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Cecilia Valdés is arguably the most important novel of 19th century Cuba. Originally published in New York City in 1882, Cirilo Villaverde's novel has fascinated readers inside and outside Cuba since the late 19th century. In this new English translation, a vast landscape emerges of the moral, political, and sexual depravity caused by slavery and colonialism. Set in the Havana of the 1830s, the novel introduces us to Cecilia, a beautiful light-skinned mulatta, who is being pursued by the son of a Spanish slave trader, named Leonardo. Unbeknownst to the two, they are the children of the same father. Eventually Cecilia gives in to Leonardo's advances; she becomes pregnant and gives birth to a baby girl. When Leonardo, who gets bored with Cecilia after a while, agrees to marry a white upper class woman, Cecilia vows revenge. A mulatto friend and suitor of hers kills Leonardo, and Cecilia is thrown into prison as an accessory to the crime. For the contemporary reader Helen Lane's masterful translation of Cecilia Valdés opens a new window into the intricate problems of race relations in Cuba and the Caribbean. There are the elite social circles of European and New World Whites, the rich culture of the free people of color, the class to which Cecilia herself belonged, and then the slaves, divided among themselves between those who were born in Africa and those who were born in the New World, and those who worked on the sugar plantation and those who worked in the households of the rich people in Havana. Cecilia Valdés thus presents a vast portrait of sexual, social, and racial oppression, and the lived experience of Spanish colonialism in Cuba.
This book presents a detailed survey and analysis of the surviving corpus of biblical drama from all parts of medieval Christian Europe. Over five hundred plays from the tenth to the sixteenth centuries are examined, in a wide-ranging discussion which makes available the full scope of this important part of theatre history. The volume is specially organised to provide a complete overview of major aspects of medieval biblical theatre, including the theatrical community of both audience and players; the major plays and cycles; and the legacy of medieval biblical theatre. The book also includes valuable appendices with information on the liturgical calendar, processions, and the Mass and the Bible.
This book makes available major texts in the Christian apocalyptic literature from the 4th to the 16th centuries. The apocalyptic tradition is that of traditional philosophy based on revelation and concerned with the end of the world.
Reprint of the original, first published in 1864. Nine lectures delivered in the Divinity School of the University of Oxford. With copious notes.
"Antichrist" is an in-depth study of the biblical texts on Antichrist, which aims to answer the question: Who or what is the Antichrist? To answer this question, Pink traces the references to Antichrist, including the Book of Psalms, the Gospels, the Epistles, and Revelation, and constructs the profile of Antichrist from the scriptures. He doesn't approach Antichrist only as a person but also as an ideology that leads to a certain chain of deeds and events. Yet, in the first chapters of the book, he rejects the idea that the Roman papacy is the embodiment of Antichrist, despite their persecution of Christians in the Middle Ages. In Chapters Three to Seven, he gives details on the possible Antichrist identity as he sees it, based on the scripture. Chapter Eight through Seventeen demonstrate how the theme of Antichrist is displayed through the Bible. Arthur Walkington Pink (1886–1952) is one of the most influential evangelical authors in the second half of the twentieth century. He was an English Bible teacher who sparked a renewed interest in the exposition of Calvinism or Reformed Theology.
He was one of the most popular lay preachers and Christian apologists of his day: Sir Robert Anderson devoutly believed that the Bible was the inerrant word of God, and in this popular 1881 book-a companion to his Daniel in the Critics' Den-he mounts a defense of the prophetic Old Testament Book of Daniel, an early example of apocalyptic philosophy in Christianity. Students of the Bible will appreciate this historically valuable attempt to set straight the many controversies surrounding Daniel regarding its authorship and even the date of its writing. And anyone interested in the apocalyptic fervor of modern-day fundamentalist Christianity will find this an instructive and enlightening read. While at Scotland Yard, Irish police official and religious scholar SIR ROBERT ANDERSON (1841-1918) helped investigate the Jack the Ripper murders, but he is best remembered for his works of Bible study, including Forgotten Truths and The Silence of God.
This play describes a teaching centre for young people who are blind, where a false unity is maintained by a mixture of fear, coercion and diversion and where education is seen as to play a part in the regime's ideological apparatus and to encourage the acceptance of pleasant and reassuring myths.
"Translated for the first time into English, the 14th-century French play Jour du Jugement is the most fully-developed account of the career of Antichrist in any dramatic form. This fascinating theatrical extravaganza stages two of the most important events in Christian eschatology: the appearance, deception, and persecution of the Antichrist, and the Last Judgement. The introduction discusses theological backgrounds, literary analogues, and staging issues. Substantial commentary explicates socio-historical allusions and biblical references, suggests performance effects, and describes what is known of accompanying music."