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They also carry long-standing struggles over femininity and sanctity into new, highly charged secular contexts.
Formal anarchist organizations disappeared in Mexico after the 1910 Revolution, but anarchist principles survive in the popular resistance movements against the post-revolutionary governments. In this book, Donald Hodges offers the first comprehensive treatment of the intellectual foundations, history, politics, and strategy of Mexican anarchism since the Revolution. Hodges interviewed leading Mexican anarchists, including Mónico Rodríguez Gómez, and gained access to documents of numerous guerrilla organizations, such as the previously missing "Plan de Cerro Prieto." Using both original and published sources, he shows how the political heirs of Ricardo Flores Magón, Mexico's foremost anarchist, agitated for workers' self-management and agrarian reform under the cover of the Mexican Communist party, how they played an important role in the student rebellion, and how, in the face of a labor movement that has come under government control, anarchism is currently experiencing a rebirth under another name.
This text explores the ways in which crime fiction manipulates cultural constructions such as race and gender to inscribe dominant cultural discourses. It notes that even those writers who set out to revise conventions repeatedly produce some of the genre's most conservative elements.
Difference, the key term in deconstruction, has broken free of its rigorous philosophical context in the work of Jacques Derrida, and turned into an excuse for doing theory the easy way. Celebrating variety for its own sake, Antony Easthope argues, cultural criticism too readily ignores the role of the text itself in addressing the desire of the reader. With characteristic directness, he takes to task the foremost theorists of the current generation one by one, including Edward Said and Homi Bhabha, Dona Haraway, Rosi Braidotti and Judith Butler. In a final tour de force, he contrasts what he calls the two Jakes, Jacques Lacan and Jacques Derrida, to bring out the way their respective theories need each other. The book is vintage Easthope: wide-ranging, fearless, witty and a radical challenge to complacency wherever it is to be found.
The first systematic collection of fragmentary Latin historians from the period AD 300-620, this volume provides an edition and translation of, and commentary on, the fragments. It proposes new interpretations of the fragments and of the works from which they derive, whilst also spelling out what the fragments add to our knowledge of Late Antiquity. Integrating the fragmentary material with the texts preserved in full, the volume suggests new ways to understand the development of history writing in the transition from Antiquity to the Middle Ages.
Race in Psychoanalysis analyzes the often-unrecognized racism in psychoanalysis by examining how the colonialist discourse of late nineteenth-century anthropology made its way into Freud’s foundational texts, where it has remained and continues to exert a hidden influence. Recent racial violence, particularly in the US, has made many realize that academic and professional disciplines, as well as social and political institutions, need to be re-examined for the racial biases they may contain. Psychoanalysis is no exception. When Freud applied his insights to the history of the psyche and of civilization, he made liberal use of the anthropology of his time, which was steeped in colonial, racist thought. Although it has often been assumed that this usage was confined to his non-clinical works, this book argues that through the pivotal concept of "primitivity," it fed back into his theories of the psyche and of clinical technique as well. Celia Brickman examines how the discourse concerning the presumed primitivity of colonized and enslaved peoples contributed to psychoanalytic understandings of self and raced other. She shows how psychoanalytic constructions of race and gender are related, and how Freud’s attitudes towards primitivity were related to the anti-Semitism of his time. All of this is demonstrated to be part of the modernist aim of psychoanalysis, which seeks to create a modern subjectivity through a renegotiation of the past. Finally, the book shows how all of this can affect both clinician and patient within the contemporary clinical encounter. Race in Psychoanalysis is a pivotal work of significance for scholars, practitioners and students of psychoanalysis, psychologists, clinical social workers, and other clinicians whose work is informed by psychoanalytic insights, as well as those engaged in critical race and postcolonial studies.
In the 1880s, fashionable Londoners left their elegant homes and clubs in Mayfair and Belgravia and crowded into omnibuses bound for midnight tours of the slums of East London. A new word burst into popular usage to describe these descents into the precincts of poverty to see how the poor lived: slumming. In this captivating book, Seth Koven paints a vivid portrait of the practitioners of slumming and their world: who they were, why they went, what they claimed to have found, how it changed them, and how slumming, in turn, powerfully shaped both Victorian and twentieth-century understandings of poverty and social welfare, gender relations, and sexuality. The slums of late-Victorian London became synonymous with all that was wrong with industrial capitalist society. But for philanthropic men and women eager to free themselves from the starched conventions of bourgeois respectability and domesticity, slums were also places of personal liberation and experimentation. Slumming allowed them to act on their irresistible "attraction of repulsion" for the poor and permitted them, with society's approval, to get dirty and express their own "dirty" desires for intimacy with slum dwellers and, sometimes, with one another. Slumming elucidates the histories of a wide range of preoccupations about poverty and urban life, altruism and sexuality that remain central in Anglo-American culture, including the ethics of undercover investigative reporting, the connections between cross-class sympathy and same-sex desire, and the intermingling of the wish to rescue the poor with the impulse to eroticize and sexually exploit them. By revealing the extent to which politics and erotics, social and sexual categories overflowed their boundaries and transformed one another, Koven recaptures the ethical dilemmas that men and women confronted--and continue to confront--in trying to "love thy neighbor as thyself."
Through an interlocking series of texts and images, this work explores how extreme sensations such as wonder, misery, ecstasy and rage have been portrayed at different moments in Western culture. Moving across multiple fields of creative endeavour and intellectual inquiry - from classical artefacts to Chicano art, political protest to operatic performance, Rene Descartes's writings on the soul to the Internet's digitised flesh - it reveals how the passions have elicited, eluded and transformed the act of representation.