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Ukrainian Literature: A Journal of Translations is a triennial journal that publishes English translations of Ukrainian literary works.
A survey of the main literary trends of Ukraine, its chief authors, and their works, as seen against the historical background of the present century. Luckyj (Slavic studies emeritus, U. of Toronto) provides information about literary developments both in Ukraine and in the Ukrainian diaspora. Annotation copyrighted by Book News, Inc., Portland, OR
This pioneering study is the first to show how Jews have been seen through modern Ukrainian literature. Myroslav Shkandrij uses evidence found within that literature to challenge the established view that the Ukrainian and Jewish communities were antagonistic toward one another and interacted only when compelled to do so by economic necessity.Jews in Ukrainian Literature synthesizes recent research in the West and in the Ukraine, where access to Soviet-era literature has become possible only in the recent, post-independence period. Many of the works discussed are either little-known or unknown in the West. By demonstrating how Ukrainians have imagined their historical encounters with Jews in different ways over the decades, this account also shows how the Jewish presence has contributed to the acceptance of cultural diversity within contemporary Ukraine.
Nu s-au introdus date
An illustrated retelling of stories from the Old and New Testaments includes Bible verses and discussion questions.
In 2004 and 2005, striking images from the Ukraine made their way around the world, among them boisterous, orange-clad crowds protesting electoral fraud and the hideously scarred face of a poisoned opposition candidate. Europe's second-largest country but still an immature state only recently independent, Ukraine has become a test case of post-communist democracy, as millions of people in other countries celebrated the protesters' eventual victory. Any attempt to truly understand current events in this vibrant and unsettled land, however, must begin with the Ukraines dramatic history. Ukraine's strategic location between Russia and the West, the country's pronounced cultural regionalism, and the ugly face of post-communist politics are all anchored in Ukraine's complex past. The first Western survey of Ukrainian history to include coverage of the Orange Revolution and its aftermath, this book narrates the deliberate construction of a modern Ukrainian nation, incorporating new Ukrainian scholarship and archival revelations of the post-communist period. Here then is a history of the land where the strategic interests of Russia and the West have long clashed, with reverberations that resonate to this day.
Russian culture and Slavic Studies maintain that Gogol is an incontrovertible Russian writer. To call him a Ukrainian is to encounter deep skepticism. Oddly, the grounds of his "Russianness" are rarely made explicit and even less often examined critically. This book address these problems. It shows, for example, how scholars assume that language and theme make Gogol Russian. How others call him Russian by denying Ukrainians status as a separate nation, while still others avoid explanations altogether by representing him as a typical Russian in a national culture and literature. This book challenges such paradigms, situating Gogol within an "imperial culture," where Russian and Ukrainian elites shared intellectual pursuits but clashed over rival national projects. It reveals Gogol as a Ukrainian Russian-language Imperial Writer, a person who embraced an emergent Ukrainian movement while remaining a loyal imperial subject. This book will appeal to Russianists and Ukrainianists, anyone interested in questions of identity, cultural politics, and colonialism. It provides ample context and background, making it suitable for students. Readers who enjoy Taras Bulba will be drawn to the chapter that dispels the myth of its "Russianness."
In Serhiy Zhadan's tragicomedy A Harvest Truce, brothers Anton and Tolik reunite at their family home to bury their mother. Isolated without power or running water on the front line of a war ignited by Russian-backed separatists in eastern Ukraine, the brothers' best hope for success and survival lies in the declared cease fire--the harvest truce.
Literary Politics in the Soviet Ukraine, 1917-1934 illuminates the flowering of Ukrainian literature in the 1920s and the subsequent purge of Soviet Ukrainian writers during the following Stalinist decade. Upon its original publication in 1956, George S. N. Luckyj's book won the praise of American and English critics, but was violently attacked by Soviet critics who labeled it a "slander on the Soviet Union." In the current political environment of glasnost, the book's findings have been acknowledged and supported by Soviet scholars. Moreover, this new critical corroboration has enabled the author to discover that the 1930s purge was more brutal than was previously estimated. The new edition reissues Luckyj's critical work in light of current political developments and reflects the revision of previous findings. Luckyj originally drew on published Soviet sources and the important unpublished papers of a Soviet Ukrainian writer who defected to the West to describe how the brief literary revival in the Soviet Ukraine in the 1920s was abruptly halted by Communist Party controls. The present volume features a new preface, an additional chapter covering recent Soviet attitudes toward the literature of the 1920s and 1930s, and an updated bibliography.
Love Life, the second novel by the award-winning Ukrainian writer and poet Oksana Lutsyshyna, follows Yora, an immigrant to the United States from Ukraine. A delicate soul who is finely attuned to the nuances of human relations, Yora becomes enmeshed with Sebastian, a seductive acquaintance who suggests that they share a deep bond. But the relationship ends, sending her into a period of despair and grief. Full of mystic allusions, Love Life is a fascinating story of self-discovery amidst the complexities of adapting to a new life.