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Welcome to the house on Boleskine, home of Aleister Crowley. Head of the occult. A master of magick with the demonic gifts of deception and manipulation. The user and abuser of drugs and narcotics to achieve his own personal goals of transcendence and ascension. Using murder and mayhem as common tools, he's attempting to build his empire, and it looks like nothing stands in his way—except a loving mother and her powerfully gifted daughter. As the harbinger of dark magick and the religious leader of Thelema, a devious cult nestled in the bosom of Northern Scotland's Loch Ness, Aleister strives to create the ultimate hallucinogenic elixir, DMT, for the purpose of activating the pineal gland, a gland that, when activated, will give him the power of telepathic clairvoyance. His ultimate goal? To control and weaponize the interdimensional gateways we know as the portals.Rose McCall is a beautifully divine matriarch whose sole intent is to keep her powerful daughter safe from the clutches of Crowley, who views the daughter as his key to the portal system. Travel to totems from around the world as Aleister attempts to solidify his endgame and reach total ascension for the purpose of becoming a deity to mankind. Rose has different plans, as she uses Aleister's mental incompetence against him to thwart his fulfillment of Satanic totalitarian rule over this dimension and the countless multiverses throughout time. Good and evil are going to clash as the righteous now decide to fight Aleister. Chrysalis is the first in the Aleister Crowley Trilogy: The House on Boleskine.
This book does not claim absolute truths, but it speaks for those who can no longer speak for themselves by the histories they witnessed, wrote about, and which defined their ancestors and descendants, including the most powerful woman that ever lived – Countess Elizabeth Bathory. She tried to change the world; she paradoxically succeeded and failed. But what drove her? What did she know, we do not? What is her history? To begin to understand all this, one must travel back in time to when it began, when truth first became obscured, and when European society – Western culture - went horribly wrong. It is why her world was the way it was. Today, historiological “truths” of European Medieval Dark Ages, at best, exist as dim flashes of information in ancient manuscripts. A very interconnected European medieval history has much more, but inconvenient historiological information to informs us of events, names, places, and dates, but like a giant, complicated jigsaw puzzle. Unfortunately, many pieces are still missing, none more so than that of Carpathia. Consequently, an incomplete, theoretical picture of historical reality remains. There’s a reason for it. Throughout history, Europeans struggled for Humility, Humanity and Liberty, but only Carpathian Ungars maintained and struggled to keep it for more than a millennium – from about 600 to 1711. Their history has gone missing, supplanted by myths. Their greatest leaders are caricatures of Gothic horror literature, and their greatest traitors are their heroes. Their monuments are everywhere. Carpathia’s history does not exist in Western consciousness. What is it about Carpathia we are not supposed to know? Its missing medieval jigsaw puzzle pieces, when liberated from obscure archives, then reassembled, and inserted into the macro context of centuries, however, allows us to understand why. The period covered in this book is roughly seven centuries. It’s a litany of tragic moral failures. It begins with spiritual leaders who consistently failed in their moral duty because they misguidedly assumed a Roman imperial culture from the outset. It ends with the creation of a repressed imperial Ungaria and the supposed “first kings of Hungary.” Events within this book’s pages cover most of the first great pendulum swing of “European Cultural Chrysalis” – it’s Metamorphosis of Odium.” It explores the complexity of why, and how European culture became one of intolerance and hatred which tried to extinct all non-conformists within their divine Medieval European World Order. It explains why it was perfectly ethical and moral, and why society believed in the Resurrection of all things good after the final Apocalypse – this order’s primary vision. Resisting all this, of course, were all Carpathian cultures, the last being the Slavic-Turkic Ungars. To the Medieval European World Order, they, like the Caliphates, were the greatest heretics and heathens of the Dark Ages. These civilisations were the last refuge of Life, Liberty, and the Pursuit of Happiness in a world which had none. It’s a story of us.
Chrysalis is the debut novel from Jeremy Welch exploring a range of themes in a universal and ultimately hopeful story. The book follows Sebastian, a self-absorbed financier who spends his time wallowing in a social ambiance he despises. Sebastian is dissatisfied with his life and his inability to take any positive decisions since making a catastrophic error when he was a young officer serving in Iraq. When Sebastian is fired from his job, he turns to his ex-lover Zoe who urges him to pursue his passion for writing. Following her advice, Sebastian moves to Amsterdam to try to complete the novel he started as a student, hoping that this will rekindle his interest in life. While living in Amsterdam, Sebastian befriends the ethereal owner of a travelling Spiegeltent called Chrysalis. The cast of the Spiegeltent offer him a glimpse of a life he desires. The only thing holding Sebastian back is his inability to make a decision. Overcoming his usual passivity Sebastian surprises himself by intervening in the assault of a prostitute. So opens the gateway to the underworld of Amsterdam and the possibility of his redemption. Inspired by the work of William Boyd and John Irving, Chrysalis is a unique novel exploring a wide range of themes. The book will appeal to readers that enjoy contemporary fiction, as well as those interested in serious issues such as love, widowhood, post-traumatic stress disorder and migration and sex trafficking.
When the sensors of the U.S.S. Voyager detect abundant plant life on an unexplored planet, Captain Janeway leads an Away Team in search of fresh food supplies. They find lavish gardens inhabited by an enigmatic alien race that holds the gardens sacred. The fragrent blossoms are beautiful, enticing -- and far more dangerous than they appear. One by one, the Away Team begins to fall into deep comas from which they cannot be revived. Unwilling to spread the affliction to Voyager, the Away Team is trapped on the planet until a cure can be found, but their investigation is perceived as desecration by the devout worshippers of the gardens. Pursued by a fanactical mob, slowly succumbing to the insidious effect of the blossoms, Janeway faces either a violent death -- or an endless sleep.
Winner, 2023 Governor General's Literary Award Winner, 2023 Writers Trust Dayne Ogilvie Prize for LGBTQ2+ Emerging Writers Shortlisted for the 2024 Rakuten Kobo Emerging Writer Prize Longlisted for the 2024 Carol Shields Prize for Fiction Genre-blending stories of transformation and belonging that centre women of colour and explore queerness, family, and community. A couple in a crumbling marriage faces divine intervention. A woman dies in her dreams again and again until she finds salvation in an unexpected source. A teenage misfit discovers a darkness lurking just beyond the borders of her suburban home. The stories in Chrysalis, Anuja Varghese’s debut collection, are by turns poignant and chilling, blurring the lines between the real world and worlds beyond. Varghese delves fearlessly into complex intersections of family, community, sexuality, and cultural expectation, taking aim at the ways in which racialized women are robbed of power and revelling in the strange and dangerous journeys they undertake to reclaim it.
Traces the life and work of the pioneering seventeenth-century woman naturalist, discussing her unprecedented solo expedition to study insect metamorphosis in the New World and her role in the establishment of a new branch of biology.
Now in paperback, the stunning finale of the Project Nemesis trilogy from New York Times bestselling author Brendan Reichs. The 64 members of Fire Lake's sophomore class have managed to survive the first two phases of the Program--and each other. Now, they alone have emerged into the dawn of a new era on Earth, into a Fire Lake valley that's full of otherworldly dangers and challenges. Although staying alive in this broken world should force Min, Noah, Tack, and the others to form new alliances, old feuds die hard, and the brutality of the earlier Program phases cannot be forgotten. But being a team isn't easy for the sophomores, and when they discover that they may not be alone on the planet after all, they'll have to decide if they're going to work together . . . or die together.
"CHRYSALIS" WEBSITE The back cover of “Chrysalis” says in essence: What is the meaning of time: Why is there meaning in space and time? What is one way to stop the “Middle East” wars in every space? A subplot is – does God exist in time? Something that modernism buried. This book is postmodernist symbolism, PMS. This website is PMS, Hip Hop space. Cal Beuerbach, CIA anti hero agent, takes us from – Before September 11, 2001 to him as head of The State Department, in 2050. Why read this book? Don’t we all know about 9/11? Don’t we all know about the invasion of Iraq? As part of the CIA, WOULD Cal turn on the President? What is an alternative to get the terrorists off our case? It’s here. Our time, is the moon and the sun. Its meaningful - money producing – if you can get into something that is your passion, and generates money. That’s pragmatism. Terrorism is class, not religion. Terrorists pervert their reading of their Holy Book. Among other things which says – don’t commit suicide, the “main” terrorist tool. They are not Muslim terrorists, any more that the assault on Oklahoma City was done by a Christian terrorist. With the Noble Koran, Muslims worship with Jews contrary to the Palestinian and Israeli wars. These are some of the questions addressed. The US, generally, is a Christian Nation. Muslims worship with Jesus. Therefore, it is logically impossible for September 11, 2001 to happen. These are more issues addressed. Islamists are – not – fascists, contrary to National radio talk show hosts. The new lower classes of Arabs think the US is not moral. We are not. So if there is so much to talk about, why the terrorism? Why are we at war? Why were we in another Viet Nam? What is the way out, without loosing the war, as in Viet Nam? On whose advice? Answering those questions is the goal of “Chrysalis”. It uses postmodernist, metafiction. It is didactic – protective – of USA tactics. The introduction of the book reads: Is there a God? This is the essence of the class war. The poor Arabs think we don’t believe in God. So, in the end of the book, we get into a debate over the one Muslim Absolute – there is one God! In Chapter 1, it starts out at Christmas 2003: “To pitch the amber image – Jesus on the Cross – is to give it life, to say that the maroon game was meaningful.” That is to say – reddish is Jesus on the Cross. At Christmas, we pitch the image, as if it were the world series. To be the catcher on the rye gives our US meaning. The perceptive reader will see it as a world game. It’s a pitch. Like a salesman. It is neutral on the issue of – is Jesus a fake memoir, a novel. Not a treating of Jesus as the absolute truth. This is key in the novel – the Panarab conference to solve the problem of terrorism. Arabs – really – believing that Allah, the compassionate and merciful, is the one true God. We need treaties! We play ball. With the Muslims. This is a novel not a dissertation. But the title is a living metaphor, following Snow’s teacher Paul Ricoeur, in The Rule of Metaphor. Ricoeur is so big he is like a Pascal. There are other comparisons. Still in the First Chapter: “The 20th century told the farmer that Jesus was not born in a manger. ... It’s call modernism.” Postmodernist signs say that there is an alternative proof for the existence of God – while still meditating in a cubist and atonal form. It is mystic. That is – Cal’s – answer. And is one of the keys to the book. Find God, and you can talk to the 1 Billion Muslims, who would rather slit your throat, because our civilization, in modernism, told the Arabs that God did not exist. The God thing has to be resolved even with PMS. In Chapter 2 starts out, after the flash 2003 forward to Christmas, in 2000: “It’s a pilgrimage of our Calvin. To find the Mod.” Here we get into the plot of the novel. There is a name mentione