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A re-issue of the 1926 classic by James Churchward, The Lost Continent of Mu: Motherland of Men supplemented with fresh research and new material by the author's great-grandson. In the 1920s, James Churchward wrote a series of groundbreaking books about the lost continent of Lemuria which he called the land of Mu. The basic premises are these: • The Garden of Eden was not in Asia, but on a sunken continent in the Pacific Ocean. • The Biblical story of creation came not from the peoples of the Nile, but from this now submerged continent of Mu—the Motherland of Men. • Mu was an advanced civilization of 64 million inhabitants… He obtained the information by living with monks and translating unknown manuscripts. Over the years, his books have come to be considered occult classics. Now his great-grandson, Jack Churchward, has resurrected this valuable work and added his own research. Included: · The Lost Continent · The Land of Man’s Advent on Earth · Egyptian Sacred Volume, Book of the Dead · Symbols of Mu · North American’s Place Among the Ancient Civilizations · The Geological History of Mu · Ancient Religious Conceptions · Ancient Sacred Mysteries, Rites and Ceremonies
"This book should be read in every household around the UK. It is educational, insightful and most of all honest." – Nadiya Hussain "A funny, engaging and moving memoir. Rabina captures nuances and shatters stereotypes." – Fatima Manji, Channel 4 News "An inspiring, candid insight into the life of a hijab-wearing Muslim woman in Britain." – Bella *** "In 2015, when I ran to be mayor in Tower Hamlets, a smartly dressed middle-class man saw me wearing a headscarf and asked me what colour my hair was underneath it. I gave him a big smile. 'Pink,' I replied. Did I win his vote? I rather doubt it." Vivid, astute and full of humour, My Hair Is Pink Under This Veil offers a frank appraisal of life in modern Britain as seen through the eyes of a hijab-wearing Muslim woman. Rabina Khan writes with grace about her family's experiences building a new life in 1970s London before turning her attention to exploring the politics of the veil, white privilege and intersectional feminism. And in depicting her battle to build a successful political career against a backdrop of blame, bias and misogyny – including from her own community – Khan is clear-sighted about the struggles facing Muslim women today. Now fully updated with new material on the sexism facing women in politics, My Hair Is Pink Under This Veil is at its heart an inspiring story about the power of self-belief and determination to create a fairer world.
In 2004, the French government instituted a ban on the wearing of "conspicuous signs" of religious affiliation in public schools. Though the ban applies to everyone, it is aimed at Muslim girls wearing headscarves. Proponents of the law insist it upholds France's values of secular liberalism and regard the headscarf as symbolic of Islam's resistance to modernity. The Politics of the Veil is an explosive refutation of this view, one that bears important implications for us all. Joan Wallach Scott, the renowned pioneer of gender studies, argues that the law is symptomatic of France's failure to integrate its former colonial subjects as full citizens. She examines the long history of racism behind the law as well as the ideological barriers thrown up against Muslim assimilation. She emphasizes the conflicting approaches to sexuality that lie at the heart of the debate--how French supporters of the ban view sexual openness as the standard for normalcy, emancipation, and individuality, and the sexual modesty implicit in the headscarf as proof that Muslims can never become fully French. Scott maintains that the law, far from reconciling religious and ethnic differences, only exacerbates them. She shows how the insistence on homogeneity is no longer feasible for France--or the West in general--and how it creates the very "clash of civilizations" said to be at the root of these tensions. The Politics of the Veil calls for a new vision of community where common ground is found amid our differences, and where the embracing of diversity--not its suppression--is recognized as the best path to social harmony.
This book is based upon our YouTube series "Idiots Guide to Islam", of Q & A chapters that are listened to. It is fully complimented, with more details on our web site "www.inthenameofallah.org"The purpose of this book is to enlighten, step by step, an otherwise IGNORANT immense majority of humanity among both the so called Believers & Unbelievers about the FACTS & REALITYof the Cult of Muhammadan Islam.All references are based entirely upon the Arabic language of the Quran, Hadiths, Arab & Islamic histories.It analyses almost every concept, precept, thought, idea, expression and relevant verse of the Quran and contains extremely controversial and unusual statements and conclusions.By the time one has either read this book or listened to the series, one will become so knowledgeable on the Quran, Hadiths, Arab & 'Islamic' histories, to such an extent, that never again would one be fooled, deceived or misled regarding these subjects.
An unprecedented, sympathetic, and wide-ranging exploration of the mysterious world of Islamic women--the people behind the veils--is presented by female writers and Christian workers.
Nearly twenty-five hundred years ago the Greek thinker Heraclitus supposedly uttered the cryptic words "Phusis kruptesthai philei." How the aphorism, usually translated as "Nature loves to hide," has haunted Western culture ever since is the subject of this engaging study by Pierre Hadot. Taking the allegorical figure of the veiled goddess Isis as a guide, and drawing on the work of both the ancients and later thinkers such as Goethe, Rilke, Wittgenstein, and Heidegger, Hadot traces successive interpretations of Heraclitus' words. Over time, Hadot finds, "Nature loves to hide" has meant that all that lives tends to die; that Nature wraps herself in myths; and (for Heidegger) that Being unveils as it veils itself. Meanwhile the pronouncement has been used to explain everything from the opacity of the natural world to our modern angst. From these kaleidoscopic exegeses and usages emerge two contradictory approaches to nature: the Promethean, or experimental-questing, approach, which embraces technology as a means of tearing the veil from Nature and revealing her secrets; and the Orphic, or contemplative-poetic, approach, according to which such a denuding of Nature is a grave trespass. In place of these two attitudes Hadot proposes one suggested by the Romantic vision of Rousseau, Goethe, and Schelling, who saw in the veiled Isis an allegorical expression of the sublime. "Nature is art and art is nature," Hadot writes, inviting us to embrace Isis and all she represents: art makes us intensely aware of how completely we ourselves are not merely surrounded by nature but also part of nature.
A Boston Wedding... A Veiled Threat... A Dangerous Environment... When Nancy attends a wedding in Boston, she encounters a marriage marred by mischief. The groom may have stolen the bride's heart, but a thief has made off with her antique lace veil! From a mansion in Cape Cod to a museum of witchcraft in Salem, Nancy, Bess, and George follow a trail of intrigue and deceit across the New England countryside. They uncover the shocking story behind the wedding-day prank -- and a $60 million mystery behind the vanishing veil!
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. The veil can be an instrument of feminist empowerment, and veiled anonymity can confer power to women. Starting from her own marriage ceremony at which she first wore a full veil, Rafia Zakaria examines how veils do more than they get credit for. Part memoir and part philosophical investigation, Veil questions that what is seen is always good and free, and that what is veiled can only signal servility and subterfuge. From personal encounters with the veil in France (where it is banned) to Iran (where it is compulsory), Zakaria shows how the garment's reputation as a pre-modern relic is fraught and up for grabs. The veil is an object in constant transformation, whose myriad meanings challenge the absolute truths of patriarchy. Object Lessons is published in partnership with an essay series in The Atlantic.
All men know that they must die... It is but reasonable to suppose that God would reveal something in reference to the matter and it is a subject we ought to study more than any other. If we have any claim on our Heavenly Father for anything, it is for knowledge on this important subject (Joseph Smith, History of the Church, Vol. 6 pg. 50). If you enjoyed Return from Tomorrow, if you liked Life after Life, you are going to love Beyond the Veil, Volume III. As I began listening to, and reading [these] stories, I was amazed at the variety of content and experience. I was amazed at the vast abundance of spiritual experiences people are having that have something to do with that thin veil separating us from our spirit brothers and sisters. It is refreshing to know that miracles are happening every day. I hope this book, in its own small way, can add a little strength or momentum to this groundswell. -Lee Nelson
A dark, queer YA fantasy that's perfect for fans of the Three Dark Crowns series. After Emanuela Ragno kills the one person in Occhia who can create water, she must find a way to save her city from dying of thirst. Emanuela Ragno always gets what she wants. With her daring mind and socialite schemes, she refuses to be the demure young lady everyone wants her to be. In her most ambitious move yet, she's about to marry Alessandro Morandi, her childhood best friend and the heir to the wealthiest house in Occhia. Emanuela doesn't care that she and her groom are both gay, because she doesn't want a love match. She wants power, and through Ale, she'll have it all. But Emanuela has a secret that could shatter her plans. In the city of Occhia, the only source of water is the watercrea, a mysterious being who uses magic to make water from blood. When their first bruise-like omen appears on their skin, all Occhians must surrender themselves to the watercrea to be drained of life. Everyone throughout history has given themselves up for the greater good. Everyone except Emanuela. She's kept the tiny omen on her hip out of sight for years. When the watercrea exposes Emanuela during her wedding ceremony and takes her to be sacrificed, Emanuela fights back ... and kills her. Now Occhia has no one to make their water and no idea how to get more. In a race against time, Emanuela and Ale must travel through the mysterious, blood-red veil that surrounds their city to uncover the secrets of the watercrea's magic and find a way to save their people -- no matter what it takes.