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Prispevki v knjigi tematizirajo ljubezen do domovine pri posameznikih in skupinah, ki ne ustrezajo prevladujočem pojmovanju domoljuba, zaradi česar se jim simbolno odvzame pravica do ljubezni do domovine. Avtorji obravnavajo ljubezen do domovin/e pri izseljencih, priseljencih, pripadnikih etničnih in spolnih manjšin, otrocih iz mešanih zakonov, anarhistih ter družbenih kritikih in aktivistih. Tako avtorji prispevkov kot njihovi akterji se zavzemajo za razumevanje in prakticiranje kritičnega domoljubja, za držo, ki jo najbolje povzemajo besede »misli s svojo glavo«
Mirroring Europe offers refreshing insight into the ways Europe is imagined, negotiated and evoked in Balkan societies in the time of their accession to the European Union. Until now, visions of Europe from the southeast of the continent have been largely overlooked. By examining political and academic discourses, cultural performances, and memory practices, this collection destabilizes supposedly clear and firm division of the continent into East and West, ‘old’ and ‘new’ Europe, ‘Europe’ and ‘still-not-Europe’. The essays collected here show Europe to be a dynamic, multifaceted, contested idea built on values, images and metaphors that are widely shared across such geographic and ideological frontiers. Contributors are: Čarna Brković, Ildiko Erdei, Ana Hofman, Fabio Mattioli, Marijana Mitrović, Nermina Mujagić, Orlanda Obad, and Tanja Petrović.
Edward Gibbon and the Shape of History offers a detailed examination of Edward Gibbon's History of the Decline and Fall of the Roman Empire as a work of scholarship and of literature.
Genuinely interdisciplinary in approach, The Meaning of Irony brings together literary analysis and, from psychoanalysis, both theory and case studies. Its investigation ranges from everyday examples of verbal irony—conscious and unconscious—to the complex irony of literature. This book provides the first full account of verbal irony from a psychoanalytic point of view. Stringfellow shows how the rhetorical tradition, by viewing the literal level of irony as something the speaker doesn't really mean, flattens out the rich ambiguities of irony and misses the unconscious meanings that are hidden behind ironic statement. He argues that only psychoanalysis can recover these unconscious meanings and reveal the origins of irony.
Twenty years ago, Heimel wrote the sassy, smart primer on dating and mating, "Sex Tips for Girls." Now Heimel returns with a no-holds-barred report on what she's learned since, with rib-tickling tidbits and candid confessions about Heimel's own pursuit of love.
While critics collect around the question of what comes "after postmodernism," this book asks something different about recent American fiction: what if we are seeing not the end of postmodernism but its belated success? Succeeding Postmodernism examines how novels by DeLillo, Wallace, Danielewski, Foer and others conceptualize threats to individuals and communities posed by a poststructural culture of mediation and simulation, and possible ways of resisting the disaffected solipsism bred by that culture. Ultimately it finds that twenty-first century American fiction sets aside the postmodern problem of how language does or does not mean in order to raise the reassuringly retro question of what it can and does mean: it finds that novels today offer language as solution to the problem of language. Thus it suggests a new way of reading "antihumanist" late postmodern fiction, and a framework for understanding postmodern and twenty-first century fiction as participating in a long and newly enlivened tradition of humanism and realism in literature.
Exploring the depiction of violence and related issues in Hollywood productions, this book focuses on the motivations and cultural politics of violence on the big screen, as well as its effects on viewers and society as a whole.
Draws together contributions from the leading researchers to provide a contemporary evaluation of tartan and tartanry.
Let the debate begin... The Advanced Genius Theory, hatched by Jason Hartley and Britt Bergman over pizza, began as a means to explain why icons such as Lou Reed, David Bowie, and Sting seem to go from artistic brilliance in their early careers to "losing it" as they grow older. The Theory proposes that they don’t actually lose it, but rather, their work simply advances beyond our comprehension. The ramifications and departures of this argument are limitless, and so are the examples worth considering, such as George Lucas’s Jar Jar Binks, Stanley Kubrick’s fascination with coffee commercials, and the last few decades of Paul McCartney’s career. With equal doses of humor and philosophy, theorist Jason Hartley examines music, literature, sports, politics, and the very meaning of taste, presenting an entirely new way to appreciate the pop culture we love . . . and sometimes think we hate. The Advanced Genius Theory is a manifesto that takes on the least understood work by the most celebrated figures of our time.