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Few places in the United States can boast as many ghosts as the tiny town of Sewanee, Tennessee, the home of The University of the South. "Haunted Sewanee" tells the tales of over seventy local haunted places. From banshee to party ghost to possessor to poltergeist, you will meet all sorts of spirits. Encounter a spirit who steps into the shower with you, and another who pushes people down stairs. Meet one who is terribly tall and another who is just an orb. One plays the organ very well and another forces a pianist to play exceedingly eerie music. Learn the spine-tingling story of the iconic, if apocryphal, Headless Gownsman. Each spirit has its own unique personality, but all are sure to spook you. You will also learn a bit about the history of Sewanee. If you enjoy ghost stories, you will love these haunted tales.
A life-changing secret destroys an unlikely friendship in this "magnetic" psychological thriller from the Edgar Award-winning author of Dare Me and The Turnout (Meg Wolitzer). You told each other everything. Then she told you too much. Kit has risen to the top of her profession and is on the brink of achieving everything she wanted. She hasn't let anything stop her. But now someone else is standing in her way: Diane. Best friends at seventeen, their shared ambition made them inseparable. Until the day Diane told Kit her secret -- the worst thing she'd ever done, the worst thing Kit could imagine -- and it blew their friendship apart. Kit is still the only person who knows what Diane did. And now Diane knows something about Kit that could destroy everything she's worked so hard for. How far would Kit go to make the hard work, the sacrifice, worth it in the end? What wouldn't she give up? Diane thinks Kit is just like her. Maybe she's right. Ambition: it's in the blood . . . Shortlisted for the CWA Ian Fleming Steel Dagger Award
A New York Times Notable Book of the Year Winner of the LAMBDA Literary Award for Lesbian Fiction Named a Best Book of 2016 by NPR, Entertainment Weekly, Buzzfeed, Bustle, San Francisco Chronicle, The Root, BookRiot, Kirkus Reviews, NYLON, Amazon, WBUR's "On Point", the Barnes & Noble Review, and Amazon (Fiction & Literature) Finalist for the NYPL Young Lions Fiction Award and the Center for Fiction's First Novel Prize Selected for the Grand Prix Litteraire of the Association of Caribbean Writers Longlisted for the ALA Over the Rainbow Award Longlisted for the Dublin Literary Award In this radiant, highly anticipated debut, a cast of unforgettable women battle for independence while a maelstrom of change threatens their Jamaican village. Capturing the distinct rhythms of Jamaican life and dialect, Nicole Dennis- Benn pens a tender hymn to a world hidden among pristine beaches and the wide expanse of turquoise seas. At an opulent resort in Montego Bay, Margot hustles to send her younger sister, Thandi, to school. Taught as a girl to trade her sexuality for survival, Margot is ruthlessly determined to shield Thandi from the same fate. When plans for a new hotel threaten their village, Margot sees not only an opportunity for her own financial independence but also perhaps a chance to admit a shocking secret: her forbidden love for another woman. As they face the impending destruction of their community, each woman—fighting to balance the burdens she shoulders with the freedom she craves—must confront long-hidden scars. From a much-heralded new writer, Here Comes the Sun offers a dramatic glimpse into a vibrant, passionate world most outsiders see simply as paradise.
Accessible and wry, at times comic, and often mournful, Daniel Anderson's poetry is relentlessly attentive to the splendors of the natural world. But the poems collected here—previously published in such leading literary journals as Poetry, The Kenyon Review, The Southern Review, The Yale Review, New England Review, and Southwest Review—are not relegated simply to the realm of pastoral meditation. They give voice to the sorrowful and sometimes unfortunate things we say and think. They chronicle, with both precision and care, the many ways in which jubilation and lament frequently reverse themselves. Above all else, each poem crystallizes in its wake a freshly minted moment, one that articulates an experience that reaches beyond the poet's own time and place. Sunflowers drenched in early evening sun; icy blue, explosive waves along the rocky shores of Maine; September cotton "like strange anachronistic snow" in Tennessee—Anderson forges these images into deep ruminations on love, shame, delight, loss, and estrangement.
Born and raised in Greenville, Mississippi, within the shelter of old traditions, aristocratic in the best sense, William Alexander Percy in his lifetime (1885–1942) was brought face to face with the convulsions of a changing world. Lanterns on the Levee is his memorial to the South of his youth and young manhood. In describing life in the Mississippi Delta, Percy bridges the interval between the semifeudal South of the 1800s and the anxious South of the early 1940s. The rare qualities of this classic memoir lie not in what Will Percy did in his life—although his life was exciting and varied—but rather in the intimate, honest, and soul-probing record of how he brought himself to contemplate unflinchingly a new and unstable era. The 1973 introduction by Walker Percy—Will's nephew and adopted son—recalls the strong character and easy grace of "the most extraordinary man I have ever known."
Presents a selection of the best works of short fiction of the past year from a variety of acclaimed sources.
Award-winning short story writer Megan Mayhew Bergman's debut novel--a beautiful and engrossing tale of a southern family, set outside of Charleston in the 1920s and 1930s, with an unforgettable young heroine. Win Spangler and Helena Glass met on the dunes at a beach resort in Charleston, South Carolina, in 1919. Helena, a skilled shooter and former beauty queen, was born and raised on a moss-draped former rice plantation, and her family is devoted to preserving their crumbling heritage. Win is a medical school dropout with a sizeable inheritance, eager to make his mark on southern culture. When Helena seduces Win, their lives become inextricably bound. Their daughter Sally Anne is born at Glass Manor and her father nicknames her Skip, because he hopes any misfortune will pass her by. But her mother is unstable and her father is unsatisfied, and Skip grows up lonely and isolated. She is drawn to the families down the road on Nightingale Lane, where the field workers and servants live, and develops a unique friendship with a boy named Ase. When Skip is thirteen years old her father invites a disquieting doctor to set up a private laboratory on the property, and his pioneering surgical experiments lead to disastrous consequences, forcing Skip to question everything she knows about family, love, and legacy. Author Megan Mayhew Bergman has been hailed "a top-notch emerging writer" (The Boston Globe) and a writer of "intense, richly imagined tales" (Maureen Corrigan, NPR), and brings her formidable storytelling talents to bear in Nightingale Lane, with its rich cast of characters and lush, evocative prose. Atmospheric and steeped in southern lore, Nightingale Lane explores the power of wronged women, the cost of inheritance, and the reconciliation of past and present.
New Russian Drama took shape at the turn of the new millennium—a time of turbulent social change in Russia and the former Soviet republics. Emerging from small playwriting festivals, provincial theaters, and converted basements, it evolved into a major artistic movement that startled audiences with hypernaturalistic portrayals of sex and violence, daring use of non-normative language, and thrilling experiments with genre and form. The movement’s commitment to investigating contemporary reality helped revitalize Russian theater. It also provoked confrontations with traditionalists in society and places of power, making theater once again Russia’s most politicized art form. This anthology offers an introduction to New Russian Drama through plays that illustrate the versatility and global relevance of this exciting movement. Many of them address pressing social issues, such as ethnic tensions and political disillusionment; others engage with Russia’s rich cultural legacy by reimagining traditional genres and canons. Among them are a family drama about Anton Chekhov, a modern production play in which factory workers compose haiku, and a satirical verse play about the treatment of migrant workers, as well a documentary play about a terrorist school siege and a postdramatic “text” that is only two sentences long. Both politically and aesthetically uncompromising, they chart new paths for performance in the twenty-first century. Acquainting English-language readers with these vital works, New Russian Drama challenges us to reflect on the status and mission of the theater.
Alexander Maksik's electrifying novel tracks a woman's journey from the horrors of Charles Taylor's Liberia to abject poverty and self-exile on a Greek island, where she must grapple with a haunted past and find a way back into human society. On an island somewhere in the Aegean, Jacqueline, a young Liberian woman, veers between starvation and satiety, between the brutality of her past and the precarious uncertainty of her present in the aftermath of experiences so unspeakable that she prefers homeless numbness to the psychological confrontation she knows is inevitable. Hypnotic, highly sensual, exquisitely written, and extraordinary in its depiction of both pleasure and pain, of excruciating physical and spiritual hungers, A Marker to Measure Drift is a novel about memory, how we live with what we know, and whether and how we go forward, intact and whole, after the ravages of loss. It is beautiful, lacerating, impossible to put down. A breakthrough work from a prodigiously gifted young writer.