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Preliminary material -- Chapter One: The Parallelistic Structure of 'nt I3 -- Chapter Two: The Parallelistic Structure of Proverbs 2 -- Chapter Three: A Comparison of Ugaritic and Hebrew Parallelism -- Appendix I: Ugaritic and Hebrew Poetry: Parallelism -- Appendix II: Types and Distributions of Parallelism in Ugaritic and Hebrew Poetry -- Index of Biblical Passages.
Although scholars point to similarities between Sirach and the book of Proverbs and sometimes characterize Ben Sira's relationship to biblical poetry as one of imitation (often unsuccessful imitation), this study considers the innovative and unique aspects of Sirach poetry, especially its use of parallelism, and demonstrates that Ben Sira does not rely exclusively on Proverbs or any other biblical book as a model. "Innovations in Hebrew Poetry" provides detailed readings and philological analysis for the nine poems in the Masada scroll, and general observations on many other Sirach and biblical poems complement the analysis. Paperback edition is available from the Society of Biblical Literature (www.sbl-site.org)
In spite of debatable issues, such as metre, we now know enough about classical Hebrew poetry to be able to understand how it was composed. This large-scale manual, rich in detail, exegesis and bibliography, provides guidelines for the analysis and appreciation of Hebrew verse. Topics include oral poetry, metre, parallelism and forms of the strophe and stanza. Sound patterns and imagery are also discussed. A lengthy chapter sets out a whole range of other poetic devices and the book closes with a set of worked examples of Hebrew poetry. Throughout, other ancient Semitic verse has been used for comparison and the principles of modern literary criticism have been applied.
For years scholars of biblical poetry have defined parallelism as the simple correspondence of one verse, phrase, or word with another. In this book, Adele Berlin approaches biblical parallelism as a linguistic phenomenon, as a complex interplay among all aspects of language. Her goal is to get at the basics of what biblical parallelism is and how it works. Berlin's examination of the grammatical, lexical, semantic, phonetic, structural, and psychological aspects of parallelism yields an elegantly simple model that reveals the complex workings of this phenomenon. Her book will be a valuable guide for both scholars and students of biblical poetry.
Noegel here examines instances of Janus parallelism in the Hebrew Bible with particular attention to the book of Job, and with excursuses on the device in other ancient Near Esatern literatures. The author finds the punning device integral to the book of Job, serving a referential function. Within the context of dialogue and debate, the polysemous statements resemble a poetry contest among the participants (Job, his friends, and Elihu). The book also treats the relationship between wordplay and wisdom literature; polysemy as preserved in the Greek, Aramaic, Latin, and Syriac translations; and the impact of Janus parallelism on textual criticism and the unity of the book of Job.>
An essential resource for sound exegesis of biblical poetry While previous books on parallelism have focused almost exclusively on semantic classification, in his new book David Toshio Tsumura focuses on the grammatical and phonetic aspects as well. In particular, he defines and illustrates the vertical grammatical relationship between parallel lines. Readers will master how to read Biblical Hebrew poetry effectively by focusing on the basic linguistic features of word order, parallelistic structure, and rhetorical devices. For the benefit of nonspecialists, all Hebrew poems are given in accessible transliteration. This book is an indispensable companion to the Hebrew Bible for both beginners and experienced scholars.
Understanding of biblical poetry is enhanced by the study of its structure. In this book Adele Berlin analyzes parallelism, a major feature of Hebrew poetry, from a linguistic perspective. This new edition of Berlin's study features an additional chapter, "The Range of Biblical Metaphors inSmikhut,"by late Russian linguist Lida Knorina. Berlin calls this addition "innovative and instructive to those who value the linguistic analysis of poetry." It is a fitting coda to Berlin's adept analysis.
While topics such as death, funerary cult, and the netherworld have received considerable scholarly attention in the context of the Ugaritic textual corpus, the related concept of life has been relatively neglected. Life and Mortality in Ugaritic takes as its premise that one cannot grasp the significance of mwt (“to die”) without first having wrestled with the concept of ḥyy (“to live”). In this book, Matthew McAffee takes a lexical approach to the study of life and death in the Ugaritic textual corpus. He identifies and analyzes the Ugaritic terms most commonly used to talk about life and mortality in order to construct a more representative framework of the ancient perspective on these topics, and he concludes by synthesizing the results of this lexical study into a broader literary discussion that considers, among other things, the implications for our understanding of the first-millennium Katumuwa stele from Zincirli. McAffee’s study complements previous scholarly work in this area, which has tended to rely on conceptual and theoretical treatment of mortality, and advances the discussion by providing a more focused lexical analysis of the Ugaritic terms in question. It will be of interest to Semitic scholars and those who study Ugaritic in particular, in addition to students of the culture of the ancient Levant.