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This book is grounded in an extended analogy between the 19th century story of the Underground Railroad in North America, transporting fugitive slaves to safety in the North, and the 21st century routes and trails of migrant passages to and within Europe. It begins as a kind of historical travelogue tracing the remnants of the 19th-century Underground Railroad in the US and Canada, including its legacies and unfulfilled heritage. It then shifts to the political present by ethnographically sketching a series of different border instances and situations, both external and within the EU space (Ventimiglia, Athens, Paris, Calais, Ceuta and Melilla, Patras, Pozzallo). Focusing on the violent harshening of local border regimes, this book nonetheless suggests a different picture, one conceived as the dynamic effect of both migrants autonomy and of the solidarity provided by local and international groups. Focusing on these specific and contested situations, it is possible to reverse the image of a main borderland into one of a space crisscrossed by many routes and passages. Reading those experiences through the historical lens of the US antebellum Underground Railroad, the book suggests the idea of an analogous "Underground Europe".
The literary scholar Alfrun Kliems explores the aesthetic strategies of Eastern European underground literature, art, film and music in the decades before and after the fall of communism, ranging from the ‘father’ of Prague Underground, Egon Bondy, to the neo-Dada Club of Polish Losers in Berlin. The works she considers are "underground" in the sense that they were produced illegally, or were received as subversive after the regimes had fallen. Her study challenges common notions of ‘underground’ as an umbrella term for nonconformism. Rather, it depicts it as a sociopoetic reflection of modernity, intimately linked to urban settings, with tropes and aesthetic procedures related to Surrealism, Dadaism, Expressionism, and, above all, pop and counterculture. The author discusses these commonalities and distinctions in Czech, Polish, Slovak, Ukrainian, Russian, and German authors, musicians, and filmmakers. She identifies intertextual relations across languages and generations, and situates her findings in a transatlantic context (including the Beat Generation, Susan Sontag, Neil Young) and the historical framework of Romanticism and modernity (including Baudelaire and Brecht). Despite this wide brief, the book never loses sight of its core message: Underground is no arbitrary expression of discontent, but rather the result of a fundamental conflict at the socio-philosophical roots of modernity.
This book addresses the complex intersection of secret police operations and the formation of the religious underground in communist-era Eastern Europe. It discusses how religious groups were perceived as dangerous to the totalitarian state whilst also being extremely vulnerable and yet at the same time very resourceful. It explores how this particular dynamic created the concept of the "religious underground" and produced an extremely rich secret police archival record. In a series of studies from across the region, the book explores the historical and legal context of secret police entanglement with religious groups, presents case studies on particular anti-religious operations and groups, offers methodological approaches to the secret police materials for the study of religions, and engages in contemporary ethical and political debates on the legacy and meaning of the archives in post-communism.
The demonstrations and occupations that emerged across Europe in 2011-12 struck a chord in public opinion in a way that has not been true for many years. Based on research carried out across the continent, this volume investigates why this is occurring now and what they tell us about the future of the European project.
The UK became a net importer of natural gas in 2004 and by 2020 will import up to 90% of its requirements, leaving it vulnerable to increasing energy bills and risk of disruption to supply. New pipelines to Europe and improvements to interconnectors will meet some demand, but Government recognises the need for increased gas storage capacity: best met by the construction of underground storage facilities. Energy security has also raised the likelihood of a new generation of coal-fired power-stations, which to be environmentally viable, will require clean-coal technologies with near-zero greenhouse gas emissions. A key element of this strategy will be underground CO2 storage. This volume reviews the technologies and issues involved in the underground storage of natural gas and CO2, with examples from the UK and overseas. The potential for underground storage of other gases such as hydrogen, or compressed air linked to renewable sources is also reviewed.
Online supplement,"Mulsow: Additions to Notes drawn from the 2002 edition of Moderne aus dem Untergrund": full versions of nearly 300 notes that were truncated in the print edition. Hosted on H. C. Erik Midelfort's website. Martin Mulsow’s seismic reinterpretation of the origins of the Enlightenment in Germany won awards and renown in its original German edition, and now H. C. Erik Midelfort's translation makes this sensational book available to English-speaking readers. In Enlightenment Underground, Mulsow shows that even in the late seventeenth century some thinkers in Germany ventured to express extremely dangerous ideas, but did so as part of a secret underground. Scouring manuscript collections across northern Europe, Mulsow studied the writings of countless hitherto unknown radical jurists, theologians, historians, and dissident students who pushed for the secularization of legal, political, social, and religious knowledge. Often their works circulated in manuscript, anonymously, or as clandestinely published books. Working as a philosophical microhistorian, Mulsow has discovered the identities of several covert radicals and linked them to circles of young German scholars, many of whom were connected with the vibrant radical cultures of the Netherlands, England, and Denmark. The author reveals how radical ideas and contributions to intellectual doubt came from Socinians and Jews, church historians and biblical scholars, political theorists, and unemployed university students. He shows that misreadings of humorous or ironic works sometimes gave rise to unintended skeptical thoughts or corrosively political interpretations of Christianity. This landmark book overturns stereotypical views of the early Enlightenment in Germany as cautious, conservative, and moderate, and replaces them with a new portrait that reveals a movement far more radical, unintended, and puzzling than previously suspected.
Whether defined by comic excesses, cult horrors, or surreal vampire experimentations, trash and exploitation cinema represents the alternative face of European film. Although extremely popular with post-war audiences, these historically significant traditions of 'Eurotrash' have often been ridiculed or ignored by an established film criticism eager to define 'legitimate' European cinema as either avant-garde or socially realist. Alternative Europe: Eurotrash and Exploitation Cinema Since 1945 investigates these previously under-explored national traditions of film culture, with essays and festival reports uncovering the social and cultural trends and tensions within a wide range of European exploitation movies. The volume considers such engaging and challenging topics as Russian, Belgian and Italian horror cinema, Gothic musclemen movies, Nazi 'sexploitation' cycles, German erotic cinema and 1970s European 'rogue cop' thrillers. Alternative Europe also includes interviews with trash directors and icons such as Brian Yuzna, J'rg Buttgereit and Giovanni Lombardo Radice.
Write guidebooks, make travel TV, lead bus tours? Cameron Hewitt has been Rick Steves’ right hand for more than 20 years, doing just that. The Temporary European is a collection of vivid, entertaining travel tales from across Europe. Cameron zips you into his backpack for engaging and inspiring experiences: sampling spleen sandwiches at a Palermo street market; hiking alone with the cows high in the Swiss Alps; simmering in Budapest’s thermal baths; trekking across an English moor to a stone circle; hand-rolling pasta at a Tuscan agriturismo; shivering through Highland games in a soggy Scottish village; and much more. Along the way, Cameron introduces us to his favorite Europeans. In Mostar, Alma demonstrates how Bosnian coffee isn’t just a drink, but a social ritual. In France, Mathilde explains that the true mastery of a fromager isn’t making cheese, but aging it. In Spain, Fran proudly eats acorns, but never corn on the cob. While personal, the stories also tap into the universal joy of travel. Cameron’s travel motto (inspired by a globetrotting auntie) is "Jams Are Fun"—the fondest memories arrive when your best-laid plans go sideways. And he encourages travelers to stow their phones and guidebooks, slow down, and savor those magic moments that arrive between stops on a busy itinerary. The stories are packed with inspiration and insights for your next trip, including how to find the best gelato in Italy, how to select the best produce at a Provençal market, how to navigate Spain’s confusing tapas scene, and how to survive the experience of driving in Sicily (hint: just go numb). And you’ll get a reality check for every traveler’s "dream job": researching and writing guidebooks; guiding busloads of Americans on tours around Europe; scouting and producing a travel TV show; and working with Rick Steves and his merry band of travelers. It’s a candid account of how the sausage gets made in the travel business—told with warts-and-all honesty and a sense of humor. For Rick Steves fans, or anyone who loves Europe, The Temporary European is inspiring, insightful, and fun.
The air force of Tito's Yugoslavia has had many different peculiarities - from a unique Cold War position of having operated a mix of US, Soviet, and indigenous aircraft and equipment, to the changeable strategies in case of war.One such feature was an entire underground air base constructed inside a hill near the town of Bihac, in western Bosnia. 'The Object' was the core, the heart, of this air base: it housed four MiG-21 squadrons for nearly 25 years, until the civil war tore Yugoslavia apart.'The Object' was built as the outcome of Yugoslav military efforts to build up its independent defence capabilities, especially the air force which was regarded as the strategic tool in keeping Tito's Yugoslavia's independence from both Cold War blocks. There were a few other underground shelters built at Yugoslavia's air bases, but Bihać underground air base remained the only underground facility which was permanently used.Bihać Air Base was constructed directly on the border between two former federal states of Yugoslavia, now two independent countries: The Republic of Croatia, and The Republic of Bosnia and Herzegovina. Indeed, their post-independence border runs between the former taxiways and underground entrances. Nowadays, its ruins are a place of pilgrimage by many aviation and military enthusiasts, and is known as 'Zeljava', after a nearby village on the Croatian side.In its five chapters this book provides an in-depth account of the design and construction of the air base and its 'underground object', and a detailed account of the activities of its MiG-21 squadrons and everyday operations in the period between 1968 and 1991. The book concludes with an exhaustive description of combat operations during the final year of the existence of the Bihać Air Base in 1991-1992, under the conditions of the civil war.Drawing upon exclusive archival sources - many of them classified until very recently - the authors have expanded the emerging story through interviews with dozens of officers and other ranks that served at this 'underground aircraft carrier', thus managing to fill the gaps in usage not covered by the documentation.'Tito's Underground Air Base' is lavishly illustrated with a huge collection of exclusive photographs collected from numerous archives, museums, and private collections, and a set of authentic colour profiles and diagrams. It is a unique source of reference about one of most fascinating projects related to underground military facilities constructed during the Cold War.
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