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James Joyce spent the last decade of his life in Paris, struggling to finish his great final work Finnegans Wake amidst personal and financial hardship and just as Europe was being engulfed by the rising tide of fascism. Bringing together new archival discoveries and personal accounts, this book explores one of the central relationships of his final years: that with his friend, confidant and adviser Paul L. Léon. Providing first-hand accounts of Joyce's Paris circle – which included Samuel Beckett and Vladimir Nabokov – the book makes available again the text of Lucie (Léon) Noel's personal memoir of the relationship between her husband and the Irish writer (published as James Joyce and Paul L. Léon: The Story of Friendship in 1950), including his valiant rescue of Joyce's Paris archives from occupying Nazi forces. The book also collects for the first time Leon's clandestine letters to his wife from August to December 1941, chronicling his desperate state of body and mind while interned in Drancy, France's main Nazi transit camp, and then in Compiègne, just before he was deported to Auschwitz-Birkenau. Joyce died suddenly on 13 January 1941 in Zurich and Léon was murdered by the Nazis on 4 April 1942 in Silesia. Annotated throughout with contextual commentary by Luca Crispi and Mary Gallagher, this is an essential resource for scholars of James Joyce and of the literary culture of Paris in the 1930s and first years of World War II in France.
#1 NEW YORK TIMES BESTSELLER More than ONE MILLION copies sold A TODAY Show Read with Jenna Book Club Pick A New York Times Notable Book, and Chosen by Oprah Daily, Time, NPR, The Washington Post and Barack Obama as a Best Book of the Year “Wise and wildly entertaining . . . permeated with light, wit, youth.” —The New York Times Book Review “A classic that we will read for years to come.” —Jenna Bush Hager, Read with Jenna book club “A real joyride . . . elegantly constructed and compulsively readable.” – NPR The bestselling author of A Gentleman in Moscow and Rules of Civility and master of absorbing, sophisticated fiction returns with a stylish and propulsive novel set in 1950s America In June, 1954, eighteen-year-old Emmett Watson is driven home to Nebraska by the warden of the juvenile work farm where he has just served fifteen months for involuntary manslaughter. His mother long gone, his father recently deceased, and the family farm foreclosed upon by the bank, Emmett's intention is to pick up his eight-year-old brother, Billy, and head to California where they can start their lives anew. But when the warden drives away, Emmett discovers that two friends from the work farm have hidden themselves in the trunk of the warden's car. Together, they have hatched an altogether different plan for Emmett's future, one that will take them all on a fateful journey in the opposite direction—to the City of New York. Spanning just ten days and told from multiple points of view, Towles's third novel will satisfy fans of his multi-layered literary styling while providing them an array of new and richly imagined settings, characters, and themes.
Dividing his youth between the United States and the bilingual Alsace-Lorraine, Eugene Jolas (1894-1952) flourished in three languages. As an editor and poet, he came to know the major writers and artists of his time and enjoyed a pivotal position between the Anglo-American and Continental avant-garde. His editorship of transition, the leading avant-garde journal of Paris in the twenties and early thirties, provided a major impetus to writers from James Joyce (whose Finnegans Wake was serialized in transition) to Gertrude Stein, and Samuel Beckett, with first translations of André Breton, and Franz Kafka, among others. Jolas's critical work, collected in this volume, includes introductions to anthologies, manifestoes like the famous Vertical, essays, some published here for the first time, on writers as various as Novalis, Trakl, the major Surrealists, Heidegger, and other philosophers. An acute observer of the literary scene as well as of the roiling politics of the time, Jolas emerges here in his role at the very center of avant-garde activity between the wars. Accordingly, this book is of signal importance to anyone with an interest in modernism, avant-garde, multilingualism, and the culture of Western Europe in the first half of the twentieth century.
What can you learn about fiction writing from watching — and rewatching — Buffy the Vampire Slayer? Anything and everything about creating gripping plots, building three-dimensional, relatable characters, and weaving in themes that will speak to your audience long after your novel or screenplay ends. In this book, story coach and novelist L. M. Lilly delves into each episode of the first half of Season Three of the cult TV series. She looks at how the writers construct gripping plots, arc characters throughout the series, and weave in themes and subplots that break the viewers’ hearts. All of which adds up to stories that are still gaining new audience members decades later. Each chapter of Buffy and the Art of Story Season Three Part 1 includes questions to help you improve your own writing and storytelling by: - Crafting turns that spin your story in surprising yet believable ways -Weaving in themes that speak to your audience - Showing character growth and emotion through words, gestures, and small moments - Cutting to subplots at key moments for maximum emotional impact - And more If you love Buffy, and you love creating stories – or just taking them apart to see how they work – this book is for you. Download Today.
Astronomy and Astrophysics Abstracts is devoted to the recording, summarizing and indexing of astronomical publications throughout the world. Two volumes are scheduled to appear per year. Volume 67 records 10,903 papers covering besides the classical fields of astronomy and astrophysics such matters as space flights related to astronomy, lunar and planetary probes and satellites, meteorites and interplanetary matter, X rays and cosmic rays, quasars and pulsars. The abstracts are classified under more than one hundred subject categories thus permitting quick surveying of the bulk of material published on the same topic within six months. For instance, this volume records 119 papers on minor planets, 155 papers on supernovae, and 554 papers on cosmology.