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2020 Museum of African American History Stone Book Award 2020 Lillian Smith Book Award Finalist, 2020 Pauli Murray Book Prize For generations, historically Black colleges and universities (HBCUs) have been essential institutions for the African American community. Their nurturing environments not only provided educational advancement but also catalyzed the Black freedom struggle, forever altering the political destiny of the United States. In this book, Jelani M. Favors offers a history of HBCUs from the 1837 founding of Cheyney State University to the present, told through the lens of how they fostered student activism. Favors chronicles the development and significance of HBCUs through stories from institutions such as Cheyney State University, Tougaloo College, Bennett College, Alabama State University, Jackson State University, Southern University, and North Carolina A&T. He demonstrates how HBCUs became a refuge during the oppression of the Jim Crow era and illustrates the central role their campus communities played during the civil rights and Black Power movements. Throughout this definitive history of how HBCUs became a vital seedbed for politicians, community leaders, reformers, and activists, Favors emphasizes what he calls an unwritten "second curriculum" at HBCUs, one that offered students a grounding in idealism, racial consciousness, and cultural nationalism.
On the way to offering a new analysis of the basis of the Supreme Court’s iconic decision in Brown v. Board of Education, Jeffrey Hockett critiques an array of theories that have arisen to explain it and Supreme Court decision making generally. Drawing upon justices’ books, articles, correspondence, memoranda, and draft opinions, A Storm over This Court demonstrates that the puzzle of Brown’s basis cannot be explained by any one theory. Borrowing insights from numerous approaches to analyzing Supreme Court decision making, this study reveals the inaccuracy of the popular perception that most of the justices merely acted upon a shared, liberal preference for an egalitarian society when they held that racial segregation in public education violates the equal protection clause of the Fourteenth Amendment. A majority of the justices were motivated, instead, by institutional considerations, including a recognition of the need to present a united front in such a controversial case, a sense that the Court had a significant role to play in international affairs during the Cold War, and a belief that the Court had an important mission to counter racial injustice in American politics. A Storm over This Court demonstrates that the infusion of justices’ personal policy preferences into the abstract language of the Constitution is not the only alternative to an originalist approach to constitutional interpretation. Ultimately, Hockett concludes that the justices' decisions in Brown resist any single, elegant explanation. To fully explain this watershed decision—and, by implication, others—it is necessary to employ a range of approaches dictated by the case in question.
Jaden's summer visit with her meteorologist father, who has just returned from spending four years in Russia conducting weather experiments not permitted in the United States, fills her with apprehension and fear as she discovers that living at her father's planned community, Placid Meadows, is anything but placid.
'A vibrant tale of betrayal, intrigue and revolution' Anthony Ryan 'A thrilling, fantastical adventure that introduces a beguiling new world' S. A. Chakraborty In the city of Bassa, Danso is a clever scholar on the cusp of achieving greatness-only he doesn't want it. Instead, he prefers to chase forbidden stories about what lies outside the city walls. The Bassai elite claim there is nothing of interest. The city's immigrants are sworn to secrecy. But when Danso stumbles across a warrior wielding magic that shouldn't exist, he's put on a collision course with Bassa's darkest secrets. Drawn into the city's hidden history, he sets out on a journey beyond its borders. But the chaos left in the wake of his discovery threatens to destroy the empire. Award-winning author Suyi Davies Okungbowa begins a thrilling new epic fantasy series of violent conquest, buried histories and forbidden magic. Praise for Son of the Storm 'A contender for best new fantasy series of the year' SFX 'Everything I love to see in a fantasy story: masterful, fully-realised worldbuilding, morally complex characters, thoughtful and piercing interrogations of power . . . Damn good stuff!' Jenn Lyons 'An elaborately plotted tale of ancient magics and world-shattering politics. I, like many others, will be impatiently waiting for the next instalment!' Andrea Stewart 'An original and fully conceived new world of fantasy teeming with brilliant possibilities' P. Djèlí Clark 'An epic fantasy set apart by how deftly Okungbowa unfurls his intricate, richly imagined world' A. K. Larkwood 'Forgotten magic propels a richly drawn story of ambition, conspiracy and the elusiveness of belonging' Fonda Lee 'Bold characters, bloody action and brutal politics. I thoroughly enjoyed it!' James Islington
The stages of the creative process—from “unlearning” to beginning again—seen through examples from the practice of artists, architects, poets, and others. Although each instance of creativity is singular and specific, Kyna Leski tells us, the creative process is universal. Artists, architects, poets, inventors, scientists, and others all navigate the same stages of the process in order to discover something that does not yet exist. All of us must work our way through the empty page, the blank screen, writer's block, confusion, chaos, and doubt. In this book, Leski draws from her observations and experiences as a teacher, student, maker, writer, and architect to describe the workings of the creative process. Leski sees the creative process as being like a storm; it slowly begins to gather and take form until it overtakes us—if we are willing to let it. It is dynamic, continually in motion; it starts, stops, rages and abates, ebbs and flows. In illustrations that accompany each chapter, she maps the arc of the creative process by tracing the path of water droplets traveling the stages of a storm. Leski describes unlearning, ridding ourselves of preconceptions; only when we realize what we don't know can we pose the problem that we need to solve. We gather evidence—with notebook jottings, research, the collection of objects—propelling the process. We perceive and conceive; we look ahead without knowing where we are going; we make connections. We pause, retreat, and stop, only to start again. To illustrate these stages of the process, Leski draws on examples of creative practice that range from Paul Klee to Steve Jobs, from the discovery of continental drift to the design of Antoni Gaudí's Sagrada Familia. Creativity, Leski tells us, is a path with no beginning or end; it is ongoing. This revelatory view of the creative process will be an essential guide for anyone engaged in creative discovery. The Creative Process Unlearning Problem Making Gathering and Tracking Propelling Perceiving and Conceiving Seeing Ahead Connecting Pausing Continuing
How does coding change the way we think about architecture? This question opens up an important research perspective. In this book, Miro Roman and his AI Alice_ch3n81 develop a playful scenario in which they propose coding as the new literacy of information. They convey knowledge in the form of a project model that links the fields of architecture and information through two interwoven narrative strands in an “infinite flow” of real books. Focusing on the intersection of information technology and architectural formulation, the authors create an evolving intellectual reflection on digital architecture and computer science.
Christopher Zyda confronts the long-buried and painful memories of his harrowing fifteen-year journey in The Storm: One Voice from the AIDS Generation, a heart-wrenching love story and coming-of-age tale during the early years of the AIDS crisis in Los Angeles. It all begins in the spring of 1983, when Chris, a twenty-one-year-old UCLA English Literature major and aspiring writer, risks ostracism when he comes out of the closet to his fraternity brothers just as the AIDS pandemic is beginning to explode in gay communities across the United States. Soon afterward, Chris meets and falls in love with Stephen, a graduate of Yale University and Law School, and the two of them build a life together as their friends start to fall sick and die from the spreading storm of AIDS. Stephen begins showing symptoms of AIDS in early 1986, and Chris faces a difficult choice as he is certain that he, too, eventually will be stricken by the disease. He abandons his writing career and attends the UCLA business school so that he can earn enough money to pay for healthcare during Stephen's illness. The Storm is filled with heart, optimism, and love, interspersed with Los Angeles history, gay and lesbian history, AIDS history, and the backdrop of the 1980s and 1990s. It is an unflinching and, at times, raw memoir of perseverance, integrity, forgiveness, the power of love, spiritual growth, Carpe Diem, dreams, and, most of all: survival and ultimate triumph.
A major publishing event, the collected writings of the groundbreaking scholar who "first coined intersectionality as a political framework" (Salon) For more than twenty years, scholars, activists, educators, and lawyers--inside and outside of the United States--have employed the concept of intersectionality both to describe problems of inequality and to fashion concrete solutions. In particular, as the Washington Post reported recently, "the term has been used by social activists as both a rallying cry for more expansive progressive movements and a chastisement for their limitations." Drawing on black feminist and critical legal theory, Kimberlé Crenshaw developed the concept of intersectionality, a term she coined to speak to the multiple social forces, social identities, and ideological instruments through which power and disadvantage are expressed and legitimized. In this comprehensive and accessible introduction to Crenshaw's work, readers will find key essays and articles that have defined the concept of intersectionality, collected together for the first time. The book includes a sweeping new introduction by Crenshaw as well as prefaces that contextualize each of the chapters. For anyone interested in movement politics and advocacy, or in racial justice and gender equity, On Intersectionality will be compulsory reading from one of the most brilliant theorists of our time.
In this book respected New Testament scholar Pheme Perkins delivers a clear, fresh, informed introduction to the earliest written accounts of Jesus — Matthew, Mark, and Luke — situating those canonical Gospels within the wider world of oral storytelling and literary production of the first and second centuries. Cutting through the media confusion over new Gospel finds, Perkins s Introduction to the Synoptic Gospels presents a balanced, responsible look at how the Gospels of Matthew, Mark, and Luke came to be and what they mean.
A new epic fantasy series from the New York Times bestselling author chosen to complete Robert Jordan's The Wheel of Time® Series