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Meditations on desire, love, memory, & death set against the backdrop of the Portland, Oregon cityscape; bridges, rain, the Willamette River, & many blossoms.
A verse journal telling the story of the moon, the seasons, the changes in a landscape & in a life over the course of a year. The poems, which are loosely based on Classical Chinese forms, tell not only an exterior story, but also a story of internal shifting & transformation; they tell not only the story of the landscape's details, but what those details reveal.
The High Lonesome Sound, like its predecessor, Crow on the Wire, is poetry qua journal. While this book continues the project begun with Crow on the Wire, the collections can be read independently. As with Crow on the Wire, The High Lonesome Sound consists of poems in the octet & quatrain forms-themselves very loosely based on the classical Chinese lüshi & jueju. Again like Crow on the Wire, this collection is structured around monthly sequences describing the phases of the moon. The High Lonesome Sound begins with separation & ends with connection. In between we follow the narrator's exploration of the streets & scenes in Portland, with the landscapes he encounters answering an internal call & an internal reality.
"Sunflower Sky" is the third & concluding volume of the trilogy begun with "Crow on the Wire" & continued with "The High Lonesome Sound". This volume is also a poetic journal covering the summer & early fall, & mostly set in Portland, Oregon. Although "Sunflower Sky" is connected to the earlier volumes, each can be read & enjoyed separately. There's a distinct focus on time, mortality, & the respite found in love & compassion in these poems.
Crow on the Wire is an exploration-a literal & external exploration as it takes us along the streets of Portland, Oregon, examining a landscape in its details, whether focusing on plants & flowers, buildings, the darting presence of birds, or the ubiquitous litter & detritus of city streets. But it's an internal exploration as well, as the poet's roving eye, always seeking, never content, looks for hope & peace & perhaps some measure of redemption. In a series of poems loosely based on the Chinese lüshi & jueju forms, the book takes us on a journey through two seasons-a series of poems, or one poem with its many fragmentary manifestations. There are moments of clarity & moments of confusion; moments of joy & moments of despair. The moon moves through its cycles; the leaves change color & fall. Nothing is resolved-everything is resolved.
Contains nearly 600 brief entries on the world's religious traditions.
A free open access ebook is available upon publication. Learn more at www.luminosoa.org. Louder and Faster is a cultural study of the phenomenon of Asian American taiko, the thundering, athletic drumming tradition that originated in Japan. Immersed in the taiko scene for twenty years, Deborah Wong has witnessed cultural and demographic changes and the exponential growth and expansion of taiko particularly in Southern California. Through her participatory ethnographic work, she reveals a complicated story embedded in memories of Japanese American internment and legacies of imperialism, Asian American identity and politics, a desire to be seen and heard, and the intersection of culture and global capitalism. Exploring the materialities of the drums, costumes, and bodies that make sound, analyzing the relationship of these to capitalist multiculturalism, and investigating the gender politics of taiko, Louder and Faster considers both the promises and pitfalls of music and performance as an antiracist practice. The result is a vivid glimpse of an Asian American presence that is both loud and fragile.
The mass incarceration of Japanese Americans during World War II is not only a tale of injustice; it is a moving story of faith. In this pathbreaking account, Duncan Ryūken Williams reveals how, even as they were stripped of their homes and imprisoned in camps, Japanese-American Buddhists launched one of the most inspiring defenses of religious freedom in our nation's history, insisting that they could be both Buddhist and American.--
A wide-ranging, illustrated look at the history of Halloween illuminates the holiday from ancient Celtic ritual to billion-dollar industry. 32 halftones & line illustrations.
Some twenty-five centuries after the Buddha started teaching, his message continues to inspire people across the globe, including those living in predominantly secular societies. What does it mean to adapt religious practices to secular contexts? Stephen Batchelor, an internationally known author and teacher, is committed to a secularized version of the Buddha’s teachings. The time has come, he feels, to articulate a coherent ethical, contemplative, and philosophical vision of Buddhism for our age. After Buddhism, the culmination of four decades of study and practice in the Tibetan, Zen, and Theravada traditions, is his attempt to set the record straight about who the Buddha was and what he was trying to teach. Combining critical readings of the earliest canonical texts with narrative accounts of five members of the Buddha’s inner circle, Batchelor depicts the Buddha as a pragmatic ethicist rather than a dogmatic metaphysician. He envisions Buddhism as a constantly evolving culture of awakening whose long survival is due to its capacity to reinvent itself and interact creatively with each society it encounters. This original and provocative book presents a new framework for understanding the remarkable spread of Buddhism in today’s globalized world. It also reminds us of what was so startling about the Buddha’s vision of human flourishing.