Download Free Undead In The West Book in PDF and EPUB Free Download. You can read online Undead In The West and write the review.

In Undead in the West: Vampires, Zombies, Mummies, and Ghosts on the Cinematic Frontier, Cynthia J. Miller and A. Bowdoin Van Riper have assembled a collection of essays that explore the many tropes and themes through which undead Westerns make the genre’s inner plagues and demons visible, and lay siege to a frontier tied to myths of strength, ingenuity, freedom, and independence. The volume is divided into three sections: “Reanimating Classic Western Tropes” examines traditional Western characters, symbolism, and plot devices and how they are given new life in undead Westerns; “The Moral Order Under Siege” explores the ways in which the undead confront classic values and morality tales embodied in Western films; and “And Hell Followed with Him” looks at justice, retribution, and retaliation at the hands of undead angels and avenger. The subjects explored here run the gamut from such B films as Curse of the Undead and Billy the Kid vs. Dracula to A-list features like From Dusk ‘til Dawn and Jonah Hex, as well as animated films (Rango) and television programs (The Walking Dead and Supernatural). Other films discussed include Sam Raimi’s Bubba Ho-Tep, John Carpenter’s Vampires, George Romero’s Land of the Dead, andSergio Leone’s Once Upon a Time in the West. Featuring several illustrations and a filmography, Undead in the West will appeal to film scholars, especially those interested in hybrid genres, as well as fans of the Western and the supernatural in cinema.
In Undead in the West: Vampires, Zombies, Mummies, and Ghosts on the Cinematic Frontier, Cynthia J. Miller and A. Bowdoin Van Riper have assembled a collection of essays that explore the many tropes and themes through which undead Westerns make the genre's inner plagues and demons visible, and lay siege to a frontier tied to myths of strength, ingenuity, freedom, and independence. The volume is divided into three sections: "Reanimating Classic Western Tropes" examines traditional Western characters, symbolism, and plot devices and how they are given new life in undead Westerns; "The Moral Order Under Siege" explores the ways in which the undead confront classic values and morality tales embodied in Western films; and "And Hell Followed with Him" looks at justice, retribution, and retaliation at the hands of undead angels and avenger. The subjects explored here run the gamut from such B films as Curse of the Undead and Billy the Kid vs. Dracula to A-list features like From Dusk 'til Dawn and Jonah Hex, as well as animated films (Rango) and television programs (The Walking Dead and Supernatural). Other films discussed include Sam Raimi's Bubba Ho-Tep, John Carpenter's Vampires, George Romero's Land of the Dead, and Sergio Leone's Once Upon a Time in the West. Featuring several illustrations and a filmography, Undead in the West will appeal to film scholars, especially those interested in hybrid genres, as well as fans of the Western and the supernatural in cinema.
Essays on the hybrid Western/horror genre in film, literature, sequential art, gaming, and fan culture.
Why has the zombie become such a pervasive figure in twenty-first-century popular culture? John Vervaeke, Christopher Mastropietro and Filip Miscevic seek to answer this question by arguing that particular aspects of the zombie, common to a variety of media forms, reflect a crisis in modern Western culture. The authors examine the essential features of the zombie, including mindlessness, ugliness and homelessness, and argue that these reflect the outlook of the contemporary West and its attendant zeitgeists of anxiety, alienation, disconnection and disenfranchisement. They trace the relationship between zombies and the theme of secular apocalypse, demonstrating that the zombie draws its power from being a perversion of the Christian mythos of death and resurrection. Symbolic of a lost Christian worldview, the zombie represents a world that can no longer explain itself, nor provide us with instructions for how to live within it. The concept of 'domicide' or the destruction of home is developed to describe the modern crisis of meaning that the zombie both represents and reflects. This is illustrated using case studies including the relocation of the Anishinaabe of the Grassy Narrows First Nation, and the upheaval of population displacement in the Hellenistic period. Finally, the authors invoke and reformulate symbols of the four horseman of the apocalypse as rhetorical analogues to frame those aspects of contemporary collapse that elucidate the horror of the zombie. Zombies in Western Culture: A Twenty-First Century Crisis is required reading for anyone interested in the phenomenon of zombies in contemporary culture. It will also be of interest to an interdisciplinary audience including students and scholars of culture studies, semiotics, philosophy, religious studies, eschatology, anthropology, Jungian studies, and sociology.
Seeking revenge for the death of his people, the survivor of a massacre of Native Americans returns to place a zombie curse on the town that now sits where his village once stood, and soon the town is crawling with the recently risen from the dead.
The undead are back! In Undead in the West: Vampires, Zombies, Mummies, and Ghosts on the Cinematic Frontier, Cynthia J. Miller and A. Bowdoin Van Riper assembled a collection of essays that explored the unique intersection of two seemingly distinct genres in cinema: the western and the horror film. In this new volume, Undead in the West II: They Just Keep Coming, Miller and Van Riper expand their examination of undead Westerns to include not only film, but literature, sequential art, gaming, and fan culture (fan fiction, blogging, fan editing, and zombie walks). These essays run the gamut from comics and graphic novels such as American Vampire, Preacher, and Priest, and games like Darkwatch and Red Dead Redemption, to novels and short stories by celebrated writers including Robert E. Howard, Joe R. Lansdale, and Stephen King. Featuring a foreword by renowned science fiction author William F. Nolan (Logan’s Run) and an afterword by acclaimed game designer Paul O’Connor (Darkwatch), this collection will appeal to scholars of literature, gaming, and popular culture, as well as to fans of this unique hybrid.
DEAD WEST takes elements of Deadwood, The Walking Dead, and Hell on Wheels, puts it all in a big cask of TNT, then watches it go BOOM! Collecting Those Poor, Poor Bastards and The Ten Thousand Things in a spectacular omnibus edition, this is 420+ pages of Weird Western, Supernatural, Lovecraftian horror, with "strong female characters!" The DEAD WEST OMNIBUS (vol. 1) puts half-Shoshone Nina Weaver, her grizzled father Lincoln, and a motley crew of survivors and ne'er-do-wells through a gauntlet of undead hordes and demonic forces from 'deaduns' to giant, flying creatures, to hellish steam engines, to actual murders of devil-crows. The Dead West series has it all. Guns, explosives, bloodletting, necromancy, expletives, faith-magic, gore, betrayal, more expletives, lots of true grit and high emotion! Brought to you in a collaborative storyhouse style by the team of Tim Marquitz, J.M. Martin, and Kenny Soward. "The writing is visceral in a style similar to Chuck Wendig's...this is a high-octane story." --Ryan Lawler, Fantasy Book Review "Unique, fresh, invigorating. Those Poor, Poor Bastards will sink its teeth into you and leave you wanting more. It's a crime not to read this right away." --Sarah Chorn, Bookworm Blues "Two parts bullets, three parts shambling undead, one part Lovecraftian magic, and ALL fast-paced action! This is one wild ride!" --Becca Butcher, Voluted Tales Magazine
In films, television, books, games, pornography, and now even in firearms and ammunition being sold to the American public, zombies are one of the mainstays of the popular culture of our time. Far from being only a passing curiosity, Brian Patrick dissects the zombie, showing it as the articulation of deep-seated fears within the Western psyche, a symbol in fact for the growing dehumanization that many of us observe, or perhaps sense without fully realizing it, in modern civilization. Patrick connects the zombie phenomenon to previous historical occurrences, drawing on both religion and psychology to show how such symbolic tropes that lodge in the collective unconscious of a culture are reflective of the psychological needs of large numbers of people in times of crisis. Patrick likewise shows how zombiedom has manifested particularly in American gun culture, and how this relates to the growth of a large-scale citizens' activist movement in favor of gun rights. Also included are practical tips on how to stay out of the clutches of zombiedom. Zombology is more than just a book about zombies, however. The zombie, for Patrick, is a peculiarly Western phenomenon, and as such, he examines how it can be seen as a manifestation of not-so-abstract forces battling for the future of our civilization: will collectivization or the individual, dream or reality win out? Patrick offers his own diagnosis. "At the very least the zombie adds some much-needed psychic contrast to the cold, to the grey and to the unending. It also provides a face, albeit necrotic, to the seemingly impersonal sociological forces that undermine the West; for in a near-perfect correspondence with the zombie, the West itself appears to be necrotic in a galloping way. Both need brains to ease the pain."-p. 48
Zach Kinkaid's routine New York City subway ride takes on a terrifying turn when he ends up lost on a mysterious train filled with bloodthirsty vampires. Is Zach riding toward disaster on the Undead Express? With color photos from the Showtime original movie.
Jett is a girl passing as a boy, living as a cowboy in the old West as she searches for her long-lost brother. When the book opens, she's just rolled into a new town, where she stops by the saloon. Things are relatively calm, although she suspects there will be Trouble from at least one of the locals. Sure enough, Trouble starts to mosey over, when-- The saloon is invaded by zombies. Barely escaping with her life, Jett hightails it out of town and soon falls into the company of Honoria Gibbons, a smart, self-sufficient young woman who also happens to be a fabulous inventor. Together with White Fox, a young man they meet, they set out to discover what's caused the zombie uprising. Turns out these zombies aren't rising from the dead of their own accord... but who would want an undead army? And why?