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The September/October 2017 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by N.K. Jemisin, Fran Wilde, C. S. E. Cooney, Catherynne M. Valente, Vina Jie-Min Prasad, and Delia Sherman, reprinted fiction by Malinda Lo, essays by Sophie Aldred, Cecilia Tan, Sarah Kuhn, Sam J. Miller and Jean Rice, and Sabrina Vourvoulias, poetry by Jo Walton, Brandon O'Brien, Ali Trotta, and Gwynne Garfinkle, interviews with C. S. E. Cooney and Delia Sherman by Julia Rios, a cover by Ashley Mackenzie, and an editorial by Lynne M. Thomas and Michael Damian Thomas.
This collection brings together 15 specially commissioned stories by internationally acclaimed writers and filmmakers, to explore and update Freud's classic theory of 'The Uncanny' - his piercing and all-encompassing dissection of what gives us the creeps.
An extraordinary collection of thematically linked essays, including THE UNCANNY, SCREEN MEMORIES and FAMILY ROMANCES. Leonardo da Vinci fascinated Freud primarily because he was keen to know why his personality was so incomprehensible to his contemporaries. In this probing biographical essay he deconstructs both da Vinci's character and the nature of his genius. As ever, many of his exploratory avenues lead to the subject's sexuality - why did da Vinci depict the naked human body the way hedid? What of his tendency to surround himself with handsome young boys that he took on as his pupils? Intriguing, thought-provoking and often contentious, this volume contains some of Freud's best writing.
An interdisciplinary study of how conspiracy theories and stories persist and resonate among different Americans
The Uncanny: Experiments in Cyborg Culture documents the image of the cyborg in all its imaginative guises. The title is from a 1919 essay by Sigmund Freud, which describes "the uncanny" as that which is familiar and strange at the same time.
"For Geert Lovink, interviews are imaginative texts that help create global, networked discourses not only among different professions but also among different cultures and social groups. Conducting interviews online, over a period of weeks or months, allows the participants to compose documents of depth and breadth, rather than simply snapshots of timely references." "The interviews collected in this book are with artists, critics, and theorists who are intimately involved in building the content, interfaces, and architectures of new media. ... The topics discussed include digital aesthetics, sound art, navigating deep audio space, European media philosophy, the internet in Eastern Europe, the mixing of old and new in India, critical media studies in the Asia-Pacific, Japanese techno tribes, hybrid identities, the storage of social movements, theory of the virtual class, virtual and urban spaces, corporate takeover of the internet, and cyberspace and the rise of nongovernmental organizations."
Writing the Uncanny sees some of the best contemporary authors explain what drew them to horror, ghost stories, folklore and beyond, and reveal how to craft unsettling fiction which resonates. An essential guide for both the casual reader and the aspiring writer of strange tales.
'You'll never be a journalist's bootlace!' This is the story behind the stories we think we know. 'The News Man' is a very personal look at the public face of news by one of Australia's most well-loved and respected news presenters of our time. Mal Walden was seventeen when he applied for his first job in media. Starting out as a country radio announcer, he went on to work in Launceston and Melbourne before making the shift to television as a news anchor for channels Seven and Ten. At age seventy he gracefully crossed the finishing line to be recognised as the longest-serving newsman on Australian television. Each year Mal maintained a journal in which he recorded his many serendipitous and life-changing moments. These memories form a record of not only his life as a newsman, but of the evolution of television news.