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In the nineteenth century Uncle Tom's Cabin sold more copies than any other book in the world except the Bible.
This book is a plantation fiction novel. It was a strong commercial success and bestseller. Based on her growing up in Warrenton, Virginia, of an elite planter family, Eastman portrays plantation owners and slaves as mutually respectful, kind, and happy beings.
Come read my book good boys and girls That live on freedom's ground, With pleasant homes, and parents dear, And blithesome playmates round; And you will learn a woeful tale, Which a good woman told, About the poor black negro race, How they are bought and sold. Within our own America Where these bad deeds are done, A father and a mother lived Who had a little son; As slaves, they worked for two rich men, Whose fields were fair and wide— But Harry was their only joy, They had no child beside. Now Harry's hair was thick with curls And softly bright his eyes, And he could play such funny tricks And look so wondrous wise, That all about the rich man's house Were pleased to see him play, Till a wicked trader buying slaves Came there one winter day.
"Examines the artwork of Hammatt Billings, George Cruikshank, Winslow Homer, Eastman Johnson, Henry Ossawa Tanner, and Thomas Satterwhite Noble to show how, as Uncle Tom's Cabin gained popularity, visual strategies were used to coax the subversive potential of Stowe's work back within accepted boundaries that reinforced social hierarchies"--Provided by publisher.
Presents an annotated version of Harriet Beecher Stowe's classic novel "Uncle Tom's Cabin" that describes the lives of slaves and abolitionists in the 1800s, historical discussions of the Underground Railroad, slave trade, and plantation life, and advertisements that were influenced by the novel.
Uncle Tom's Cabin; or, Life Among the Lowly is an anti-slavery novel by American author Harriet Beecher Stowe. Published in two volumes in 1852, the novel had a profound effect on attitudes toward African Americans and slavery in the U.S., and is said to have "helped lay the groundwork for the [American] Civil War."
The final of Stowe's society novels, We and Our Neighbors is the sequel to My wife and I. In the book, Stowe continues the heartwarming tale of Harry and Eva Henderson and their domestic ups and downs. Lighthearted in tone, the book reveals much about Stowe's views of women and the primacy of their domestic roles.
As Harriet Beecher Stowe’s novel Uncle Tom’s Cabin traveled around the world, it was molded by the imaginations and needs of international audiences. For over 150 years it has been coopted for a dazzling array of causes far from what its author envisioned. This book tells thirteen variants of Uncle Tom’s journey, explicating the novel’s significance for Canadian abolitionists and the Liberian political elite that constituted the runaway characters’ landing points; nineteenth-century French theatergoers; liberal Cuban, Romanian, and Spanish intellectuals and social reformers; Dutch colonizers and Filipino nationalists in Southeast Asia; Eastern European Cold War communists; Muslim readers and spectators in the Middle East; Brazilian television audiences; and twentieth-century German holidaymakers. Throughout these encounters, Stowe’s story of American slavery serves as a paradigm for understanding oppression, selectively and strategically refracting the African American slave onto other iconic victims and freedom fighters. The book brings together performance historians, literary critics, and media theorists to demonstrate how the myriad cultural and political effects of Stowe’s enduring story has transformed it into a global metanarrative with national, regional, and local specificity.