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The epic genre has at its heart a fascination with the horror of viewing death. Epic heroes have active visual power, yet become objects, turned into monuments, watched by two main audiences: the gods above and the women on the sidelines. This stimulating, ambitious study investigates the theme of vision in Greek and Latin epic from Homer to Nonnus, bringing the edges of epic into dialogue with celebrated moments (the visual confrontation of Hector and Achilles, the failure of Turnus' gaze), revealing epic as massive assertion of authority and fractured representation. Helen Lovatt demonstrates the complexity of epic constructions of gender: from Apollonius' Medea toppling Talos with her eyes to Parthenopaeus as object of desire. She discusses mortals appropriating the divine gaze, prophets as both penetrative viewers and rape victims, explores the divine authority of epic ecphrasis, and exposes the way that heroic bodies are fragmented and fetishised.
The end of the eighteenth century saw the start of a new craze in Europe: tiny portraits of single eyes that were exchanged by lovers or family members. Worn as brooches or pendants, these minuscule eyes served the same emotional need as more conventional mementoes, such as lockets containing a coil of a loved one’s hair. The fashion lasted only a few decades, and by the early 1800s eye miniatures had faded into oblivion. Unearthing these portraits in Treasuring the Gaze, Hanneke Grootenboer proposes that the rage for eye miniatures—and their abrupt disappearance—reveals a knot in the unfolding of the history of vision. Drawing on Alois Riegl, Jean-Luc Nancy, Marcia Pointon, Melanie Klein, and others, Grootenboer unravels this knot, discovering previously unseen patterns of looking and strategies for showing. She shows that eye miniatures portray the subject’s gaze rather than his or her eye, making the recipient of the keepsake an exclusive beholder who is perpetually watched. These treasured portraits always return the looks they receive and, as such, they create a reciprocal mode of viewing that Grootenboer calls intimate vision. Recounting stories about eye miniatures—including the role one played in the scandalous affair of Mrs. Fitzherbert and the Prince of Wales, a portrait of the mesmerizing eye of Lord Byron, and the loss and longing incorporated in crying eye miniatures—Grootenboer shows that intimate vision brings the gaze of another deep into the heart of private experience. With a host of fascinating imagery from this eccentric and mostly forgotten yet deeply private keepsake, Treasuring the Gaze provides new insights into the art of miniature painting and the genre of portraiture.
Amelia Cynster is stunned to hear these words from Lucien Ashford—the enigmatic sixth Viscount Calverton and the man she has always loved—just before the handsome rogue passes out at her feet. Dawn is breaking and she's already risked scandal by lying in wait for him just outside his London home. And though torn between indignant affront and astonished relief, she's nevertheless thrilled that Luc has agreed to her outrageous marriage proposal. However, rather than submitting to a hasty wedding as Amelia had planned, the exasperating lord insists on wooing her properly…in public and in private. She longs for their time alone, when she can learn all about seduction from a master, yet frustratingly, they all too often find themselves beneath the stifling gaze of the ton. But there is method behind the viscount's madness—he has a secret reason for wooing Amelia. And like all desirable things, his passion has a price.
The princess can pick any man…apart from him! Revel in the drama of this royal-reunion romance by Amanda Cinelli. What will she choose: Her duty or her heart? Princess Minerva is set to inherit the crown of the small kingdom of Arqaleta. First, though, she must marry. A ripple of shock goes through her when she sees one completely off-limits candidate among her suitors: her ex-fiancé, exiled prince turned tycoon Liro! When Liro broke their betrothal and disappeared, Minerva was devastated. Yet even with the past still raw between them, their passion erupts immediately! Her royal responsibility demands she choose another man. Only the more time she spends in Liro’s alluring presence, the more wearing anyone else’s ring feels unthinkable… From Harlequin Presents: Escape to exotic locations where passion knows no bounds.
"Drawing on recent scholarship in art, film, literary theory, and gender studies, A Web of Fantasies examines the complexities, symbolism, and interactions between gaze and image in Ovid's Metamorphoses and forms a gender-sensitive perspective. It is a feminist study of Ovid's epic, which includes many stories about change, in which discussions of viewers, viewing, and imagery strive to illuminate Ovid's constructions of male and female. Patricia Salzman-Mitchell discusses the text from the perspective of three types of gazes: of characters looking, of the poet who narrates visually charged stories, and of the reader who "sees" the woven images in the text. Arguing against certain theorists who deny the possibility of any feminine vision in a male-authored poem, the author maintains that the female point of view can be released through the traditional feminine occupation of weaving, featuring the woven images of Arachne (involved in a weaving contest in which she tried to best the goddess Athena, who turned her into a spider) and Philomela (who had her tongue cut out, so had to weave a tapestry depicting her rape and mutilation)." "The book observes that while feminist models of the gaze can create productive readings of the poem, these models are too limited and reductive for such a protean and complex text as Metamorphoses. This work brings forth the pervasive importance of the act of looking in the poem which will affect future readings of Ovid's epic."--BOOK JACKET.
With her family and her ranch at stake, can she trust him with her secrets? Someone’s dead set on sabotaging Tempe Calloway’s ranch, even if it means hurting her or her little girl in the process. Special agent Ewen Duncan doesn’t trust Tempe, but he’s sure the attacks have something to do with why the single mother took something from his home in Scotland. And he’ll risk everything to keep her safe…and uncover her secrets. From Harlequin Love Inspired Suspense: Courage. Danger. Faith.
Is this pirate a villain...or the hero she's been waiting for? Miss Minerva leads a perfectly predictable life in her quiet, seaside town. Or she did...until she came upon a pirate while exploring in a cave. The brute takes her captive, but lets her go when he realizes she's a gently bred lady. But when Minerva goes to warn her father that there's thieves on their shores, she finds the very same pirate. In her home. Wearing a suit. "Ah, there she is." His smile is wicked. "Just the lady I was hoping to see." She's not certain what stolen goods this thief is after, but one thing is clear. If she's not careful, the charming, mysterious rogue may wind up stealing her heart. Miss Minerva's Pirate Mishap is a clean, sweet regency romance and the start of a five-book series of standalone novels.
The Nexus is BACK! The artificial intelligence created to serve mankind, yet turned to fulfill a darker purpose has returned against all odds. But is the return a blessing or the curse everyone suspects?
A fascinating collective biography of six female scientists in eighteenth-century France, whose stories were largely written out of history "Of the 72 scientific names engraved on the Eiffel Tower, none is female. Omissions include the six Enlightenment women dubbed 'Minerva's sisters' by historian Nina Gelbart in her pioneering, evocative rescue."--Nature This book presents the stories of six intrepid Frenchwomen of science in the Enlightenment whose accomplishments--though celebrated in their lifetimes--have been generally omitted from subsequent studies of their period: mathematician and philosopher Elisabeth Ferrand, astronomer Nicole Reine Lepaute, field naturalist Jeanne Barret, garden botanist and illustrator Madeleine Françoise Basseporte, anatomist and inventor Marie-Marguerite Biheron, and chemist Geneviève d'Arconville. By adjusting our lens, we can find them. In a society where science was not yet an established profession for men, much less women, these six audacious and inspiring figures made their mark on their respective fields of science and on Enlightenment society, as they defied gender expectations and conventional norms. Their boldness and contributions to science were appreciated by such luminaries as Franklin, the philosophes, and many European monarchs. The book is written in an unorthodox style to match the women's breaking of boundaries.