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`If you?re being raped, call your perpetrator ?bhaiya? and he will stop.? Asaram Bapu, `holyman?. `Chowmein and fast food causes rapes.? ? Haryana Khap Panchayat. '(Some) Women protesting rape are dented and painted.?? Abhijit Mukherjee, The President's son. Ladies: throw away your pepper sprays. You don?t need them as long as your lips are armed with the potent word, `bhaiya?. Fire at will. Don?t eat fast food. Eating needs you to use your mouth in front of men, which is just `asking for it?. Always agree to any man?s sexual proposition ? just say, `Yes?, to everyone. Most importantly, before making any wardrobe choices do consult with the President?s son. He?s never too busy to help you out with his insightful fashion tips. OR, ignore these wise words and go out and kick men like that in the grapes and fight back. That?s what I do. This is that story. The story of Tanya Bisht, over and under Delhi.
‘If you’re being raped, call your perpetrator “bhaiya” and he will stop.– Asaram Bapu, ‘holyman’. ‘Chowmein and fast food causes rapes.’ – Haryana Khap Panchayat. '(Some) Women protesting rape are dented and painted.’– Abhijit Mukherjee, The President's son. Ladies: throw away your pepper sprays. You don’t need them as long as your lips are armed with the potent word, ‘bhaiya’. Fire at will. Don’t eat fast food. Eating needs you to use your mouth in front of men, which is just ‘asking for it’. Always agree to any man’s sexual proposition – just say, ‘Yes’, to everyone. Most importantly, before making any wardrobe choices do consult with the President’s son. He’s never too busy to help you out with his insightful fashion tips. OR, ignore these wise words and go out and kick men like that in the grapes and fight back. That’s what I do. This is that story. The story of Tanya Bisht, over and under Delhi.
Dilli ki Khoj is an anecdotal history of Delhi and its monuments by Shri Brij Kishan Chandiwala, an eminent Gandhian. The volume was published in Hindi by the Publications Division of the Ministry of Information and Broadcasting, Government of India, in 1964 and has been out of print for many years. This English translation of Dilli ki Khoj revives an out-of-print classic and makes it more accessible to a global audience. The book covers Delhi’s long history, details on monuments built from the ancient times till the early 1960s and a detailed recording of all of Gandhiji’s visits to Delhi. It also traces significant epochs in Indian history and the rise of a national identity. The volume spans the genres of journalism, architecture, history, mythology and area studies and will be of special interest to historiographers, especially in the contemporary context.
Colossus unpacks the intricacies and inequalities of economic, social and political life in India's capital, Delhi.
A street sweeper discovers a cache of black market money and escapes to see the Taj Mahal with his underage mistress; an Untouchable races to reclaim his life that’s been stolen by an upper-caste identity thief; a slum baby’s head gets bigger and bigger as he gets smarter and smarter, while his family tries to find a cure. One of India’s most original and audacious writers, Uday Prakash, weaves three tales of living and surviving in today’s globalized India. In his stories, Prakash portrays realities about caste and class with an authenticity absent in most English-language fiction about South Asia. Sharply political but free of heavy handedness.
This work explores the cultural orientation of the sultanate of Delhi, a subject on which little work has been done so far. The architects of the sultanate introduced a new system of governance with novel social and cultural institutions, and Persian as an official language. These were significant moves as they served as catalysts for social change. Alongside, the emergence of new urban centres as well as setting up of colonies of foreign immigrants from lands of more advanced culture in the old towns led to the transfiguration of culture in the sultanate. Structurally, it is divided into three parts. The first explores the role played by the metropolis of Delhi as an integrating nucleus, and examines the cultural and social relationship between Hindus and Muslims, and the intellectual and diplomatic atmosphere of the times. The second part focuses on the nature of the relationship between the sultans of Delhi and the Mongol rulers of Central Asia. The third part examines the life and position of women and the attitude of different classes of society towards their women folk during the sultanate period. As in his earlier works, the author marshals an impressive array of sources to underline his argument and offers a paradigm shift from conventional historiography, and in doing so opens up vistas for further research in the history and culture of the sultanate period.
Winner of the Ryszard Kapuściński Award and the Prix Émile Guimet de Littérature Asiatique Finalist for the Orwell Prize, the Royal Society of Literature Ondaatje Prize and the Prix du Meilleur Livre Étranger At the turn of the twenty-first century, acclaimed novelist Rana Dasgupta arrived in Delhi with a single suitcase. He had no intention of staying for long. But the city beguiled him—he “fell in love and in hate with it”—and fourteen years later, Delhi is still his home. Fourteen years of breakneck change. The boom following the opening up of India's economy plunged Delhi into a tumult of destruction and creation: slums and markets were ripped down, and shopping malls and apartment blocks erupted from the ruins. Many fortunes were made, and in the glassy stores lining the new highways, customers paid for global luxury with bags of cash. But the transformation was stern, abrupt and fantastically unequal, and it gave rise to strange and bewildering feelings. The city brimmed with ambition and rage. Bizarre crimes stole the headlines. In Capital, we see Delhi through the eyes of its people. With the lyricism and empathy of a novelist, Dasgupta takes us through a series of encounters—with billionaires and bureaucrats, drug dealers and metal traders, slum dwellers and psychoanalysts—which plunge us into Delhi's intoxicating, and sometimes terrifying, story of capitalist transformation. Interweaving over a century of history with his personal journey, he presents us with the first literary portrait of one of the twenty-first century's fastest-growing megalopolises—a dark and uncanny portrait that gives us insights, too, as to the nature of our own—everyone's—shared, global future.
A professor of poetry uses a deck of playing cards to measure the time until her lover returns from Afghanistan. Congolese soldiers find their loneliness reflected in the lyrics of rumba songs. Survivors of the siege of Sarajevo discuss which book they would have never burned for fuel. A Romanian political prisoner writes her memoir in her head, a book no one will ever read. These are the arts of survival in times of crisis.Rumba Under Fire proposes we think differently about what it means for the arts and liberal arts to be "in crisis." In prose and poetry, the contributors to Rumba Under Fire explore what it means to do art in hard times. How do people teach, create, study, and rehearse in situations of political crisis? Can art and intellectual work really function as resistance to power? What relationship do scholars, journalists, or even memoirists have to the crises they describe and explain? How do works created in crisis, especially at the extremes of human endurance, fit into our theories of knowledge and creativity?The contributors are literary scholars, anthropologists, and poets, covering a broad geographic range - from Turkey to the United States, from Bosnia to the Congo. Rumba Under Fire includes essays, poetry and interviews by Tim Albrecht, Carla Baricz, Greg Brownderville, William Coker, Andrew Crabtree, Cara De Silva, Irina Dumitrescu, Denis Ferhatovic, Susannah Hollister, Prashant Keshavmurthy, Sharon Portnoff, Anand Taneja, and Judith Verweijen.
This book provides an integrated view of the Delhi Sultanate government from 1206 to 1526. It is divided into two parts. The first part deals with the political events and the dynastic history of the Sultans and the second part with the administration, different land issues, social life including two major religious movements and other cultural aspects including architecture and sculpture. The growth of the city of Delhi has been shown here perhaps for the first time. Most of the books on Delhi Sultanate mainly narrate the political events. Here other aspects have been included to show the real character of the Sultanate. It may be mentioned that the English officials from the end of the eighteenth Century had termed the medieval period of India as a ‘dark age’ – a statement that has been accepted by several Indian writers. It is to negate this view that an integrated narrative has been provided here. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka
The main objective of this book is to analyze prominent literary images of Delhi in post-independence India. The author has probed into a number of eminent writings in Hindi, English and other languages. The author's methodology, a humanistic and phenomenological approach, allows exploration of experiential dimension of writers’ and their characters in various genres of literature. An inquiry into perceptions and imagination in literature enriches the understanding of place, space, time, and seasons, the concerns central to geography. The Perceptions of the metropolis of Delhi interestingly vary between authors and their characters. The images of Delhi in plethora of literary works show a wide spectrum of colors. The images evoke feelings of reverence, love, adoration, dislike, indifference or neutrality. Experiences vary from places of beauty and grandeur to utterly ugly environments. Natives express different views and attitudes toward the city of Delhi from those of expatriate writers.