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The Eighties was a special time for the creative people who participated, made up of absolute visual liberty with no fear of making mistakes, of the excessive or of Kitsch. The market wanted ever-new ideas and the search for not-yet-discovered things. We could take the daring step and match styles that none would have done before. The graphics of that period did not have the strength to transform a product or indeed enough force in design to risk combining circle and triangle, soft curves and broken lines. If anything, they were an accompaniment, like a brand or a label, succeeding less than a texture or a form could, in decoration. However, research went on in the same daring ways, looking for unusual cuts and graphic quotes. Decisive colours with a lot of black in attendance, many nets, pois, lines and optical effects, mixing photos and designs, ancient and modern. New fonts were beginning to be used, the need was not yet obvious, but unconscious. These were the Eighties. Textures had invaded the market. With a new texture the same old, tired product lived again and became appetising, quite apart from quality and innovation. To be visible always, come what may, was over-consumistic society's "must". AUTHOR Vincenzo Sguera, an Italian architect, has been working in the field of design, fashion, textiles and accessories, directing several creative studios and developing products for many companies at an international level since 1977. In 2003 he founded Arkivia Books and has since worked as an author and publisher. Michele Moricci has a diploma as Technician in Clothing and Fashion in Florence, Italy. In 2007 he began working with Arkivia Books, collaborating with Vincenzo Sguera in the publication of several books while working as a graphic - stylistic designer for several fashion studios in his area. Illustrations 250 colour Also Available: Ultra Pop Graphics Vol.1 ISBN: 9788888766195 *
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
What's new in digital fabrication? So much! In Make: Vol. 84 we show you how adding dedicated SBCs, like a Raspberry Pi, make 3D printers vastly smarter and up to five times faster. New laser engravers can cut metal for under $2,000, and cheap workhorse diode lasers are everywhere. Pro-level 3D scanning is on your phone, and 3D design software has a flavor for every style of maker. Now's the time to level up! Plus, we dive into how makers can (ethically) use generative A.I. to create audio, images, text, code, and 3D models for your next project! Plus, 23 Projects & Skills, including: Build a $30 Vertical Wind Turbine Create Wearable Soft Speakers Wow your friends with a DIY Ambient TV Backlight Sew decorative Light-Up Zodiac Embroidery Get involved with Amateur Radio and Software Defined Radio (SDR) And much more!
The Eighties was a special time for the creative people who participated, made up of absolute visual liberty with no fear of making mistakes, of the excessive or of Kitsch. The market wanted ever-new ideas and the search for not-yet-discovered things. We could take the daring step and match styles that none would have done before. The graphics of that period did not have the strength to transform a product or indeed enough force in design to risk combining circle and triangle, soft curves and broken lines. If anything, they were an accompaniment, like a brand or a label, succeeding less than a texture or a form could, in decoration. However, research went on in the same daring ways, looking for unusual cuts and graphic quotes. Decisive colours with a lot of black in attendance, many nets, pois, lines and optical effects, mixing photos and designs, ancient and modern. New fonts were beginning to be used, the need was not yet obvious, but unconscious. These were the Eighties. Textures had invaded the market. With a new texture the same old, tired product lived again and became appetising, quite apart from quality and innovation. To be visible always, come what may, was over-consumistic society's "must". AUTHOR: Vincenzo Sguera, an Italian architect, has been working in the field of design, fashion, textiles and accessories, directing several creative studios and developing products for many companies at an international level since 1977. In 2003 he founded Arkivia Books and has since worked as an author and publisher. SELLING POINTS: *The featured textile patterns retrace the styles and trends of the eighties and will appeal to stylists, designers and art directors alike *Includes 130 designs saved in 5 ways - 650 files in all - all free to use *1 Free DVD included for Windows and Mac - Vector and Bitmap Hi-res files, ready for production *They can be used with many graphic softwares, such as Illustrator or Photoshop Also Available: Ultra Pop Graphics Vol.1 ISBN: 9788888766195 Ultra Pop Textures Vol.1 ISBN: 9788888766188 ILLUSTRATIONS: 130 colour *
Maximum PC is the magazine that every computer fanatic, PC gamer or content creator must read. Each and every issue is packed with punishing product reviews, insightful and innovative how-to stories and the illuminating technical articles that enthusiasts crave.
From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.
At long last, Sarah Britton, called the “queen bee of the health blogs” by Bon Appétit, reveals 100 gorgeous, all-new plant-based recipes in her debut cookbook, inspired by her wildly popular blog. Every month, half a million readers—vegetarians, vegans, paleo followers, and gluten-free gourmets alike—flock to Sarah’s adaptable and accessible recipes that make powerfully healthy ingredients simply irresistible. My New Roots is the ultimate guide to revitalizing one’s health and palate, one delicious recipe at a time: no fad diets or gimmicks here. Whether readers are newcomers to natural foods or are already devotees, they will discover how easy it is to eat healthfully and happily when whole foods and plants are at the center of every plate.