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I strongly believe we are on the shores of a great vast “OCEAN” of revival just now. God is getting ready to open the floodgates, and when he does, the world will have a visitation of the power, the glory and the judgment of God like it has never ever had before, for these to happen the church must be militant, aggressive and forceful through prayer and warfare.
A new mystery thrusts Axelle back into the world of high fashion—this time on her home turf! Posing as a model gets Axelle the kinds of connections that make her the fashion elite's go-to detective. Her newest case? The attack on famous fashion photographer Gavin Tempest that's left him in the hospital. The police may have ruled it a mugging, but Gavin's sister has special intel for Axelle that points to something more sinister...and when clues start pointing to people in high places, things get dicey for Axelle. Because fashion isn't the only thing that's killer in this case... Discover Axelle's other fashionably fearsome mysteries: Model Undercover: Paris Model Undercover: New York
The prophetic warriors are militant, spiritual commandos, regimented, they are fearless, bold and tenacious, they are not intimidated by the wiles of the devil and the Kingdom of darkness, and they are offensive and defensive in their assault against the satanic Kingdom. They have territorial dominion, movers and shakers, the worse nightmare of Satan and his kingdom, as you read this book get ready for impartation, revolution and another level in your walk with the Lord Jesus Christ.
Essays on art, politics and life from the best-selling author of Gomorrah Gomorrah, Roberto Saviano’s 2006 exposé of Naples’s Camorra mafia, was an international bestseller and became an award-winning film. But the death threats that followed forced the author into hiding. Saviano was ostracized by his countrymen and went on the run, changing his location every few months and compelled to keep perpetual company with his bodyguards. To this day, he lives in an undisclosed location. The loneliness of the fugitive life informs the essays in Beauty and the Inferno. Among other subjects, he writes about the legendary South African jazz singer Miriam Makeba, his meeting with the real-life Donnie Brasco, sharing the Nobel Academy platform with Salman Rushdie, and the murdered Russian journalist Anna Politkovskaya. Present throughout the book is a sense of Saviano’s peculiar isolation, which infuses his words with anger, exceptional insight and tragedy.
Since the early 1990s the media and cultural fields in China have become increasingly commercialized, resulting in a massive boom in the cultural and entertainment industries. This evolution has also brought about fundamental changes in media behaviour and communication, and the enormous growth of entertainment culture and the extensive penetration of new media into the everyday lives of Chinese people. Against the backdrop of the rapid development of China’s media industry and the huge growth in social media, this book explores the emotional content and public discourse of popular media in contemporary China. It examines the production and consumption of blockbuster films, television dramas, entertainment television shows, and their corresponding online audience responses, and describes the affective articulations generated by cultural and media texts, audiences and social contexts. Crucially, this book focuses on the agency of audiences in consuming these media products, and the affective communications taking place in this process in order to address how and why popular culture and entertainment programs exert so much power over mass audiences in China. Indeed, Shuyu Kong shows how Chinese people have sought to make sense of the dramatic historical changes of the past three decades through their engagement with popular media, and how this process has created a cultural public sphere where social communication and public discourse can be launched and debated in aesthetic and emotional terms. Based on case studies that range from television drama to blockbuster films, and reality television programmes to social media sites, this book will be of great interest to students and scholars of Chinese culture and society, media and communication studies, film studies and television studies.
Catalog of reports, decisions and opinions, testimonies and speeches.
A. L. Macintosh, Napier University, UK The papers in this volume are the refereed application papers presented at ES2004, the Twenty-fourth SGAI International Conference on Innovative Techniques and Applications of Artificial Intelligence, held in Cambridge in December 2004. The conference was organised by SGAI, the British Computer Society Specialist Group on Artificial Intelligence. This volume contains twenty refereed papers which present the innovative application of a range of AI techniques in a number of subject domains. This year, the papers are divided into sections on Synthesis and Prediction, Scheduling and Search, Diagnosis and Monitoring, Classification and Design, and Analysis and Evaluation This year's prize for the best refereed application paper, which is being sponsored by the Department of Trade and Industry, was won by a paper entitled "A Case-Based Technique for Tracking Concept Drift in Spam Filtering". The authors are Sarah Jane Delany, from the Dublin Institute of Technology, Ireland, and Padraig Cunningham, Alexey Tsymbal, and Lorcan Coyle from Trinity College Dublin, Ireland. This is the twelfth volume in the Applications and Innovations series. The Technical Stream papers are published as a companion volume under the title Research and Development in Intelligent Systems XXI. On behalf of the conference organising committee I should like to thank all those who contributed to the organisation of this year's application programme, in particular the programme committee members, the executive programme committee and our administrators Linsay Turbert and Collette Jackson.
Crime dramas have been a staple of the television landscape since the advent of the medium. Along with comedies and soap operas, the police procedural made an easy transition from radio to TV, and starting with Dragnet in 1952, quickly became one of the most popular genres. Crime television has proven to be a fascinating reflection of changes and developments in the culture at large. In the '50s and early '60s, the square-jawed, just-the-facts detectives of The Untouchables and The FBI put police work in the best light possible. As the '60s gave way to the '70s, however, the depictions gained more subtle shading, and The Streets of San Francisco, The Rockford Files, and Baretta offered conflicted heroes in more complex worlds. This trend has of course continued in more recent decades, with Steven Bochco's dramas seeking a new realism through frank depictions of language and sexuality on television. In chronicling these developments and illustrating how the genre has reflected our ideas of crime and crime solving through the decades, author Douglas Snauffer provides essential reading for any fan. This work provides a comprehensive history of detective and police shows on television, with, among other elements, production histories of seminal programs, and interviews with some of the most important writers and producers of crime television. Besides the shows listed above, this volume will also discuss such programs as: Peter Gunn, The Mod Squad, Hawaii Five-O, Columbo, Starsky and Hutch, Charlie's Angels, Magnum P.I., Miami Vice, T.J. Hooker, Remington Steele, Cagney and Lacey, Murder, She Wrote, The Commish, Homicide: Life on the Street, Monk, and many more.