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From first picking up a guitar, to writing songs and discovering a connection to the universal source of creativity, Uncertain Heaven is a rock 'n roll memoir that tells the story of one man's creative path, a journey that becomes inextricably intertwined with a search for the meaning of our existence and mankind's relationship with God. A story of record deals, songs heard by billions on syndicated television shows, the highs and lows of an indifferent music industry, the painful reality of playing 'music-by-the-yard' and the sheer joy of putting your finger up into the ethos and downloading a song - just like Keith Richards. After years of following the muse wherever she leads, an existential crisis leads the author to peel back the mysteries of life itself, follow what surely seems meant to be, only to find himself standing on the precipice at his own potential demise.
JACK ENGELHARD, author of the international best seller INDECENT PROPOSAL says: "Cassell writes it straight and his most noticeable skill is his ability to take us with him wherever he goes."
For anyone who is lonely or struggling with anxiety in times of uncertainty, find comfort in knowing that you are deeply loved by God. In God Has Not Forgotten You, New York Times bestselling author Dr. David Jeremiah will help you navigate the uncertainties of the present while embracing God's promises for the future. This book invites you to experience the transforming power of God's Word that will help you: Trust God in uncertain and challenging times Know God is at work even when you can't see it Deal with confusing or disappointing circumstances The embellished cover design, presentation page, and a ribbon marker make this a thoughtful gift for: Someone who is experiencing a challenging season Anyone wanting to grow closer to God and trust in His greater plan God Has Not Forgotten You is the perfect reminder that you are not alone and that God is working all things together for your good.
TechKnowledgies: New Imaginaries and Transmigrations in the Humanities, Arts, and TechnoSciences is a diverse collection of essays, a recently produced technology play by William Kennedy, art, and installations that represent, and at times resist, the ways science and technology are interacting with the arts and the humanities to produce new imaginaries and disciplinary transmigrations that gesture towards a “university” of tomorrow. As theorists’ posit new futures and call for an end to historically grounded, or discipline-based, so-called silo approaches to knowledges, a de facto reorganization of disciplinary boundaries and a migratory spirit have spontaneously infused the humanities with new life. These transmigrations, instead of diffusing the disciplinary terrain, have strengthened and broadened existing fields. They are provoking re-mappings of intellectual topography, and, ironically, have brought about more rather than less integration. Activated by such massive cultural shifts as the turn from print to visual culture; the technological revolution and its virtual sublimes; the acceleration of scientific advances; the rise and incorporation of mass or popular culture and the possibilities of replication, the humanities are producing integrated knowledges, what we are calling new TechKnowledgies, that interface the humanities, the arts, the social and hard sciences with digital technologies and research emerging at the borders of all these fields.
Oerlemans extends current eco-critical views by synthesizing a range of viewpoints from the Romantic period.
Originally published in 1986. The ghastly fate of a drowned man brought to a lake's surface in Wordsworth's "Prelude" typifies a fundamental pattern in Romantic writing, argues Cynthia Chase. Disfiguration involves not only a departure from representation but a disruption of the logic of figure or form, a decomposition of the figures composing the text. Ultimately it manifests the conflict between a work's meaning and its mode of performance. By means of an intense engagement with texts in the romantic tradition, Decomposing Figures rearticulates and recasts crucial concepts in recent literary theory, including the notion of the self-referential or self-reflexive nature of the literary work. Chase's readings show that, far from implying a privileged status, the work's self-reflexive structure entails its opacity, its inability to read itself, and the necessity of its decomposition.
-- Cynthia Chase, author of Decomposing Figures: Rhetorical Readings in the Romantic Tradition
Written in an age of revolutions, Lyrical Ballads represents a radical new way of thinking - not only about literature but also about our fundamental perceptions of the world. The poetry of Wordsworth and Coleridge continues to be among the most appealing and challenging in the rich tradition of English Literature; and Lyrical Ballads, composed at the height of the young authors' creative powers, is now widely acclaimed as a landmark in literary history. In this lively study, detailed analysis of individual poems is closely grounded in the literary, political and historical contexts in which Lyrical Ballads was first conceived, realised and subsequently expanded into two volumes. John Blades examines poetry from both volumes and carefully reassesses the poems in the light of Wordsworth's and Coleridge's revolutionary theories, while Part II of the study broadens the discussion by tracing the critical history of Lyrical Ballads over the two centuries since its first publication. Providing students with the critical and analytical skills with which to approach the poems, and offering guidance on further study, this stimulating book is essential reading.