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The narrator of the lead story in this collection occupies an 'unclaimed terrain', as do many of Ajay Navaria's characters. Journeying from a Dantewada village in India's east to the town of Nagpur and from there to Mumbai, the Byronic protagonist is raped, works as a masseur and then as a gigolo even while pursuing his education. The city teaches him the many meanings of labour, and he is freed - if ultimately destroyed - by its infinite possibilities for self - invention. As complex as they are political, Navaria's characters - ranging from a brahmin labourer to a dalit male prostitute - are neither black nor white, neither clearly good nor evil. They inhabit a grey zone; they linger in the transitional space between past object and future subject, between caste and democracy. Unclaimed Terrain represents Giramondo's commitment to South Asian literature and to writing which explores social difference and inequality.
Writing Resistance is the first close study of the growing body of contemporary Hindi-language Dalit (low caste) literature in India. The Dalit literary movement has had an immense sociopolitical and literary impact on various Indian linguistic regions, yet few scholars have attempted to situate the form within contemporary critical frameworks. Laura R. BrueckÕs approach goes beyond recognizing and celebrating the subaltern speaking, emphasizing the sociopolitical perspectives and literary strategies of a range of contemporary Dalit writers working in Hindi. Brueck explores several essential questions: what makes Dalit literature Dalit? What makes it good? Why is this genre important, and where does it oppose or intersect with other bodies of Indian literature? She follows the debate among Dalit writers as they establish a specifically Dalit literary critical approach, underscoring the significance of the Dalit literary sphere as a ÒcounterpublicÓ generating contemporary Dalit social and political identities. Brueck then performs close readings of contemporary Hindi Dalit literary prose narratives, focusing on the aesthetic and stylistic strategies deployed by writers whose class, gender, and geographic backgrounds shape their distinct voices. By reading Dalit literature as literature, this study unravels the complexities of its sociopolitical and identity-based origins.
A young woman as portable property -- The flow of trafficking in the Qing -- New laws and emerging language -- Fictive families and children in the marketplace -- Moving beyond the reach of the law -- The warlord's widow and the chief of police -- Domestic bonds -- Talking with traffickers
In the prevailing account of English empiricism, Locke conceived of self-understanding as a matter of mere observation, bound closely to the laws of physical perception. English Romantic poets and German critical philosophers challenged Locke's conception, arguing that it failed to account adequately for the power of thought to turn upon itself—to detach itself from the laws of the physical world. Cathy Caruth reinterprets questions at the heart of empiricism by treating Locke's text not simply as philosophical doctrine but also as a narrative in which "experience" plays an unexpected and uncanny role. Rediscovering traces and transformations of this narrative in Wordsworth, Kant, and Freud, Caruth argues that these authors must not be read only as rejecting or overcoming empirical doctrine but also as reencountering in their own narratives the complex and difficult relation between language and experience. Beginning her inquiry with the moment of empirical self-reflection in Locke's Essay Concerning Human Understanding—when a mad mother mourns her dead child—Caruth asks what it means that empiricism represents itself as an act of mourning and explores why scenes of mourning reappear in later texts such as Wordsworth's Prelude, Kant's Metaphysical Foundations of Natural Science and Prolegomena to Any Future Metaphysics, and Freud's Civilization. From these readings Caruth traces a recurring narrative of radical loss and the continual displacement of the object or the agent of loss. In Locke it is the mother who mourns her dead child, while in Wordsworth it is the child who mourns the dead mother. In Kant the father murders the son, while in Freud the sons murder the father. As she traces this pattern, Caruth shows that the conceptual claims of each text to move beyond empiricism are implicit claims to move beyond reference. Yet the narrative of death in each text, she argues, leaves a referential residue that cannot be reclaimed by empirical or conceptual logic. Caruth thus reveals, in each of these authors, a tension between the abstraction of a conceptual language freed from reference and the compelling referential resistance of particular stories to abstraction.
“A necessary book for anyone truly interested in what we take from the sea to eat, and how, and why.” —Sam Sifton, The New York Times Book Review Acclaimed author of American Catch and The Omega Princple and life-long fisherman, Paul Greenberg takes us on a journey, examining the four fish that dominate our menus: salmon, sea bass, cod, and tuna. Investigating the forces that get fish to our dinner tables, Greenberg reveals our damaged relationship with the ocean and its inhabitants. Just three decades ago, nearly everything we ate from the sea was wild. Today, rampant overfishing and an unprecedented biotech revolution have brought us to a point where wild and farmed fish occupy equal parts of a complex marketplace. Four Fish offers a way for us to move toward a future in which healthy and sustainable seafood is the rule rather than the exception.
A History of the Indian Novel in English traces the development of the Indian novel from its beginnings in the late nineteenth century up until the present day. Beginning with an extensive introduction that charts important theoretical contributions to the field, this History includes extensive essays that shed light on the legacy of English in Indian writing. Organized thematically, these essays examine how English was 'made Indian' by writers who used the language to address specifically Indian concerns. Such concerns revolved around the question of what it means to be modern as well as how the novel could be used for anti-colonial activism. By the 1980s, the Indian novel in English was a global phenomenon, and India is now the third largest publisher of English-language books. Written by a host of leading scholars, this History invites readers to question conventional accounts of India's literary history.
The narrator of the lead story in this collection occupies an 'unclaimed terrain', as do many of Ajay Navaria's characters. Journeying from a Dantewada village in India's east to the town of Nagpur and from there to Mumbai, the Byronic protagonist is raped, works as a masseur and then as a gigolo even while pursuing his education. The city teaches him the many meanings of labour, and he is freed - if ultimately destroyed - by its infinite possibilities for self-invention. As complex as they are political, Navaria's characters - ranging from a brahmin labourer to a dalit male prostitute - are neither black nor white, neither clearly good nor evil. They inhabit a grey zone; they linger in the transitional space between past object and future subject, between caste and democracy. Unclaimed Terrain represents Giramondo's commitment to South Asian literature and to writing which explores social difference and inequality.
The caste system is supposed to be inescapable-you cannot change the caste into which you are born. But are there ways to elude the system? Concealing Caste tells the stories of women and men in India who, though born into communities stigmatized as 'untouchable,' are perceived by others as 'high caste.' Like the literature on racial passing in the American context, the short stories and autobiographical essays in this volume reveal the inner workings of a vicious social order, illuminating the contradictions of caste hierarchy through the experience of those who clandestinely transgress its boundaries. Concealing Caste is the first collection of Dalit writings focused on this public secret. Bringing together Dalit literature from Marathi, Telugu, Hindi, Bengali, Tamil, English and Malayalam-including stories and essays never before translated-this landmark anthology illustrates the agonizing choices and at times devastating consequences faced by Dalits who experiment with identity in a society shot through with the principle of birth-based inequality.
This book looks at Dalits in the city and examines the nature of Dalit aspirations as well as the making of an urban sensibility through an analysis of hitherto unexamined short stories of some of the first- and second-generation as well as contemporary Dalit writers in Hindi. Tracing the origins of the emergence of Dalit critical consciousness to the arrival of the Dalits into the print medium, after their migration to the city, this book examines their transactions with modernity and the emancipatory promises it held out to them. It highlights the literary tropes that mark their fiction, specifically those short stories which take up urban themes, and shows how even in seemingly caste-neutral spaces caste discrimination is present. The book also undertakes an examination of the stories by contemporary Dalit women writers in Hindi – Rajat Rani Meenu and Anita Bharti – who have posed a radical challenge to both the mainstream feminist movement and the Dalit movement. The volume will be of great interest to scholars and researchers of South Asian literature, especially Hindi literature, Dalit studies, subaltern history, postcolonial studies, political science, and sociology as well as the informed general reader.
A “fascinating” journey to little-known and contested lands around the globe, from Tibet to the Isle of Man to Elgaland-Vargaland (Geographical Magazine). What is a country? Acclaimed travel writer and Oxford geography don Nick Middleton brings to life the origins and histories of fifty states that, lacking international recognition and United Nations membership, exist on the margins of legitimacy in the global order. From long-contested lands like Crimea and Tibet to lesser-known territories such as Africa’s last colony and a European republic that enjoyed independence for a single day, Middleton presents fascinating stories of shifting borders, visionary leaders, and “forgotten” peoples. “Engrossing . . . You’ll not find Middle-earth, Atlantis or Lilliput inside, but you will find something just as intriguing . . . sure to prompt discussions about what makes a country a ‘real country.’” —Seattle Times