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Now for the first time, country music authority Charles K. Wolfe gathers together his profiles of 50 legends of country music, including Bill Monroe, Lefty Frizzell, and Kitty Wells.
The hulk of Henry VIII's flagship is raised from the seabed in an operation that captures the mind of the nation. The leader of the Labour party wears an informal coat at the Cenotaph and provokes a national scandal. An elderly lady whose ancient house is scheduled for demolition dismantles it, piece by piece, and moves it across the country... On Living in an Old Country probes such apparently fleeting and disconnected events in order to reveal how history lives on, not just in the specialist knowledge of historians, archaeologists and curators, but as a tangible presence permeating everyday life and shaping our sense of identity. It investigates the rise of 'heritage' as expressed in literature, advertising, and political rhetoric as well as in popular television dramas, conservation campaigns, and urban development schemes. It explores the relations between the idea of an imperilled national identity and the transformation of British society introduced by Margaret Thatcher. This is the book that put 'heritage' on the map, opening one of the defining cultural and political debates of our time, and showing why conservation is a subject of such broad significance in contemporary Britain. This new edition includes an extensive new preface and interview material reflecting on the ongoing debate about the heritage industry which the book helped to kick-start.
From John Philip Sousa to Green Day, from Scott Joplin to Kanye West, from Stephen Foster to Coldplay, The Encyclopedia of Great Popular Song Recordings, Volumes 1 and 2 covers the vast scope of its subject with virtually unprecedented breadth and depth. Approximately 1,000 key song recordings from 1889 to the present are explored in full, unveiling the stories behind the songs, the recordings, the performers, and the songwriters. Beginning the journey in the era of Victorian parlor balladry, brass bands, and ragtime with the advent of the record industry, readers witness the birth of the blues and the dawn of jazz in the 1910s and the emergence of country music on record and the shift from acoustic to electrical recording in the 1920s. The odyssey continues through the Swing Era of the 1930s; rhythm & blues, bluegrass, and bebop in the 1940s; the rock & roll revolution of the 1950s; modern soul, the British invasion, and the folk-rock movement of the 1960s; and finally into the modern era through the musical streams of disco, punk, grunge, hip-hop, and contemporary dance-pop. Sullivan, however, also takes critical detours by extending the coverage to genres neglected in pop music histories, from ethnic and world music, the gospel recording of both black and white artists, and lesser-known traditional folk tunes that reach back hundreds of years. This book is ideal for anyone who truly loves popular music in all of its glorious variety, and anyone wishing to learn more about the roots of virtually all the music we hear today. Popular music fans, as well as scholars of recording history and technology and students of the intersections between music and cultural history will all find this book to be informative and interesting.