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Featuring color images and stills, Under the Mexican Sky provides a comprehensive view of the enduring Mexican iconography that Figueroa crafted throughout his career as a cinematographer, working on more than 200 films and collaborating with some of the world's leading directors of the time, such as John Ford, John Houston, Emilio Fernández and Luis Buñuel.
An American writer and his wife find a new home—and a new lease on life—in the charming sixteenth-century hill town of San Miguel de Allende, Mexico. When Los Angeles novelist Tony Cohan and his artist wife, Masako, visited central Mexico one winter they fell under the spell of a place where the pace of life is leisurely, the cobblestone streets and sun-splashed plazas are enchanting, and the sights and sounds of daily fiestas fill the air. Awakened to needs they didn’t know they had, they returned to California, sold their house and cast off for a new life in San Miguel de Allende. On Mexican Time is Cohan's evocatively written memoir of how he and his wife absorb the town's sensual ambiance, eventually find and refurbish a crumbling 250-year-old house, and become entwined in the endless drama of Mexican life. Brimming with mystery, joy, and hilarity, On Mexican Time is a stirring, seductive celebration of another way of life—a tale of Americans who, finding a home in Mexico, find themselves anew.
A Life Story of Fiddlin Andy, The Happy Rambler From Ohio With the encouragement of his daughter, Bonnie Summers and Grandaughter, Nikki Summers, Andy began to compile this epic retelling the kaleidoscopic experiences. Local friend and author, Meryl Taylor, began to help shape the saga into a working manuscript. Andys tale recalls his myriad travels around the world as well as his journeys throughout his beloved country. The majestic Statue of Libery in New York Harbor and the wide, bustling streets of New York City; the inspiring waterfalls of Wyoming as well as the exhilarating trip through the Soo Locks of Michagan as seen through the eyes of a young sailor on the Great Lakes Steam Ships and various naval vessels. Andy remarks the beautiful and wonderful places and friendly people make me feel good. This cowboy has an interesting and inspiring story to tell!
From the mid-1930s to the late 1950s, Mexican cinema became the most successful Latin American cinema and the leading Spanish-language film industry in the world. Many Cine de Oro (Golden Age cinema) films adhered to the dominant Hollywood model, but a small yet formidable filmmaking faction rejected Hollywood’s paradigm outright. Directors Fernando de Fuentes, Emilio Fernández, Luis Buñuel, Juan Bustillo Oro, Adolfo Best Maugard, and Julio Bracho sought to create a unique national cinema that, through the stories it told and the ways it told them, was wholly Mexican. The Classical Mexican Cinema traces the emergence and evolution of this Mexican cinematic aesthetic, a distinctive film form designed to express lo mexicano. Charles Ramírez Berg begins by locating the classical style’s pre-cinematic roots in the work of popular Mexican artist José Guadalupe Posada at the turn of the twentieth century. He also looks at the dawning of Mexican classicism in the poetics of Enrique Rosas’ El Automóvil Gris, the crowning achievement of Mexico’s silent filmmaking era and the film that set the stage for the Golden Age films. Berg then analyzes mature examples of classical Mexican filmmaking by the predominant Golden Age auteurs of three successive decades. Drawing on neoformalism and neoauteurism within a cultural studies framework, he brilliantly reveals how the poetics of Classical Mexican Cinema deviated from the formal norms of the Golden Age to express a uniquely Mexican sensibility thematically, stylistically, and ideologically.
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Maggie is one of the most known works of the author. This story, perfectly laid out in New York's Bowery, dealt with doings and sayings of the people of the slums,—a reflection of the scenes and actions of city life as Crane saw it. While this work made no great impression on the general public, it brought the author to the attention of many literary men, especially William Dean Howells and Hamlin Garland, who encouraged Crane and helped him whenever they could find opportunity.