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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
A young mouse named Bizzy Bones is afraid the wind will blow away the old shoe that is his home, but his Uncle Ezra helps him overcome his fear.
Whether seen as a land of opportunity or as paradise lost, the American West took shape in the nation's imagination with the help of those who wrote about it; but two groups who did much to shape that perception are often overlooked today. Promoters trying to lure settlers and investors to the West insisted that the frontier had already been tamed-that the only frontiers remaining were those of opportunity. Through posters, pamphlets, newspaper articles, and other printed pieces, these boosters literally imagined places into existence by depicting backwater areas as settled, culturally developed regions where newcomers would find none of the hardships associated with frontier life. Quick on their heels, some of the West's original settlers had begun publishing their reminiscences in books and periodicals and banding together in pioneer societies to sustain their conception of frontier heritage. Their selective memory focused on the savage wilderness they had tamed, exaggerating the past every bit as much as promoters exaggerated the present. Although they are generally seen today as unscrupulous charlatans and tellers of tall tales, David Wrobel reveals that these promoters and reminiscers were more significant than their detractors have suggested. By exploring the vast literature produced by these individuals from the end of the Civil War through the 1920s, he clarifies the pivotal impact of their works on our vision of both the historic and mythic West. In examining their role in forging both sense of place within the West and the nation's sense of the West as a place, Wrobel shows that these works were vital to the process of identity formation among westerners themselves and to the construction of a "West" in the national imagination. Wrobel also sheds light on the often elitist, sometimes racist legacies of both groups through their characterizations of Native Americans, African Americans, Mexican Americans, and Asian Americans. In the era Wrobel examines, promoters painted the future of each western place as if it were already present, while the old-timers preserved the past as if it were still present. But, as he also demonstrates, that West has not really changed much: promoters still tout its promise, while old-timers still try to preserve their selective memories. Even relatively recent western residents still tap into the region's mythic pioneer heritage as they form their attachments to place. Promised Lands shows us that the West may well move into the twenty-first century, but our images of it are forever rooted in the nineteenth.
In Harry Castlemon's 'Elam Storm, the Wolfer; Or, The Lost Nugget,' readers are transported to the American West in the late 1800s, where they follow the thrilling adventures of Elam Storm, a skilled trapper and wolfer in search of a lost gold nugget. Castlemon's descriptive writing style captures the essence of the rugged landscape and the dangers faced by those who sought their fortunes in the uncharted wilderness. The novel is a classic example of Western literature, showcasing themes of survival, perseverance, and the immense challenges of nature in a hostile environment. Readers will be captivated by the action-packed plot and vividly drawn characters that bring the Wild West to life on the page. Harry Castlemon's rich storytelling and attention to detail make 'Elam Storm, the Wolfer; Or, The Lost Nugget' a must-read for fans of adventure and historical fiction. As a prolific author of children's adventure stories, Castlemon brings his expertise to this gripping tale of courage and determination in the untamed frontier.
Robert Herrick, the 17th-century English lyric poet and Anglican cleric, brings us a collection of short stories in 'Literary Love-Letters and Other Stories'. With tales that explore themes of love, art, and the price of romance, readers will be taken on a journey through the intricacies of human relationships and the power of passion. From a rejected Titian painting to the question of what makes art truly valuable, these stories are sure to delight the mind.
Ezra Meeker lived ninety-eight highly productive years. At times endearing and captivating, he could also be exasperating and irrational. Once he committed to a cause, he was an unabashed promoter. Meeker devoted his final three decades to commemorating the Oregon Trail. A part of his story no one has previously told, this volume begins in 1901 and completes an epic biography. One of Washington Territory’s earliest pioneers, Meeker first came west on the overland trail in 1852. He became a Puyallup community builder, agricultural tycoon, and world traveler before hop lice and the Panic of 1893 devoured his fortune. He dallied in mining and joined the Klondike gold rush, spending four years as a Yukon store proprietor. At age 75 he trekked east over the Oregon Trail with oxen and a covered wagon, setting markers along the way, and became a national celebrity. He visited New York, Washington, DC, and the White House, and managed to convince regular citizens, the rich and famous, governors, legislators, and even three U.S. presidents to support his trail preservation schemes. Never one to shy away from adventure, his other exploits included publishing books, lecture tours, additional Oregon Trail expeditions (one in a bi-plane), attending the Alaska-Yukon-Pacific Exposition, experimenting with motion pictures, founding societies, cruising in what may have been the first motorized RV, performing in a Wild West show, and roaming the country selling commemorative coins. In the end, Meeker’s extraordinary efforts were crucial to saving the trail.
As Tom spoke he stepped recklessly upon the bridge. We say "recklessly," because had he taken more pains to examine the fastenings on the opposite bank he would have been more careful. He had nearly crossed the bayou when the log on which he was walking tipped a little, and although Tom made frantic efforts to save himself by seizing all the branches within his reach, it set the whole structure in motion. There was a "swish" of tree-tops, and in a moment more the bridge and Tom went into the water together. The negro looked, but did not see him come up.