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During the Great Famine in Ireland in the 1840s, three children are left alone and in danger of being sent to the workhouse, so they set out to find the great-aunts they remember from their mother's stories.
Jingqiu, an innocent young woman from a politically questionable family in the city, is selected as one of a small group of students to be sent to the countryside to work on a project that will further the Cultural Revolution. Clever, curious and eager, she tries to fit in with her hosts and the rural way of life, and it isn't appropriate for her to fall in love. But she does, with the son of a mighty army general. This beautiful, simple story of love against the odds will break your heart.
The second book in the famine trilogy At seven, Peggy made a terrifying journey through famine-stricken Ireland. Now thirteen, and determined to make a new life for herself, she sets off alone across the Atlantic to America. Will she ever see her family again? An extraordinary story of courage, independence and adventure The other books in the Famine trilogy are Under the Hawthorn Tree and Fields of Home. A study guide to Under the Hawthorn tree is also available.
"This edition published in agreement with The O'Brien Press, Ltd." --T.p. verso.
An exquisite and intimate novel about four people's lives and our changing relationship with nature, for fans of Jon McGregor and Robert Macfarlane.
A haunting and emotionally satisfying novel from a much-loved and critically acclaimed author, which weaves fairy tale and gritty realism together to dazzlingly effect.
The first book in the famine trilogy Under the Hawthorn Tree is Ireland's top selling children's book. The phenomenal success of this original and enthralling book is celebrated with this beautiful hardback gift edition. This novel has become a classic for young readers worldwide. Under the Hawthorn Tree continues to go from strength to strength and this new edition is a must for any collection. Ireland in the 1840s is devastated by famine. When tragedy strikes their family, Eily, Michael and Peggy are left to fend for themselves. Starving and in danger of the dreaded workhouse, they escape. Their one hope is to find the great aunts they have heard about in their mother's stories.With tremendous courage they set out on a journey that will test every reserve of strength, love and loyalty they possess. Also available on DVD.
Yichang municipality, Hubei province, China, early 1970s. High-school student Jingqiu is one of many educated urban youth sent to the countryside to be "re-educated" under a dictate from Chairman Mao. Jing's father is a political prisoner somewhere in China, and her mother, a former teacher branded as a "capitalist," is now reduced to menial work to support Jing and her two younger siblings. When Jing arrives with a group at Xiping village in the Yangtze River's Three Gorges region, she meets geology student Jianxin, nicknamed "Old Three," who is the son of a high-ranking military officer, but whose mother committed suicide after being branded a "rightist." Despite their disparate social backgrounds and a political atmosphere that forbids the relationship, Jingqiu and Jianxin fall desperately in love. But their budding romance is cut short by fate... A sensitive and searing love story, Under the Hawthorn Tree is sure to become an instant classic.
Fragmented Memories and Screening Nostalgia for the Cultural Revolution argues that films and TV dramas about the Cultural Revolution made after China’s accession to the WTO in 2001 tend to represent personal memories in a markedly sentimental, nostalgic, and fragmented manner. This new trend is a significant departure from earlier films about the subject, which are generally interpreted as national allegories, not private expressions of grief, regret or other personal feelings. With China entering a postsocialist era, the ideological conflation of socialism and global capitalism has generated enough cultural ambiguity to allow a space for the expression of personalized reminiscences of the past. By presenting these personal memories—in effect alternative narratives to official history—on screen, individuals now seem to have some agency in narrating and constructing history. At the same time such autonomy can be easily undermined since the promotion of the sentiment of nostalgia is often subjected to commodification. Sentimental treatments of the past may simply be a marketing strategy. Underplaying political issues is also a ‘safer’ way for films and TV dramas to secure public release in mainland China. Meng concludes that the new mode of representing the past is shaped by the current sociopolitical conditions: these personal memories and micro-narratives can be understood as the defining ways of remembering in China’s postsocialist era. ‘Fragmented Memories and Screening Nostalgia for the Cultural Revolution takes a comprehensive look at contemporary screen depictions of the Cultural Revolution. The book convincingly ties close readings of the works analysed with broader social and cultural phenomena that already are hot topics of study and debate, offering something original while also being closely engaged with existing scholarship.’ —Jason McGrath, University of Minnesota ‘Breaking through the tired dichotomy between personal and collective narratives, individual memory and grand history, this refreshing book sheds much light on film memories of the Cultural Revolution in the post-socialist millennium. In a limpid and engaging style, Jing Meng probes memory’s nostalgia and imbrication with the collective destiny, and critiques the personal focus aligned with neoliberal economy and commodification.’ —Ban Wang, Stanford University