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"In the field of adaptation studies today, the idea of reading an adapted text as "faithful" or "unfaithful" to its original source strikes many scholars as too simplistic, too conservative, and too moralizing. In Uncanny Fidelity: Recognizing Shakespeare in Twenty-First Century Film and Television, James Newlin broadens the scope of fidelity beyond its familiar concerns of plot and language. Drawing upon Sigmund Freud's model of the Uncanny-the sudden sensation of peculiar, discomforting familiarity-this book focuses on films and series that do not selfidentify as adaptations of Shakespeare, but which invoke lost, even troubling aspects of the original. In doing so, Newlin demonstrates how the study of Shakespeare's afterlife can clarify both the historical context of his drama and its relevance for the current political moment. Modeling his new approach to the critical category of fidelity, Newlin closely examines four twentieth-century films and tv series next to their Shakespearean counterparts within the contexts of their casting, genre, and reception. When a director of an unconventional version of The Tempest, for example, chooses to cast a white man as either Caliban or Miranda, they seemingly depart from Shakespeare's original text. Yet with these casting decisions, Newlin argues that The Master (2012) and Brigsby Bear (2017) eerily recall the realities of the early modern theater. The Master unexpectedly depicts something like the mythic "wild man" figure that informed The Tempest's early-colonial context, while Brigsby Bear invokes the exploitative, abusive treatment of boy-actors cast in female roles on the renaissance stage. Similarly, by not explicitly identifying as an adaptation of Othello, the cult comedy series Vice Principals (2016-17) frees itself to more faithfully capture the play's early modern comic context - while also illuminating the parallels between racist discourse in Shakespeare's age and our own. By reading these works as uncannily faithful adaptations, Newlin articulates something like the original response of Shakespeare's audience. Finally, Newlin demonstrates how a filmed adaptation might itself intervene in Shakespeare's critical reception. As a version of The Winter's Tale that ends tragically, the celebrated film Manchester By The Sea (2016) effectively rebuts Stanley Cavell's celebrated reading of Shakespeare's romance. Recognizing the parallels between Manchester By The Sea and The Winter's Tale, Newlin argues that Shakespeare views grief and guilt as forms of certainty - in contradistinction to Cavell's reading of the play as a portrait of skepticism. The first extended treatment of adaptation as a form of uncanny return, Uncanny Fidelity offers students and scholars of Shakespeare in film, adaptation studies, film studies, and psychoanalytic theory a critical framework to further engage the matter of personal response with deeper theoretical rigor. In redefining what constitutes adaptation, Newlin demonstrates how the study of Shakespeare's afterlife can radically challenge our own conception of what we consider to be authentically Shakespearean"--
This volume constitutes the refereed proceedings of the 8th International Conference on HCI in Virtual, Augmented and Mixed Reality, VAMR 2016, held as part of the 18th International Conference on Human-Computer Interaction, HCII 2016, which took place in Toronto, Canada, in July 2016. HCII 2016 received a total of 4354 submissions, of which 1287 papers were accepted for publication after a careful reviewing process. The 70 papers presented in this volume are organized in topical sections named: Usability, User Experience and Design in VAMR, Perception, Cognition, Psychology and Behaviour in VAMR, Multimodal Interaction in VAMR, Novel Devices and Technologies in VAMR, VAMR Applications in Aviation, Space and the Military, Medicine, Health and Well-Being Applications of VAMR, VAMR in Industry, Design and Engineering, Novel Virtual Environments.
A history of our time.
Dope by Sax Rohmer: Set in the seedy underbelly of London, "Dope" follows the thrilling adventures of Detective Paul Harley as he investigates a dangerous drug-smuggling ring. Sax Rohmer weaves a gripping tale of crime, mystery, and intrigue, taking readers on a pulse-pounding journey through the dark alleys and opium dens of the city. Key Aspects of the Book "Dope": Crime and Mystery: The novel delves into the world of crime and mystery as Detective Harley unravels the secrets of the drug-smuggling ring. Atmospheric Setting: Rohmer skillfully creates a vivid and atmospheric portrayal of London's criminal underworld, immersing readers in its gritty and dangerous ambiance. Character-driven Plot: The book's narrative is driven by compelling characters, including the enigmatic detective and the dangerous criminals he pursues. Sax Rohmer was a British author born in 1883. He gained fame for his creation of the iconic character Fu Manchu, a fictional villain of Chinese descent, featured in several of his works. Rohmer's novels often explored themes of crime, espionage, and the exotic, drawing inspiration from the cultural fascination with the Orient during his time. "Dope" showcases Rohmer's talent for crafting thrilling tales that captivate readers with their suspense and intrigue.
Judith Still analyses Derrida's late writings on animals, especially his seminars The Beast and the Sovereign, to explore ethical questions of how humans treat animals and how we treat outsiders, from slaves to terrorists.
This book considers the architect Le Corbusier’s encounters with Australia and New Zealand as a two-way exchange, showing the impact of his ideas and projects on architects of the region whilst also revealing counterinfluences on Le Corbusier in his post-war career that were activated by his contacts. Compiled from detailed archival research undertaken at the Fondation Le Corbusier, Paris, and nationally based archives, Le Corbusier in the Antipodes brings together a set of episodes placing them in context with the history of modern art, architecture and urbanism in 20th century Australia and New Zealand. Key exchanges between Le Corbusier and others never before described are presented and analyzed, including Le Corbusier’s contact with Australian architect Harry Seidler at Chandigarh, Le Corbusier’s drawing of the plan of Adelaide in 1950 and his creative collaboration with Jorn Utzon on art for the Sydney Opera House. This book also includes analysis of previously unseen Le Corbusier artworks, which formed part of the Utzon family collection. In reading these personal and contingent moments of encounter, the book puts forward new ways of understanding the dissemination and mediation of Le Corbusier’s ideas and their effects in post-war Australia and New Zealand. These antipodean contacts are set against the broader story of Le Corbusier’s career, questioning received interpretations of his design methods and current assumptions about the influence of his work in national contexts beyond Europe.
This acclaimed work--now in an extensively revised second edition--provides an up-to-date conceptual framework and hands-on strategies for culturally competent clinical practice with Latino families and individuals. Practitioners and students gain an understanding of the family dynamics, migration experiences, ecological stressors, and cultural resources that are frequently shared by Latino families, as well as variations among them. Through many in-depth case illustrations, the author shows how to apply a multicultural and social justice lens to assessment and intervention, while drawing on each client's strengths. Creative ideas are presented for addressing frequently encountered clinical issues and challenges at all stages of the family life cycle. New to This Edition *Delineates the author's multidimensional, ecosystemic, and comparative approach (MECA) in greater detail; presents MECAmaps, MECAgenograms, and other innovative clinical tools. *Incorporates the latest research and over a decade of social and demographic changes. *Chapter on working with geographically separated families, including innovative uses of technology. *Chapters on health disparities and on adolescents. *Expanded discussions of second-generation risks and strengths and of same-sex marriage, intermarriage, divorce, and stepparenting.
In this ground-breaking book, a theory of ‘distortion’ - of the way in which the processes of human life are subject to interference, diversion and transformation - is developed by way of the art of one of Britain’s greatest twentieth-century painters and that art’s public reception. Devoted to his native village of Cookham-on-Thames, Stanley Spencer painted not only landscapes and portraits with loving detail but also the ‘memory-feelings’ which he felt were a ‘sacred’ part of his consciousness. Yet Spencer was also a controversial public figure, with some taking the view that his visionary paintings were ugly distortions of human life, even marks of an immoral nature. Examining how Spencer lived his vision, how he painted it and wrote it, and also how his attempts to communicate that vision were received by his contemporaries and have continued to be interpreted since his death, the author posits distortion as key: an intrinsic aspect both of human creation and of human interaction. What we intend to make, to say, to do and have done, often mutates in the process of being expressed or put into effect: we live amid distortion. Love - the affective appreciation of one another - is then a means by which we accommodate distortion and its consequences in our lives. An illustration, through Stanley Spencer’s story, of significant aspects of a human condition, this book will appeal across disciplines, including to art historians and students of Spencer’s work, as well as to scholars of anthropology with interests in creativity, perception and interpretation.
Through the pages of Environmental History Review, now Environmental History, an entire discipline has been created and defined over time through the publication of the finest scholarship by humanists, social and natural scientists, and other professionals concerned with the complex relationship between people and our global environment. Out of the Woods gathers together the best of this scholarship.Covering a broad array of topics and reflecting the continuing diversity within the field of environmental history, Out of the Woods begins with three theoretical pieces by William Cronon, Carolyn Merchant, and Donald Worster probing the assumptions that underlie the words and ideas historians use to analyze human interaction with the physical world. One of these - the concept of place - is the subject of a second group of essays. The political context is picked up in the third section, followed by a selection of some of the journal's most recent contributions discussing the intersection between urban and environmental history. Water's role in defining the contours of the human and natural landscape is undeniable and forms the focus of the fifth section. Finally, the global character of environmental issues emerges in three compelling articles by Alfred Crosby, Thomas Dunlap, and Stephen Pyne.Of interest to a wide range of scholars in environmental history, law, and politics, Out of the Woods is intended as a reader for course use and a benchmark for the field of environmental history as it continues to develop into the next century.