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Over the past two decades, Latin America has seen an explosion of experiments with autonomy, as people across the continent express their refusal to be absorbed by the logic and order of neoliberalism. The autonomous movements of the twenty-first century are marked by an unprecedented degree of interconnection, through their use of digital tools and their insistence on the importance of producing knowledge about their practices through strategies of self-representation and grassroots theorization. The Book in Movement explores the reinvention of a specific form of media: the print book. Magalí Rabasa travels through the political and literary underground of cities in Mexico, Bolivia, Argentina, and Chile to explore the ways that autonomous politics are enacted in the production and circulation of books.
Cover -- Title Page -- Copyright Page -- Dedication Page -- Table of Contents -- Acknowledgments -- Introduction: Subway Stories -- 1. Forming the Subway Habit -- 2. How the Subway became Sublime -- 3. Minding the Gaps in Modernist Poetry -- 4. Underground Assimilation in Ethnic Drama -- 5. Uncanny Migration Narratives -- Conclusion: The Private Subway in the Postmodern City -- Notes -- Works Cited -- Index -- About the Author -- Back Cover.
Featuring newly commissioned essays and extended appendices of new interview and oral material, Late Century Dream takes a fresh, detailed look at both lesser-reported aspects of familiar movements like grunge--by way of progenitors such as Green River and Mudhoney, and other lesser-known but influential groups such as TAD and Skinyard--and the '80s hardcore and punk scene in Washington DC, and in cities and regions with little or no prior discussion around their music scenes.
What caused the New Left rebellion of the 1960s? In Smoking Typewriters, historian John McMillian argues that the "underground press" contributed to the New Left's growth and cultural organization in crucial, overlooked ways.
"Scrupulously researched, critically acute, and written with care, Playing Underground will become a classic account of an era of hard-won free expression." -William Coco "At last---a book documenting the beginnings of Off-Off Broadway theater. Playing Underground is an insightful, illuminating, and honest appraisal of this important period in American theater." -Rosalyn Drexler, author of Art Does (Not!) Exist and Occupational Hazard "An epic movie of an epic movement, Playing Underground is a book the world has waited for without knowing it. How precisely it captures the evolution of our revolution! I am amazed by the book's scope and scale, and I bless its author especially for giving two greats, Paul Foster and H. M. Koutoukas, their proper, polar places, and for memorializing such unjustly forgotten masterpieces as Irene Fornes's Molly's Dream and Jeff Weiss's A Funny Walk Home. Stephen Bottoms's vivid evocation of the grand adventure of Off-Off Broadway has woken and broken my heart. It is difficult to believe that he was not there alongside me to breathe the caffeine-nicotine-alkaloid-steeped air." -Robert Patrick, author of Kennedy's Children and Temple Slave Few books address the legendary age of 1960s off-off Broadway theater. Fortunately, Stephen Bottoms fills that gap with Playing Underground---the first comprehensive history of the roots of off-off Broadway. This is a theater whose legacy is still felt today: it was the launching pad for many leading contemporary theater artists, including Sam Shepard, Maria Irene Fornes, and others, and it was a pivotal influence on improv comedy and shows like Saturday Night Live. Off-off Broadway groups such as the Living Theatre, La Mama, and Caffe Cino captured the spirit of nontraditional theater with their edgy, unscripted, boundary-crossing subjects. Yet, as Bottoms discovers, there is no one set of truths about off-off Broadway to uncover; the entire scene was always more a matter of competing perceptions than a singular, concrete reality. No other author has managed to illuminate this shifting tableau as Bottoms does. Through interviews with dozens of the era's leading playwrights, performers, directors, and critics, he unearths a countercultural theater movement that was both influential and transforming-yet ephemeral and quintessentially of its moment. Playing Underground will be a definitive work on the subject, offering a complete picture of an important but little-studied period in American theater.

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Library of Congress. Office for Subject Cataloging Policy

Published: 1990

Total Pages: 1644


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Even paranoids have enemies. Hitler's most powerful foes were the Allied powers, but he also feared internal conspiracies bent on overthrowing his malevolent regime. In fact, there was a small but significant internal resistance to the Nazi regime, and it did receive help from the outside world. Through recently declassified intelligence documents, this book reveals for the first time the complete story of America's wartime knowledge about, encouragement of, and secret collaboration with the German resistance to Hitler?including the famous July 20th plot to assassinate the Fuehrer.The U.S. government's secret contacts with the anti-Nazi resistance were conducted by the OSS, the World War II predecessor to the CIA. Highly sensitive intelligence reports recently released by the CIA make it evident that the U.S. government had vast knowledge of what was going on inside the Third Reich. For example, a capitulation offer to the western Allies under consideration by Count von Moltke in 1943 was thoroughly discussed within the U.S. government. And Allen Dulles, who was later to become head of the CIA, was well informed about the legendary plot of July 20th. In fact, these secret reports from inside Germany provide a well-rounded picture of German society, revealing the pro- or anti-Nazi attitudes of different social groups (workers, churches, the military, etc.). The newly released documents also show that scholars in the OSS, many of them recruited from ivy-league universities, looked for anti-Nazi movements and leaders to help create a democratic Germany after the war.Such intelligence gathering was a major task of the OSS. However, OSS director ?Wild Bill? Donovan and others favored subversive operations, spreading disinformation, and issuing propaganda. Unorthodox and often dangerous schemes were developed, including bogus ?resistance newspapers,? anti-Nazi letters and postcards distributed through the German postal service, sabotage, and fake radio broadcasts from ?German generals? calling for uprisings against the regime.This is much more than a documentary collection. Explanatory footnotes supply a wealth of background information for the reader, and a comprehensive introduction puts the documents into their wider historical perspective. Arranged in chronological order, these intelligence reports provide a fascinating new perspective on the story of the German resistance to Hitler and reveal an intriguing and previously unexplored aspect of America's war with Hitler.