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Natalya Ryabinska calls into question the commonly held opinion that the problems with media reform and press freedom in former Soviet states merely stem from the cultural heritage of their communist (and pre-communist) past. Focusing on Ukraine, she argues that, in the period after the fall of communism, peculiar new obstacles to media independence have arisen. They include the telltale structure of media ownership, with news reporting being concentrated in the hands of politically engaged business tycoons, the fuzzy and contradictory legislation of the media realm, and the informal institutions of political interference in mass media. The book analyzes interrelationships between politics, the economy, and media in Ukraine, especially their shadowy sides guided by private interests and informal institutions. Being embedded in comparative politics and post-communist media studies, it helps to understand the nature and workings of the Ukrainian media system situated in-between democracy and authoritarianism. It offers insights into the inner logic of Ukraine’s political system and institutional arrangement in the post-Soviet period. Based on empirical data of 1994–2013, this study also highlights many of the barriers to democratic reforms that have been persisting in Ukraine since the Revolution of Dignity of 2013–2014.
Analysis of successes of Ukraine and its more frequent failures during its transition from authoritarianism to democracy.
The geopolitics of postcommunist Europe are not only important for Ukraine but also for the future of the continent. This book examines how countries in East-Central Europe and the Caucasus approach Ukraine and considers the potential for new multilateral structures. It also illustrates how Russia shapes politics in the post-Soviet space.
This study of cultural memory in post-Soviet society shows how the inhabitants in Ukraine?s east negotiate the historical legacy they have inherited. Zaharchenko approaches contemporary Ukrainian literature at the intersection of memory studies and border studies, and her analysis adds a new voice to an ongoing exploration of cultural and historical discourses in Ukraine. The scholarly journey through storylines explores the ways in which younger writers in Kharkiv (Kharkov in Russian), a diverse, dynamic, but under-studied border city in east Ukraine today, come to grips with a traumatized post-Soviet cultural landscape. Zaharchenko?s book examines the works of Serhiy Zhadan, Andre? Krasniashchikh, Yuri Tsaplin, Oleh Kotsarev and others, introducing them as a ?doubletake? generation who came of age during the Soviet Union?s collapse and as adults, revisit this experience in their novels. Filling the space between society and the state, local literary texts have turned into forms of historical memory and agents of political life. ÿ
This collection covers the major trends of the media environment of the post-Communist world and their recent development, with special focus on Russia and the post-Soviet space. The term media environment covers not just traditional print and electronic media, but new media as well, and ranges from the political to entertainment and various artistic spheres. What role do market forces play in the process of media democratization, and how do state structures regulate, suppress, or use capitalism toward their own gain? What degree of informational pluralism has been achieved in the newly independent republics? What are the prospects for transparency and the participation of civil society in Russian and Eurasian media? To what degree do trends in post-Communist media reflect global trends? Is there a worldwide convergence with regard to both media formats and political messaging? Western observers usually pay their keenest attention to the role of media in Russia and Eurasia during national elections. While this is a valid focus, the present volume, with contributions by Luca Anceschi, Jonathan Becker, Lee B. Becker, Michael Cecire, Marta Dyczok, Nicola Ying Fry, Navbahor Imamova, Azamat Junisbai, Barbara Junisbai, Kornely Kakachia, Maria Lipman, Oleg Manaev, Marintha Miles, Olena Nikolayenko, Sarah Oates, Tamara Pataraia, Elisabeth Schimpfossl, Abdulfattoh Shafiev, Jack Snyder, Tudor Vlad, and Ilya Yablokov, aims at understanding the deeper overall media philosophies that characterize post-Soviet media systems and environments, and the type of identity formation that they are promoting. --Graeme Robertson, University of North Carolina at Chapel Hill
This book is like a time capsule containing a selection of interviews that aired on Hromadske Radio’s Ukraine Calling show. They capture what people were thinking during a critical time in the country’s history, from the July 2016 NATO Summit through to Volodymyr Zelenskyy’s 2019 landslide election victories. Decision makers, opinion makers, and other interesting people commented on events of the day as well as larger issues. Topics range from politics to sports, religion, history, war, books, diplomacy, health, business, art, holidays, foreign policy, anniversaries, public opinion to freedom of speech. Interview guests include Canada’s then Foreign Minister Chrystia Freeland, writer Andrey Kurkov, Crimean political prisoner Hennadii Afanasiev, who was tortured in 2014, Ukraine’s acting Health Minister Ulana Suprun, American analyst/journalist Brian Whitmore, UNHRC’s Pablo Mateu, ethnologist Ihor Poshyvailo, investment banker Olena Bilan, Tufts University’s Daniel Drezner, a cameo appearance by Boris Johnson, and many more. Together these interviews provide a unique, diverse, and kaleidoscopic perspective conveying the substance, atmosphere, and flavor of Ukraine while it was on the receiving end of a hybrid war from Russia.
Offering a single, coherent framework of the political, economic, and social phenomena that characterize post-communist regimes, this is the most comprehensive work on the subject to date. Focusing on Central Europe, the post-Soviet countries and China, the study provides a systematic mapping of possible post-communist trajectories. At exploring the structural foundations of post-communist regime development, the work discusses the types of state, with an emphasis on informality and patronalism; the variety of actors in the political, economic, and communal spheres; the ways autocrats neutralize media, elections, etc. The analysis embraces the color revolutions of civil resistance (as in Georgia and in Ukraine) and the defensive mechanisms of democracy and autocracy; the evolution of corruption and the workings of “relational economy”; an analysis of China as “market-exploiting dictatorship”; the sociology of “clientage society”; and the instrumental use of ideology, with an emphasis on populism. Beyond a cataloguing of phenomena—actors, institutions, and dynamics of post-communist democracies, autocracies, and dictatorships—Magyar and Madlovics also conceptualize everything as building blocks to a larger, coherent structure: a new language for post-communist regimes. While being the most definitive book on the topic, the book is nevertheless written in an accessible style suitable for both beginners who wish to understand the logic of post-communism and scholars who are interested in original contributions to comparative regime theory. The book is equipped with QR codes that link to www.postcommunistregimes.com, which contains interactive, 3D supplementary material for teaching.
Focusing on schools, festivals, commemorative ceremonies, and monuments, Catherine Wanner shows how Soviet-created narratives have been recast to reflect a post-Soviet Ukrainocentric perspective. In the process, we see how new histories are understood and acted upon. This reveals regional cleavages and the resilience of cultural differences produced by the Soviet regime. For some people, the system they criticized yesterday is the one they long for today.
This account of historical politics in Ukraine, framed in a broader European context, shows how social, political, and cultural groups have used and misused the past from the final years of the Soviet Union to 2020. Georgiy Kasianov details practices relating to history and memory by a variety of actors, including state institutions, non-governmental organizations, political parties, historians, and local governments. He identifies the main political purposes of these practices in the construction of nation and identity, struggles for power, warfare, and international relations. Kasianov considers the Ukrainian case in the context of a global increase in the politics of history and memory, with particular emphasis on a distinctive East-European variety. He pays special attention to the use and abuse of history in relations between Ukraine, Russia, and Poland.
This book is among the first comprehensive efforts to collectively and academically investigate the legacy of the Euromaidan in conflict-torn Ukraine within the domain of civil society broadly understood. The contributions to this book identify, describe, conceptualize, and explain various developments in Ukrainian civil society and its role in Ukraine's democratization, state-building, and conflict resolution by looking at specific understudied sectors and by tracing the situation before, during, and after the Euromaidan. In doing so, this trailblazing collection highlights a number of new themes, challenges, and opportunities related to Ukrainian civil society. They include volunteerism, grassroots community-based activism, social activism of churches, civic efforts of building peace and reconciliation, civic activism of journalists and digital activism, activism of think tanks, diaspora networks and the LGBT movement, challenges of civil society relations with the state, uncivil society, and the closing of civic space.