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Des Measures has broad shoulders but even they are beginning to buckle under the burden he is being forced to bear, through caring for his elderly uncle. Des feels duty-bound and morally obliged, but the trials and tribulations related to his relation are testing him to the very end of his tether, and then some. The old adage says that blood is thicker than water, which makes Des's situation even more dire, since he is related to the old man through marriage, not blood. So when someone suggests that if his uncle was a poorly pet, he would be put to sleep, Des is faced with a crisis of conscience, and his family loyalties are tested to the limits in this black comedy - riddled with puntastic one liners - of the ages. Or of the aged!
At 8 o'clock sharp at night, Tao Yao nimbly jumped out of a normal private car parked on the road, and punctually appeared on the road that Su Shigang had to take when he got off work every day.According to elder brother Tao Ran's investigations, Su Shigang would appear here on time at this time every day, buy a pack of cigarettes from the same store by the roadside, and then head straight for the night arena.Su Shigang was an influential official in the Yan City.And Tao Yao's mission today, was to take his life!
DescriptionGungi Blues chronicles the trials and tribulations of a dysfunctional Bangladeshi family growing up in Manchester. The main character Mina, who after being widowed at 25 with three little girls, remarries and embarks on a journey that leads to self-discovery and final self-acceptance. It is only by re-visiting the country of her birth, the country she escaped, that she reaches this epiphany. About the AuthorSanchita Islam is an artist, writer and filmmaker. She graduated in International History and Comparative Politics at the London School of Economics, Directing and Screenwriting at the Northern Media School and studied Fine Art at Chelsea School of Art and Design. She heads pigmentexplosion.com, a company that specialises in London based and international art projects. Islam has exhibited and screened her films in London, New York, Paris, Germany, Indonesia, Malaysia and Bangladesh. She has also made films in New York, Bangladesh, Nepal, Malaysia, Indonesia, Cambodia, Vietnam, Thailand and London for the British Council, Arts Council and Commonwealth Institute. Her writing and artwork have been published in New York, Paris, London, Mumbai and Bangladesh.Islam has published six books to date, 'From Briarwood to Barisal to Brick Lane, ' 'Old Meets Young, ' 'Hidden, ' 'Connecting Kids, ' 'Avenues' and the 'Cloud Catcher.' Sanchita Islam lives and works in London.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
We are all born unique, our own energy making up a part of our shared universe; through education, society and the status quo, we soon become normal. We are all part of a system, one that, at times, does not work to our advantage. It's time to open all our minds, go to sleep and listen to our dreams, learning through the night. Politics, bullies, wars, guns, famine and popups, the world needs none of that, but it does need you. This is a story about my life, my eight-year journey through a broken system, a citizen to a government who ignored me. I stopped playing and started working, only to find myself abused by my superiors. I developed epilepsy, which led to either a mental breakdown or a spiritual awakening. Life's like a movie, write your own ending, keep believing and keep pretending, that's what I've always set out to do.
When a senior Aboriginal war veteran dies horribly at the hands of state government authorities, Izzy, a journalist and daughter of a war veteran herself, flies to the goldfields of Western Australia to cover his death. But Izzy is about to learn that for every action there is an equal and bloody reaction. On the trail of the vigilantes, she finds herself embedded in a secret war that is finally, irrevocably, going to explode to the surface.
They all say that the old men like to nibble on tender girls, but if she meets an old uncle who doesn't like nibbling on tender girl? "Uncle, let's have a date." "I don't like the younger ones." "Then, uncle, let's get a marriage certificate." "A marriage certificate? Hurry up and read. If you don't work hard, you can't get your graduation certificate."
This book explores how fishers make the sea productive through their labour, using technologies ranging from wooden boats to digital GPS plotters to create familiar places in a seemingly hostile environment. It shows how their lives are affected by capitalist forces in the markets they sell to, forces that shape even the relations between fishers on the same boat. Fishers frequently have to make impossible choices between safe seamanship and staying afloat economically, and the book describes the human impact of the high rate of deaths in the fishing industry. The book makes a unique contribution to understanding human-environment relations, examining the places fishers create and name at sea, as well as technologies and navigation practices. It combines phenomenology and political economy to offer new approaches for analyses of human-environment relations and technologies.
A collection of eleven short stories and seven poems by this author who is the boys scouts commissioner at the time.