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Ulster, Ireland and the Somme tells the story of the relationship between Ulster, Ireland and the Somme area of northern France, which has now endured for nearly a century. The 1916 Battle of the Somme is a key event in Irish memory of the Great War, and thousands of people from both Northern Ireland and the Irish Republic visit the area each year, but the history of the landscape and the memorials they see has never been told in any detail until now.
A history of the Irish soldiers of the Ulster Division who fought in the Battle of the Somme during World War I.
Ghosts of the Somme explores Ulster Loyalist commemoration of the Battle of the Somme and its conflicted politics.
Ulster, Ireland and the Somme tells the story of the relationship between Ulster, Ireland and the Somme area of northern France, which has now endured for nearly a century. The 1916 Battle of the Somme is a key event in Irish memory of the Great War, and thousands of people from both Northern Ireland and the Irish Republic visit the area each year, but the history of the landscape and the memorials they see has never been told in any detail until now.
Ireland is on the cusp of what has become known as the 'Decade of Centenaries'. In this unique book, we gain an insight into three of these centenaries – the signing of the Ulster Covenant, the Easter Rising and the Battle of the Somme – from across the spectrum of political allegiances and perspectives. Including interviews with An Taoiseach Enda Kenny, Fr Brian D'Arcy, Niall O'Dowd and Roddy Doyle amongst many others, this collection of discussions touches upon the ethereal nature of our history, and the constantly shifting sands upon which we build our shared past. But what emerges as a consistent theme throughout these conversations is the degree of understanding that can be offered for our future in reflecting on how these events continue to shape our reality.
Observe the Sons of Ulster Marching Towards the Somme was revived by the Abbey Theatre, Dublin in 1994 as part of an acknowledgement of the peace process. The production was subsequently taken to the Edinburgh Festival in 1995 and opened at the Royal Shakespeare Company's Barbican Theatre, London, in March 1996.
Once assumed to be a driver or even cause of conflict, commemoration during Ireland's Decade of Centenaries came to occupy a central place in peacebuilding efforts. The inclusive and cross-communal reorientation of commemoration, particularly of the First World War, has been widely heralded as signifying new forms of reconciliation and a greater "maturity" in relationships between Ireland and the UK and between Unionists and Nationalists in Northern Ireland. In this study, Jonathan Evershed interrogates the particular and implicitly political claims about the nature of history, memory, and commemoration that define and sustain these assertions, and explores some of the hidden and countervailing transcripts that underwrite and disrupt them. Drawing on two years of ethnographic fieldwork conducted in Belfast, Evershed explores Ulster Loyalist commemoration of the Battle of the Somme, its conflicted politics, and its confrontation with official commemorative discourse and practice during the Decade of Centenaries. He investigates how and why the myriad social, political, cultural, and economic changes that have defined postconflict Northern Ireland have been experienced by Loyalists as a culture war, and how commemoration is the means by which they confront and challenge the perceived erosion of their identity. He reveals the ways in which this brings Loyalists into conflict not only with the politics of Irish Nationalism, but with the "peacebuilding" state and, crucially, with each other. He demonstrates how commemoration works to reproduce the intracommunal conflicts that it claims to have overcome and interrogates its nuanced (and perhaps counterintuitive) function in conflict transformation.
This pioneering study, first published in 1995, retains its rank as one of the most powerful histories ever written about Irish involvement in World War 1. This year, the centenary of the war, sees its timely re-publication as the Irishmen who fought in that war re-enter the national memory after decades of indifference and hostility. The gradual softening of attitudes over the last twenty years amid great historic change on the island of Ireland, is due in no small part to the efforts of historians, such as Myles Dungan, to tell thousands of forgotten stories. Drawing on the diaries, letters, literary works and oral accounts of soldiers, Myles Dungan tells some of the personal stories of what Irishmen, unionist and nationalist, went through during the Great War and how many of them drew closer together during that horror than at any time since. This volume deals with a selection of the most important battles and campaigns in which the three Irish Divisions participated.
Fighting Irish is a meticulous and engaging account of the First World War from the perspective of the men of the Irish Regiments of the British Army, revealing the extent of the Irish military commitment to the Great War effort from 1914-1918. Startling and sympathetic matters, from campaign strategy to the soldiers’ intimate war experiences, are addressed with fascinating documentary evidence and poignant eye-witness accounts. Persisting humour and unexpected trials; mounting reputations and the mundane drudgery of routine military life – all is touched upon in the lives of these men, and undercut by the pervasive loss of life. Whether fighting at Ypres, the Somme, Gallipoli, Kostorino or Nablus, the story of the Irish Regiments is compelling and evocative, with reasons for enlistment as varied as the men themselves. Though entrenched in warfare, many minds were set on the increasing unrest at home, swaying their interests and shaping the communications they left to posterity. Fighting Irish defines the diverse backgrounds of all those who served with the Irish regiments in these years, recounting their deeds through exacting historical research within a gripping and affecting narrative.