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Spanning half a lifetime, Under Three Moons takes place on three nights across three decades of two friends' lives. From a school trip to France as teenagers, to a surf shack in their twenties, to Christmas in their thirties, Mike and Paul meet up and talk into the night. From boyhood to manhood to fatherhood, these are the nights they share. This sharp two-hander concerns society's shifting view of male identity, how we've gone from talk of 'lad culture' to the 'metro-sexual' and now 'toxic masculinity'. Male mental health has become much more understood if not discussed enough and the way men relate to their friends and to themselves, is complicated and emotionally obtuse. Under Three Moons is about a male friendship, two men growing together, a relationship that's close but often un-articulated, and how that lack of direct expression can become the defining trait in a life.
Come join the wizards on their journey and adventures as they seek the enlightened.
From the #1 New York Times bestselling author of Anathem, Reamde, and Cryptonomicon comes an exciting and thought-provoking science fiction epic—a grand story of annihilation and survival spanning five thousand years. What would happen if the world were ending? A catastrophic event renders the earth a ticking time bomb. In a feverish race against the inevitable, nations around the globe band together to devise an ambitious plan to ensure the survival of humanity far beyond our atmosphere, in outer space. But the complexities and unpredictability of human nature coupled with unforeseen challenges and dangers threaten the intrepid pioneers, until only a handful of survivors remain . . . Five thousand years later, their progeny—seven distinct races now three billion strong—embark on yet another audacious journey into the unknown . . . to an alien world utterly transformed by cataclysm and time: Earth. A writer of dazzling genius and imaginative vision, Neal Stephenson combines science, philosophy, technology, psychology, and literature in a magnificent work of speculative fiction that offers a portrait of a future that is both extraordinary and eerily recognizable. As he did in Anathem, Cryptonomicon, the Baroque Cycle, and Reamde, Stephenson explores some of our biggest ideas and perplexing challenges in a breathtaking saga that is daring, engrossing, and altogether brilliant.
Georgia Mae Brown has always lived an ordinary life. That is, until her husband dies in the arms of a younger woman. Six weeks after his death, Georgia slides behind the wheel of her husband's beloved 1976 Fleetwood convertible, starts the engine and just keeps driving. Empowered by a volatile mix of freedom and retribution, Georgia begins a journey of a lifetime.
The winds of time blow eternal. The Wheel of the Year has turned four thousand times since the Gods defeated their brother, the Khem Ûru, the Dark God, in the great war men named the War of the Gods. A thousand years have passed since the Battle Druid Cuhulain, the last Warrior of the Three Moons, was slain at the Raven Stone. In that desperate time, the Cál Dhürra, the mythical Sunspear forged in the God Age by the Smith God, Goibhniu was lost to the sight of men. Now the Dark God again reaches out to touch the living world. With his stirring, the dark winds of war again blow over Éirinn, sacred land of the Celtae. Ciarán, a young Scotti warrior, is chosen by the Goddess, Danu, to be the next mythical Warrior of the Three Moons and lead her children in the desperate war against the coming of the Long Night--but first he must be tested. He must find the long-lost Sunspear and prevent it from falling into the Dark God's hands.
From the New York Times bestselling author of Blue Bloods and Witches of East End After they cause a terrible accident at their old high school, twin witches Mardi and Molly Overbrook are sent to live with their “Aunt” Ingrid Beauchamp in North Hampton, on Long Island’s mist-shrouded East End. Because the twins cannot control their powers, their father begs Ingrid to tame them over the summer, before the White Council exiles the girls to Limbo. Trouble continues to bubble and boil when the girls meet the younger Gardiner boys, who are just as handsome and sexy as their older kin. But all is not as it seems. As Ingrid helps the girls learn to control their magical impulses, Mardi and Molly have just this summer to figure out how to grow up, how to love, and how to be a family.
In a world of sorcery and sand, a slave rebellion is out of control and an army of undead is approaching. Does Horace have the power and strength to save what he fought so hard to win? In a setting reminiscent of ancient Egypt and Babylon, where God-Kings and God-Queens hold the power of life and death in their hands, Horace, the onetime slave who became a powerful magician, has turned the tables on his former masters. Blade and Bone, the third book in The Book of the Black Earth, follows Horace, Alyra, and Jirom as they navigate the hurdles of managing the slave rebellion under the Akeshian Empire's nose. But evil is not content to sit back and let them gather their strength. A new threat is coming in the form of an unstoppable army of the walking dead. To face this enemy, our heroes will have to dig deeper and find a strength they didn't know they possessed.
Science fiction-roman.
The Javanese text being published here is not appearing in print for the first time: more than half Cli century ago it was published by B.J.O. Schrieke in his doctQr's thesis Ret Boek van Bonang ("The Book of Bonang") (1916). In Schrieke's work, however, the emphasis fell O'n the historical introductiQn to the text rather than on the text itself, the edition of which is nQt free of shortcomings. MoreQver, the analysis of the contents of the text appended to it could not make up Qf a complete translation. for the lack That a new edition and complete translation of this Qld and important text has nQt been made before now is due to the small number of scholars of Javanese - and the even smaller number of those amQng them who concern themselves with the Muslim works of Javanese literature. In short, it is the piQneering character which the study of Indonesian literatures still largely PQssesses that has caused people to be contented with preliminary surveys Qf this extensive field of study j it is true that a number of welcQme milestones have been erected, but it can in no way be said that the cha:rting Qf the whole field is yet complete. After the first publication of a text and summary of its contents people are only too readily inclined to proceed to other projects, mOore attractive because of their novelty.