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This directory is the first of its kind. It aims to promote Ugandan literature and its authors. Its purpose is to be both a toool and a manisfesto for the recent revival of literature in Uganda. One hundred and thirty authors are profiled including extracts of their work, and an introduction and history of Ugandan literature also features. Both living and deceased writers are included and writers living within Uganda and in the diaspora.
Since achieving independence from Great Britain in 1962, the East African country of Uganda has been ravaged by political turmoil and the more recent crisis of the AIDS epidemic, but is now in the process of rebuilding and democratizing. Culture and Customs of Uganda is a fascinating overview of the current state of Ugandan society, where largely rural ethnic groups are experiencing the pull of urban centers, while the changes brought about by Western influences bear on practically every aspect of people's lives. Examples from the main ethnic groups are used to explain traditional culture and adaptations to modern life in religion, gender roles, courtship and marriage, work, education, family life, ceremonies, the arts, media, and more. This is the essential reference source to turn to for solid insight into Uganda. The wealth of detail in the coverage of the subjects above plus the land, people, history, literature, architecture/housing, cuisine, dress, gender roles, social customs and lifestyle, provides readers with broad sense of the country and its inhabitants. The sensitive narrative conveys the nuances between old and new, urban and rural, elite and poor for each topic. In addition, the evolution of Ugandan peoples is superbly demonstrated. Highlights include a discussion of the ways in which adherents of world religions such as Christianity and Islam mix these with traditional African religious belief in spirits, diviners, and rainmakers. The book also explores patriarchy and the social and inheritance system that has hindered women's education and prospects and exposed them to HIV/AIDS. Finally, there is a celebration of the various forms of artistic expression, such as drumming, ceremonial dance, and handicrafts, particularly ceramic pottery, that have won accolades, as well as a look at artists who excel in writing poetry, producing hip-hop, and painting batiks for popular consumption.
Proposing the novel concept of the "literary NGO," this study combines interviews with contemporary East African writers with an analysis of their professional activities and the cultural funding sector to make an original contribution to African literary criticism and cultural studies.
A Ugandan author’s “unsettling and richly atmospheric” novel of a young African woman confronting the brutal end of Idi Amin’s dictatorship (Publishers Weekly). Safe for years in their remote Ugandan village, thirteen-year-old Alinda and her family are suddenly faced with the terror of the self-proclaimed “Last King of Scotland” when troops of his use the local highway to escape anti-Amin Ugandan and Tanzanian allied forces. With her pregnant mother on the verge of labor, her brother anxious to join the Liberators, and a house full of hungry siblings, neighbors, and refugees, Alinda learns what it takes to endure terrible hardship, and to hope for a better tomorrow . . . Set in the seventies during Idi Amin’s last year of rule, Waiting evokes the fear and courage of a close-knit society in a novel “full of human interplay and pungent smaller events, told with a verbal chastity reflecting both tension and dawning adult consciousness” (Booklist).
For nearly a decade, writers' collectives such as Kwani Trust in Kenya and Femrite , the Ugandan women writers' association, have dramatically reshaped the East African literary scene. This text extends the purview of postcolonial literary studies by providing the long overdue critical inquiry that these writers so urgently deserve.
The present study adds to TEFL discourse in several ways. First of all, it contributes to the widening of the canon as it focuses on Ugandan childrens fiction. Secondly, the research connects to the few empirical studies that exist in the field. It provides further implications for cultural and global learning and literary didactics in TEFL derived from insights into the mental processes of a group of Year 9 students in Germany engaging with Ugandan childrens fiction within the scope of an extensive reading project.
This is the first volume of the Biographical Dictionary of South Sudan, an ongoing research project begun in July 2001. As the subtitle of the book, the Notable Firsts, suggests, this volume is primarily concerned with historically significant South Sudanese personalities, deceased and contemporary alike, and their illustrious careers. Luminaries from all walks of life are featured, including politics, traditional leadership, civil service, academia, and sports. This book has several main aims. Its primary aim is historical. It presents biographical profiles or accounts of the entrants and highlights the accomplishments and contributions of entrants in their respective fields of expertise or in the public sphere. But the aim of this study is not only to preset entrants biographies. It is mostly to place the entries in a broader historical perspective. The biographical dictionary, though concerned about personal accounts of entrants, it discusses pivotal events that shaped the history of South Sudan. The biographies are essentially linked to historical events that shaped or influenced the countrys trajectory throughout the period in question. Central to understanding the history of South Sudan is the biographical information of personalities who have taken part in major events or who have assumed important offices in the country.