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Forget everything you've ever seen or heard about werewolves, zombies and vampires because Ed Bagley's going to tell you the single most important fact you'll ever learn: being undead sucks ... especially if you're a kid.
Boyface Antelope has been waiting his whole life to turn ten and be allowed to enter his parents' stripemongering shop so he can take stripes off animals and put them on something different. Like tartan onto badgers, or removing the stripes of zebras to make ponies. On the morning of his tenth birthday he finds his parents ill, and they ask him not just to go in the shop but to look after it on his own! Will he be able to keep the stripemongery running smoothly?
Meet Dave. He's disgusting - everyone says so. Even his mum is fed up with him examining his nose pickings. So now Dave's got a challenge: if he can avoid doing anything disgusting for a week, he gets a £20 reward. He thinks he can do it. At least, until his arch-enemy, Banger Bates, lands him with Fred, the farting dog.
When Ed Bagley wakes up in a yucky sewer --and discovers he's a zombie-- things can't get any weirder! That is, until his evil arm scurries off his shoulder and into the town of Mortlake to cause all sorts of trouble. Un-armed and dangerous, Ed teams up with his werewolf buddy Max Moon to track down his rogue limb and save Mortlake from the evil at the center of it all. This formerly unlucky kid is out to prove he really is all guts! But when he's faced with gross ghouls, wormy wraiths, freaky fat babies, and some seriously sinister clowns, will Ed and his undead friends have enough skin on their bones to save the day? Or will this arm-y prove too tough to hand-le? Hilariously illustrated zombie antics make this the perfect next book for fans of Zombiekins!
When Flowkwee goes to planet Earth on a mission, he has to stay disguised—as a small Earthling called Nigel, with only one head and four appendages! But that's not all: His personal mission is to go to a school every day to collect Earthlings to "improve." Nigel knows he has to act dumb around the Earthlings, so in math class he pretends he only knows his times table up until two million and six times nine, and in literacy class he pretends to read like a newborn Faathing baby. A lot of Earthling life is totally weird to Nigel—the odd removable skins Earthlings wear called "clothes" and the funny paint on his mom's face called "makeup"—but in some ways Earth is even better than planet Faa. Earth is full of cool sounds made up of all different pitches and noises called "music," and Earthlings get gifts every year on their birthdays, just for being alive! But while Nigel starts to embrace his Earthling self, in the background lurks a coming invasion that his dad keeps talking about. And why are they so interested in a substance called "spinach"? Letters from an Alien Schoolboy is sure to delight even the most reluctant readers as Earthling kids giggle their way through Nigel's gaffes and escapades. This is a fantastic gift for girls and boys eight and up!
Being a zombie is no picnic, especially when your body is rotting right before your eyes. (Gross!) As if Ed Bagley didn't already have it bad enough, he's now being chased by a horde of demons sent by Kambo Cheapteeth, an undead circus clown who’s always angry. With the help of his werewolf buddy, Max Moon, Ed ventures into the ultimate vortex of evil: a demon circus, to battle with Kambo once and for all! Along the way, he encounters an evil curse, a maze of mirrors, a giant spewing sewer creature, and a floating girl with a sewn-up eye who’s determined to destroy him. Can Ed hold it together (and keep from decomposing) long enough to stop the big top?
Thirty-five years in the making, and destined to be the last word in fanta-film references! This incredible 1,017-page resource provides vital credits on over 9,000 films (1896-1999) of horror, fantasy, mystery, science fiction, heavy melodrama, and film noir. Comprehensive cast lists include: directors, writers, cinematographers, and composers. Also includes plot synopses, critiques, re-title/translation information, running times, photographs, and several cross-referenced indexes (by artist, year, song, etc.). Paperback.
Now streaming on Netflix and BBC iPlayer! The Breakfast Club meets Pretty Little Liars in Gretchen McNeil's sharp and thrilling sequel to Get Even. Perfect for fans of E. Lockhart, Karen M. McManus, and Maureen Johnson. The members of Don't Get Mad aren't just mad anymore . . . they're afraid. And with Margot in a coma and Bree under house arrest, it's up to Olivia and Kitty to try to catch their deadly tormentor. But just as the girls are about to go on the offensive, Ed the Head reveals a shocking secret that turns all their theories upside down. The killer could be anyone, and this time he—or she—is out for more than just revenge. The girls desperately try to discover the killer's identity as their own lives are falling apart: Donté is pulling away from Kitty and seems to be hiding a secret of his own, Bree is sequestered under the watchful eye of her mom’s bodyguard, and Olivia's mother is on an emotional downward spiral. The killer is closing in, the threats are becoming more personal, and when the police refuse to listen, the girls have no choice but to confront their anonymous “friend” . . . or die trying.
Horror films have always reflected their audiences' fears and anxieties. In the United States, the 2000s were a decade full of change in response to the 9/11 terrorist attacks, the contested presidential election of 2000, and the wars in Iraq and Afghanistan. These social and political changes, as well as the influences of Japanese horror and New French extremism, had a profound effect on American horror filmmaking during the 2000s. This filmography covers more than 300 horror films released in America from 2000 through 2009, including such popular forms as found footage, torture porn, and remakes. Each entry covers a single film and includes credits, a synopsis, and a lengthy critical commentary. The appendices include common horror conventions, a performer hall of fame, and memorable ad lines.
Examines the development of the horror film genre, from early works such as The cabinet of Dr. Caligari to modern films such as Nightmare on Elm Street and 28 days later