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Harold M. Best casts a holistic vision for worship that transcends narrow discussions of musical style or congregational preference, corrects errors in how Christians have viewed the arts and misunderstandings about the use of music, and offers instead a more biblically consistent approach to artistic action.
Harold M. Best casts a holistic vision for worship that transcends narrow discussions of musical style or congregational preference, corrects errors in how Christians have viewed the arts and misunderstandings about the use of music, and offers instead a more biblically consistent approach to artistic action.
Theologian Steven Félix-Jäger offers a theology of renewal worship, including its biblical foundations, how its global nature is expressed in particular localities, and how charismatic worship shapes the community of faith. With this guidance, the whole church might better understand what it means to pray, "Come, Holy Spirit!"
"Christian musicians know of the obligation to make music as agents of God's grace. They make music graciously, whatever its kind or style, as ambassadors of Christ, showing love, humility, servanthood, meekness, victory, and good example . . . Music is freely made, by faith, as an act of worship, in direct response to the overflowing grace of God in Christ Jesus." Co-sponsored by the Christian College Coalition, this thought-provoking study of music-as-worship leads both students and experienced musicians to a better understanding of the connections between music making and Christian faith. "Christian music makers have to risk new ways of praising God. Their faith must convince them that however strange a new offering may be, it cannot out-reach, out-imagine, or overwhelm God. God remains God, ready to swoop down in the most wonderful way, amidst all of the flurry and mystery of newness and repetition, to touch souls and hearts, all because faith has been exercised and Christ's ways have been imitated. Meanwhile, a thousand tongues will never be enough." Best relates musical practice to a larger theology of creation and creativity, and explores new concepts of musical quality and excellence, musical unity, and the incorporation of music from other cultures into today's music.
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Unceasing is a look at night and day prayer from biblical, historic and prophetic perspectives. Those who desire a greater understanding of Night and Day prayer and it's relevance in our day will find Unceasing to be a great source in this pursuit. Because there is such a groundswell of prayer in the earth many questions arise: What is night and day prayer? What are the biblical and historical precedents for this unique model of intercession and worship? How is ceaseless prayer applicable to those living in new testament times? Unceasing addresses these questions and gives the reader clarity in regard to the prayer movement that's sweeping the earth.
Guidance for Leaders Seeking a Richer Way to Employ Worship Music Worship expert Constance Cherry offers comprehensive guidance to Christian leaders seeking a deeper, richer way to employ worship music in engaging ways for twenty-first-century worshipers. Following Cherry's successful book The Worship Architect, this work helps Christian leaders think theologically and act pastorally about worship music in their churches. It addresses larger issues beyond the surface struggles of musical styles and provides tools to critically evaluate worship songs. The book is applicable to all Christian traditions and worship styles and is well suited to both the classroom and the local church. Each chapter concludes with suggested practical exercises, recommended reading, and basic vocabulary terms.
There has to be more to leading worship than what I've been doing. That nagging thought drove William Kirkwood to develop this primer on worship for all lead pastors and worship planners who have wondered the same thing. Most pastors come out of seminary with little training in worship yet are ultimately responsible for the worship life of their church. Most worship planners/leaders have musical and leadership skills but little theological background in worship. Kirkwood brings his decades of worship leading experience and education from the Robert E. Webber Institute for Worship Studies into the pages of this timely book. He explores the biblical, historical, theological, and cultural foundations of worship and brings them together with practical guidance on how to create vibrant worship services that facilitate a divine-human interaction. The primer is written for leaders in contemporary "free" churches, traditional/liturgical churches, and charismatic/Pentecostal churches. Each chapter includes thoughtful exercises and questions to help in your own church context, as well as recommended resources for further study.
Leading preaching authority offers a revolutionary exploration of the role of preaching in worship.
In discussions of worship, the term ’participation’ covers a lot of ground. It refers not only to concrete acts in gathered liturgy, but also to some of the loftiest claims of Christian theology. In this book, Alan Rathe probes the ways in which North American evangelicals have in recent years regarded the landscape of participation. Rathe presents a broad review of evangelical worship literature through a lens borrowed from medieval theology. This brings into surprising focus not only evangelical understandings but also evangelical identities and the historical traditions they reflect, and offers fresh perspectives on such current theological concerns as God’s triunity, missio Dei, and the practical theology of participation. Offering a fresh contribution to a young but important discipline, the liturgically-informed study of evangelical worship practice, this book reconnects the evangelical tradition to the ’Great Tradition’ and in the process re-appropriates classic concepts that are full of promise for contemporary ecumenical dialogue.