a family whose lives were filled with love honored and betrayed, tragic deaths, painful blunders, narrow escapes, and hope-filled births. There is the drama of a pacifist father who must reconcile with a bomb-throwing son and a Communist mother whose daughter refuses to accept the lessons she has learned in a life as an organizer. There are parents and children who can never meet or, when they do, must use the ruses and subterfuge of criminals to steal a hug and a hello. Beautifully written and sweeping in its scope, A Radical Line is nothing less than a history of the twentieth century and of one American family who lived to shake it up.

P-Z

Library of Congress. Office for Subject Cataloging Policy

Published: 1990

Total Pages: 1644


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