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"Toward an Anthropology of Nation Building and Unbuilding in Israel presents twenty-two original essays offering a critical survey of the anthropology of Israel inspired by Alex Weingrod, emeritus professor and pioneering scholar of Israeli anthropology. In the late 1950s Weingrod's groundbreaking ethnographic research of Israel's underpopulated south complicated the dominant social science discourse and government policy of the day by focusing on the ironies inherent in the project of Israeli nation building and on the process of migration prompted by social change. Drawing from Weingrod's perspective, this collection considers the gaps, ruptures, and juxtapositions in Israeli society and the cultural categories undergirding and subverting these divisions. Organized into four parts, the volume examines our understanding of Israel as a place of difference, the disruptions and integrations of diaspora, the various permutations of Judaism, and the role of symbol in the national landscape and in Middle Eastern studies considered from a comparative perspective. These essays illuminate the key issues pervading, motivating, and frustrating Israel's complex ethnoscape. "--
From accounts of the Holocaust, to representations of AIDS, to predictions of environmental disaster; from Hal Lindsey's fundamentalist 1970s bestseller The Late Great Planet Earth, to Francis Fukuyama's The End of History and the Last Man in 1992, the sense of apocalypse is very much with us. In Postmodern Apocalypse, Richard Dellamora and his contributors examine apocalypse in works by late twentieth-century writers, filmmakers, and critics.
Featuring diverse disciplines and including creative as well as critical work, The Ends of Theory both exemplifies the impact of critical theory and questions its future. The sixteen essays in this anthology reflect on the nature and purpose of theoretical work in the humanities and succeed in bridging critical and creative production. Contributors include Arthur Danto, Paul A. Bové, Bob Perelman, and Steve McCaffery.
Examines dissident conceptions of space in the British Romantic eraRadical Romantics is about utopias and failed utopias, about cities that are palimpsests, and about the unwieldy span of the ocean. From William Blake's visionary poetry to Lord Byron's Eastern romances, from prophetic pamphlets to travel narratives, texts of the Romantic era make use of imaginative spaces to reveal the contours and limits of territorial sovereignty. In doing so, they raise fundamental questions about our understanding of both territorial and imagined space. What are the means by which people can conceive of geographical space without resorting to the terms of nationalism? Is it possible to imagine a space beyond territory, as movement itself? How can we articulate the overlap between mapped and lived space? Key Features Engages with the critical frameworks of cultural geography, cartography, and the burgeoning field of oceanic studiesReformulates theories of colonization and empire in the Romantic periodPuts canonical poetry in dialogue with travel tales and prophetic tracts
Millennial movements have had a significant impact on history and lie behind many artistic and scientific views of the world. 'The End that Does' tracks the interplay of the arts, sciences, and millennial imagination across 3000 years. The volume presents essays ranging across the study of ancient ritualistic sacrifice, utopian technology and the American millennial dream, science fiction, and the apocalypse of the tabloids. The End that Does will be invaluable to any student or scholar interested in the history of millennialism.
The Majesty of the People links emerging Romantic ideas about the role of the writer to the ambivalence of the concept of popular sovereignty. By closely examining how theories about the role of the intellectual or the writer are developed as part of the 1790s' contestation of the concept of the majesty of the people, Georgina Green provides a coherent account of debates about popular sovereignty, and contributes to understanding of authorship and the rise of 'culture' in this period. Part one, 'the political existence of the people', shows how the history of ideas about the political role of the people in the eighteenth century meant there was a role for writers and organisations who could challenge the invisibility of the 'people out of doors'. Part two, 'the sovereignty of justice' shows how this urge to give the people a tangible form was moderated by the tension between the sovereignty of will and the sovereignty of justice, a tension foregrounded by Revolutionary France and addressed in the writing of Thomas Paine, Helen Maria Williams, and William Godwin. Part three analyses how this potential tension between popular sovereignty and absolute values such as reason, justice or divinity pressurizes Wordsworth and Coleridge's conception of their role as writers. These enquiries demonstrate the impact of the idea of the Majesty of the People in the 1790s and in emerging conceptions of the role of culture in society.
In A Traveling Homeland, Daniel Boyarin makes the case that the Babylonian Talmud is a diasporist manifesto producing and defining the practices that constitute Jewish diasporic identity in the form of textual, interpretive communities built around talmudic study.
Over the course of a literary career that extended from the lingering Malthusian controversies of the late eighteenth century to the brink of the Reform Act of 1832, William Hazlitt produced a remarkable body of committed radical journalism. Against the view that partisan passion undermined his aesthetic judgment and compromised his celebrated disinterestedness, William Hazlitt: Political Essayist restores politics to the center of his achievement as a critic and essayist. In doing so Kevin Gilmartin explores his constructive relationship with the early nineteenth-century popular reform movement, while acknowledging his desire to reflect critically on radical politics and express his own doubts about social progress. Early chapters attend closely to his critical method and matters of style and form, focusing on the political development of his contradictory prose manner. Paradox and inconsistency are central to his attack on 'Legitimacy', a term he drew form the lexicon of post-Napoleonic political journalism. In treating legitimate government as a revived form of divine right monarchy, Hazlitt often produced harrowing visions of the perfect refinement of oppressive power and the complete elimination of any principle of liberty or resistance. At the same time he found ways to preserve his commitment to oppositional political expression and the redemptive necessity of what he termed 'a word uttered against'. Later chapters bring together the spiritual heritage of rational Dissent and emerging democratic developments in London to understand Hazlitt's distinctive mobilization of radical memory as a way of contending with present injustice and envisioning a political future.