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First published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
Volumes for 1898-1968 include a directory of publishers.
A thousand unique gravestones cluster around old Presbyterian churches in the piedmont of the two Carolinas and in central Pennsylvania. Most are the vulnerable legacy of three generations of the Bigham family, Scotch Irish stonecutters whose workshop near Charlotte created the earliest surviving art of British settlers in the region. In The True Image, Daniel Patterson documents the craftsmanship of this group and the current appearance of the stones. In two hundred of his photographs, he records these stones for future generations and compares their iconography and inscriptions with those of other early monuments in the United States, Northern Ireland, and Scotland. Combining his reading of the stones with historical records, previous scholarship, and rich oral lore, Patterson throws new light on the complex culture and experience of the Scotch Irish in America. In so doing, he explores the bright and the dark sides of how they coped with challenges such as backwoods conditions, religious upheavals, war, political conflicts, slavery, and land speculation. He shows that headstones, resting quietly in old graveyards, can reveal fresh insights into the character and history of an influential immigrant group.
"The strength of this volume cannot be conveyed by an itemisation of its contents; for what it provides is an incisive commentary on the newly-recognised landmarks of Irish agrarian history in the modern period. . . . The importance, even indispensability, of this achievement is compounded by exemplary editing."—Roy Foster, London Times Literary Supplement "As a whole, the volume demonstrates the wealth, complexity, and sophistication of Irish rural studies. The book is essential reading for anyone involved in modern Irish history. It will also serve as an excellent introduction to this rich field for scholars of other peasant communities and all interested in problems of economic and political developments."—American Historical Review "A milestone in the evolution of Irish social history. There is a remarkable consistency of style and standard in the essays. . . . This is truly history from the grassroots."—Timothy P. O'Neill, Studia Hibernica
In spite of the many historical studies of Irish Protestant migration to America in the eighteenth century, there is a noted lack of study in the transatlantic migration of Irish Protestants in the nineteenth century. The main hindrance in rectifying this gap has been finding a method with which to approach a very difficult historiographical problem. The Invisible Irish endeavours to fill this blank spot in the historical record. Rankin Sherling imaginatively uses the various bits of available data to sketch the first outline of the shape of Irish Presbyterian migration to America in the nineteenth century. Using the migration of Irish Presbyterian ministers as "tracers" of a larger migration, Sherling demonstrates that eighteenth-century migration of Protestants reveals much about the completely unknown nineteenth-century migration. An original and creative blueprint of Irish Presbyterian migration in the nineteenth century, The Invisible Irish calls into question many of the assumptions that the history of Irish migration to America is built upon.
A world list of books in the English language.