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J.W. Holtrop's Monuments typographiques des Pays-Bas au quinzieme siecle appeared in 1868, and were followed in 1874 by M.F.A.G. Campbell's Annales de la typographie nierlandaise au XVe siecle, · both works were published by Martinus Nijhoff at The Hague. These two books marked an epoch at a time when incunabula were only beginning to be considered worthy objects of study. With some help from older bibliographies and catalogues, but mostly by person al inspection of the early editions, Campbell built up his Annales from the very foundations. Since then incunabula have attracted more and more attention, and thanks to international cooperation successful researches have been made about their printers, their contents and the location of copies. Consequently some hundreds of Low Country editions of the XVth century have been added to those listed by Campbell, and a new edition of his Annales is needed. Who will undertake this task? Were I twenty years . younger, I would certainly do so myself, and thus, after having been occupied with the Low Country post-incunabula for nearly forty years, return to the starting point of my bibliographical career.
"Not since 1967 has this iconic publication by the Swiss typographer, Emil Ruder, been available in its original form. At some point in its history of six reprints, this groundbreaking instructional book was abbreviated and reformatted, dropping text and images along the way. It is only now with the completion of this 2002 printing that Typographie has been restored to its initial splendor. An essential for all designers and design students."
Kimberly Elam argues that all great graphic design is based on a grid, even if only to subvert it. Illustrated with over 100 examples, this text explores the potential of grid based design and demonstrates how grids can underlay truly creative typography.
Once you have learnt the fundamentals of typography, there is still a wealth of knowledge to grasp to really become a master in the art and craft of working with type. In Advanced Typography, expert practitioner and instructor Richard Hunt goes beyond the basics to take your understanding and usage to the next level. Taking a practical approach, the book combines visual, linguistic, historical and psychological systems with the broad range of applications and audiences of type today. From the challenges of designing across media and cultures, to type as information and craft, Hunt marries theoretical context with applied examples so you feel confident in improving your skills as an advanced typographer.
For more than two decades, the type book of choice for design professionals and students Typographic design has been a field in constant motion since Gutenberg first invented movable type. Staying abreast of recent developments in the field is imperative for both design professionals and students. Thoroughly updated to maintain its relevancy in today's digital world, Typographic Design, Fifth Edition continues to provide a comprehensive overview of every aspect of designing with type. This Fifth Edition of the bestselling text in the field offers detailed coverage of such essential topicsas the anatomy of letters and type families, typographic syntax and communication, design aesthetics, and designing for legibility. Supplementing these essential topics are theoretical and structural problem-solving approaches by some of the leading design educators across the United States. Unwrapping the underlying concepts about typographic form and message, Typographic Design, Fifth Edition includes four pictorial timelines that illustrate the evolution of typography and writing within the context of world events—from the origins of writing more than 5,000 years ago to contemporary typographic applications. Features in this new edition include: A new chapter that analyzes typography on screen New case studies featuring typographic design in books, information graphics, web design, and environmental design New designer profiles that reveal innovative typographic design processes Material presented in full color throughout with many new images
A revised edition of the standard guide to the avant-garde origins of modern graphic design and typography, illustrated with many iconic examples.