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La bruja Rebeca se ha encontrado un cocodrilo que no es lo que parece. Un hada lo hechizó hace mucho tiempo, y para deshacer el hechizo tendrá que reunir cinco lágrimas especiales. Pero esas lágrimas tienen que caer en el frasco mágico a la hora exacta... ¿Conseguirá Rebeca ayudar al cocodrilo y romper de una vez por todas el maleficio? Además de disfrutar de la lectura, permite aprender a leer la hora en un reloj de agujas. Pizca de Sal es una colección que combina literatura y contenidos de distintas materias del currículo: cada libro aborda los contenidos a través de una historia de ficción con una trama seductora y divertida y un lenguaje adecuado a la edad de los lectores. Los libros, de diseño atractivo y profusamente ilustrados, van acompañados de diez fichas de actividades con propuestas para realizar individualmente o en equipo, y tanto en casa como en el aula.
From the day Charlotte Jane was born on a pirate ship she has had "formidable oomph," but when she succeeds in conquering sleep by staying up all night, her oomph seems to weigh anchor. Full color.
FotoFest 1992, a major festival of international photography, brought Latin American photography into focus for a wide audience. Offering a diverse selection of photographers, countries, artistic movements, and subject matter, the show revealed a photographic tradition rich in history and creativity. Drawing from the more than 1,000 images exhibited by FotoFest, this book documents the work of fifty-two photographers from ten countries. The photographs range from the opening of the Brazilian frontier in the 1880s to a secret archive of documentary images from El Salvador's recent civil war to works of specifically aesthetic intent. Many of the photographs appear here in print for the first time. Watriss's opening essay provides the curatorial overview for the book. Lois Zamora examines the roots of visual image-making in Latin American cultures. Boris Kossoy addresses the history of Latin American photography through the nineteenth century, while Fernando Castro covers the contemporary scene. With its compelling images and English-Spanish text, this book will serve as a benchmark for future studies of photography in Latin America.
The eight novellas collected in this book display the humor, exuberant spirit, love of language, and insight of the Spanish writer Ramón Gómez de la Serna, a central figure in the European and Latin American avant-garde, and a key contributor of Anglo-American imagism to Spanish literature. Father of the prose and poetry of the «Generation of '27», Gómez de la Serna was admired by T.S. Eliot, Macedonio Fernández, Oliverio Girondo, Octavio Paz, Pablo Neruda, Alfonso Reyes, and was a source of inspiration for Borges, García Márquez, Cortázar, and Pizarnik. These novellas, with their humorous and witty exaggerations of everyday human foibles, their simple story lines and often-surprising endings, are presented here in the original Spanish with a clear English translation on facing pages. This book will be useful in intermediate and advanced Spanish classes and in translation courses.
This new book catalogues some 215 prominent film directors from both countries, giving accurate bio-filmographies and providing an in-depth reference source. Full attention is given to the propaganda cinema under dictators Franco and Salazar, to film-makers who left to work abroad--especially in Latin America--and to those filming in the regional languages (mainly Basque and Catalan). There is coverage not only of internationally well-known figures Almodovar, Bunuel, Oliveira, and Saura, but also across the complete range of feature, documentary, and animation film-making: early pioneers Segundo de Chomon, Catalans Jose Maria Codina, Fructuoso Gelabert, and Magi Muria, and Portuguese Aurelio da Paz dos Reis; experimentalists and avant-garde figures such as Lorenzo Llobet-Gracia, Jose Val del Omar, and Nemesio Sobrevila and documentarist Antonio Campos; animators Cruz Delgado, Francisco Macian, and Arturo Moreno (who worked on the first full-length animated film in Europe, Garbancito de la Mancha, in 1945). Each entry gives information on the film-maker's career (date and place of birth, educational qualifications, work experience, positions held), together with a list of films made, with dates of production. There are three indexes: Country Index, Film Title Index, and General Index. The index of film titles lists over 3,000 entries, including the original languages and their English language and aka equivalents.