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PEN/HEMINGWAY AWARD FINALIST A fiercely poetic literary debut re-creating the life of an 19th-century slave woman in South Africa. Slavery as it existed in Africa has seldom been portrayed—and never with such texture, detail, and authentic emotion. Inspired by actual 19th-century court records, Unconfessed is a breathtaking literary tour de force. They called her Sila van den Kaap, slave woman of Jacobus Stephanus Van der Wat of Plettenberg Bay, South Africa. A woman moved from master to master, farm to farm, and—driven by the horrors of slavery to commit an unspeakable crime—from prison to prison. A woman fit for hanging . . . condemned to death on April 30, 1823, but whose sentence the English, having recently wrested authority from the Dutch settlers, saw fit to commute to a lengthy term on the notorious Robben Island. Sila spends her days in the prison quarry, breaking stones for Cape Town's streets and walls. She remembers the day her childhood ended, when slave catchers came — whipping the air and the ground and we were like deer whipped into the smaller and smaller circle of our fear. Sila remembers her masters, especially Oumiesies ("old Missus"), who in her will granted Sila her freedom, but Theron, Oumiesies' vicious and mercenary son, destroys the will and with it Sila's life. Sila remembers her children, with joy and with pain, and imagines herself a great bird that could sweep them up in her wings and set them safely on a branch above all harm. Unconfessed is an epic novel that connects the reader to the unimaginable through the force of poetry and a far-reaching imagination.
Assesses the divergent works of a daring English writer.
Scanlon, and Mark Vessey.Indiana Series in the Philosophy of Religion--Merold Westphal, general editor
In this second edition of her profound book on confession, which theologian Hans Urs von Balthasar calls "one of her most central works", Adrienne von Speyr discusses the moral and practical aspects of this sacrament in great depth. The most complete spiritual treatise on confession ever written, the book covers conversion, scruples, contrition, spiritual direction, laxity, frequency of confession, confessions of religious and lay people, and even confessions of saints. The most intriguing element in von Speyr's understanding of confession, fully developed in this volume, is its trinitarian and christological basis. The Cross is the archetypal confession, and Christian sacramental confession is thus an imitation of Christ in the strict sense. Confession examines the enormous fruitfulness of this dogmatic basis from many perspectives, giving a wealth of suggestions that both the theological expert and the layman will find very helpful. Its practical applicability to one's own confession emerges from every page.
This book offers an accessible critical introduction to the work of Graham Swift, one of Britain's most significant contemporary authors. Through detailed readings of his novels and short stories from The Sweet Shop Owner to The Light of Day, Daniel Lea lucidly addresses the key themes of history, loss, masculinity and ethical redemption, to present a fresh approach to Swift.
A monk’s journey of amends leads to murder in this “thoroughly entertaining medieval mystery” in the Silver Dagger Award–winning series (Publishers Weekly). Winter arrived early in 1142, bringing with it a heavy snowfall. The safety of the guest-hall roof at the Benedictine Abbey of St. Peter and St. Paul comes into jeopardy, and the brothers are called upon to effect repairs. But the icy and treacherous conditions are to prove near fatal for Brother Haluin. He slips from the roof and crashes to the ground, sustaining terrible injuries—grave enough for him to want to make his deathbed confession. The confession is heard by the abbot and Brother Cadfael; a wicked story, of trespasses hard for God or man to forgive. But Haluin does not die. On his recovery, he determines to make a journey of expiation, with Cadfael as his sole companion. It is an arduous journey, physically and emotionally, and one that leads to some shocking discoveries.
In The Brothers Karamazov, Fyodor Dostoevsky proposes ministry as the way to resist and overcome the world’s evil. He employs two plotlines to do so. The action plot concerns the events surrounding the murder of Fyodor Karamazov. All evidence points to Dmitri Karamazov. Rational, circumstantial evidence convicts him; yet the reader knows he is innocent. The ministry plot occurs in this dark context where “small acts of love” are performed by The Elder Zosima, Alyosha Karamazov, and many others. These acts of love all answer this unspoken question, “What can be said and done in Jesus’ name that opens the future to new possibilities in contexts heretofore deemed closed and without hope?” Asking and answering this question is the essence of ministry, and since the question can be asked in any context, ministry is possible anywhere. Dostoevsky’s unabashed antisemitism, however, undermines his brilliant analysis. The concluding chapters document how unconfessed sins like antisemitism exert a death-dealing power that undermines our cultures, our communities, and our ministries. The Freedom to Choose Life shows how ministry resists and overcomes evil by these small acts of love and by the global effects of repenting of humanity’s unconfessed sins.
A young girl’s ambitions prompt dark stirrings in her nature. A father reckons with a lifetime of dysfunctional family relations. A foreign worker is cut adrift on a raft of shattered dreams. In the title story “Moth”, a condemned woman reclaims her broken dignity. In a collection that resonates with life’s poignance, humour and irony, Leonora Liow explores the private universe of individuals navigating the arcane waters of human existence and masterfully illuminates the extraordinary humanity that endures. Reader Reviews: "... a collection of ten powerfully observed stories of everyday life in Singapore... a voice very distinct from, yet reminiscent of, the works of Suchen Christine Lim and the early fiction of Catherine Lim, both acute observers of Singapore." - Akshita Nanda, Arts Correspondent, The Straits Times "... Delving deeper into Liow’s stories, a sense of the investigative emerges where the psychological state of characters is traced. The reader discovers the historical forces shaping the characters’ development. From the demands on women as wife, mother and daughter to the hopes of a migrant worker who is submerged from the weight of work, Moth Stories also reveals and unravels the surface of society." - Janelle Chua, THE RIDGE team, a committee of the National University of Singapore Students’ Union. "Leonora Liow’s Moth Stories is a collection of fiction works that tell the tale of everyday life in Singapore. Its emotional stories of struggling marriages, dark side of human migration, among others are the core strengths of the book... Achingly mesmerising, the author has a writing style that bears a slight resemblance to Alice Munro’s. Austere, evocative and soulful were some of the words that kept popping up in my mind when I was reading the book." - Priscillia, Pressed Up in a Book
"Malcolm discusses the novelist's use of major twentieth-century historical events to shape and deform the lives of his characters; his focus on the distortions and evasions that characterize the discussion of personal, local, and national histories; and his fascination with the complexities, sufferings, and joys that mark individual lives. Malcolm suggests that despite Swift's dark vision of human suffering, he tempers his writing with an intermittent focus on that which can redeem our failures, our losses, and our cruelties."--BOOK JACKET.