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Ukrainian Railroad Ladies is a series of portraits of traffic controllers and safety officers at railroads of Ukraine. It is an exploration of why these professions still exist in the twenty-first century, given the almost complete automatization of railroad crossings. It is a study of the anthropological and social aspects of this phenomenon and the overall role of Ukraines railroad system.The Ukrainian Railroad Ladies series has an aesthetic, educational, and humanistic bias, in that it serves to reflect the complex socio-political context which Ukrainian state structures work within. Of course, when it comes to the aesthetics behind the railway crossings, its not as if theyd been preemptively thought up and put together by somebody thats not what makes them so personal and distinctive. They have come about because of how these peoples personal lives dont stop when they come to work, and work doesnt finish when they clock out either.Sasha Maslov captured these signalwomen in the tradition of modern documentary photography, photographing each of his subjects in her everyday work environment, as if in the middle of her own small world. The clear and naive gaze of the lens on the subject of the portrait, alongside the subjects own gaze on her future beholder, establishes a remote visual communication, trust, and mutual sympathy between the future observer and the photo series real-life subjects. For every place and worker in the series there is only one standalone portrait, which has a comprehensive set of visual and ideological characteristics. However, the sheer number of photographs in the series shows just how varied and multifaceted this phenomenon can be, aesthetically and otherwise. Maslovs interest toward the visuals of this profession and the unique lifestyle of railway crossing controllers allowed him to explore this niche community and single out those local social ties which had never before come under analysis turning this photographic series into a piece of sociological research, beyond a purely aesthetic one.
A stylish, beautifully designed portrait of Berlin's bohemia In this striking hardcover volume, Romanian German fashion photographer Kristian Schuller (born 1970) presents his personal vision of the characters who epitomized Berlin's legendary nightlife--artists, actors, musicians and unclassifiable eccentrics. Whether in the studio or in the gardens of Berlin, these photographs foreground the multifaceted and fluid Berlin that is continuously reinventing itself. In one image shot on the green grass of a cemetery, a taut male model rests on his arms and upper body, appearing serene. Meanwhile his legs kick high above him, enveloped in poppy-red cloth that seems to grow out of him in a mycological fashion. Styled by his frequent collaborator and wife, Peggy Schuller, such images display the energy, strangeness and elegance that Schuller brings to this work and to his assignments for clients such as Vogue and Harper's Bazaar.
Ichiro Sudan trained to be a kamikaze. Roscoe Brown was a commander in the Tuskegee Airmen, the first African American military aviators. Charin Singh, a farmer from Delhi, spent seven years as a Japanese prisoner of war and was not sent home until four years after the war ended. Uli John lost an arm serving in the German army but ultimately befriended former enemy soldiers as part of a network of veterans—"people who fought in the war and know what war really means." These are some of the faces and stories in the remarkable Veterans, the outcome of a worldwide project by Sasha Maslov to interview and photograph the last surviving combatants from World War II. Soldiers, support staff, and resistance fighters candidly discuss wartime experiences and their lifelong effects in this unforgettable, intimate record of the end of a cataclysmic chapter in world history and tribute to the members of an indomitable generation. Veterans is also a meditation on memory, human struggle, and the passage of time.
Pp. 283-297, "Mykhailo Drahomanov and the Problem of Ukrainian-Jewish Relations", discuss the views of the Russian nationalist as expressed in two articles. In the first (1875) he opposed legal discrimination against Jews, as it was based on medieval prejudice and did not achieve its aim of safeguarding the peasants' interests. The second was a response to the pogroms of 1881-82. He blamed the Russian policy of concentrating the Jews in the Pale of Settlement for Ukrainian-Jewish tensions. He also criticized the Jews as a parasitic class which felt no solidarity with the Ukraine. He saw the solution in a Jewish socialist movement and a federation of Russia and Austro-Hungary, in which Jews would enjoy equal rights. Pp. 299-313, "The Problem of Ukrainian-Jewish Relations in Nineteenth-Century Ukrainian Political Thought, " discuss the approaches of three Ukrainian thinkers to the "Jewish question": Mykola Kostomarov, Mykhailo Drahomanov, and Ivan Franko. Kostomarov published an article in 1862 in "Osnova" to counter accusations in the Jewish journal "Sion" against the Ukrainian cultural movement. He supported Jewish emancipation, but accused the Jews of clannishness, indifference to the fate of their country, and acting as instruments of Polish oppression and exploiters of the peasants. Franko was a disciple of Drahomanov; he adopted the idea of Ukrainian independence and advocated Jewish-Ukrainian cooperation.
Acclaimed author Karen Hesse's Newbery Medal-winning novel-in-verse explores the life of fourteen-year-old Billie Jo growing up in the dust bowls of Oklahoma. Out of the Dust joins the Scholastic Gold line, which features award-winning and beloved novels. Includes exclusive bonus content!"Dust piles up like snow across the prairie. . . ."A terrible accident has transformed Billie Jo's life, scarring her inside and out. Her mother is gone. Her father can't talk about it. And the one thing that might make her feel better -- playing the piano -- is impossible with her wounded hands.To make matters worse, dust storms are devastating the family farm and all the farms nearby. While others flee from the dust bowl, Billie Jo is left to find peace in the bleak landscape of Oklahoma -- and in the surprising landscape of her own heart.
In search of "the best America there ever was," bestselling author and award-winning journalist Bob Greene finds it in a small Nebraska town few people pass through today—a town where Greene discovers the echoes of the most touching love story imaginable: a love story between a country and its sons. During World War II, American soldiers from every city and walk of life rolled through North Platte, Nebraska, on troop trains en route to their ultimate destinations in Europe and the Pacific. The tiny town, wanting to offer the servicemen warmth and support, transformed its modest railroad depot into the North Platte Canteen. Every day of the year, every day of the war, the Canteen—staffed and funded entirely by local volunteers—was open from five a.m. until the last troop train of the day pulled away after midnight. Astonishingly, this remote plains community of only 12,000 people provided welcoming words, friendship, and baskets of food and treats to more than six million GIs by the time the war ended. In this poignant and heartwarming eyewitness history, based on interviews with North Platte residents and the soldiers who once passed through, Bob Greene tells a classic, lost-in-the-mists-of-time American story of a grateful country honoring its brave and dedicated sons.
A Newbery Medal Winner Professor William Waterman Sherman intends to fly across the Pacific Ocean. But through a twist of fate, he lands on Krakatoa, and discovers a world of unimaginable wealth, eccentric inhabitants, and incredible balloon inventions.Winner of the 1948 Newbery Medal, this classic fantasy-adventure is now available in a handsome new edition. "William Pene du Bois combines his rich imagination, scientific tastes, and brilliant artistry to tell astory that has no age limit."—The Horn Book
State Building in Revolutionary Ukraine examines six attempts to create governments on Ukrainian territories between 1917 and 1922. Focusing on how political leaders formed and staffed administrations, this study shows that in Ukraine during this time, there was an available pool of able administrators sufficiently competent in Ukrainian to work as bureaucrats in the independent national governments. These people could sometimes implement policies, a significant accomplishment in light of the upheavals of the time. Stephen Velychenko compares Ukrainian efforts to create an independent national government with the analogous successful efforts made in Russia, Poland, Ireland and Czechoslovakia. He questions the notion that Ukrainian attempts at national independence failed because its society was 'incomplete' and its leaders unable to organize an effective administration. Pointing out that Bolshevik administrations at the time were no more effective in implementing policies than their rivals, Velychenko argues that more effective governance was not one of the reasons for the Russian Bolshevik victory in Ukraine.