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Both a visual feast and a reference book in the style of Brandon Stanton’s Humans of New York, Typewriter Rodeo collects custom, typewritten poems from “rodeos” worldwide, portraits of recipients, and their personal stories. Typewriter Rodeo began in Austin, Texas, when four poets brought their typewriters to a maker fair and began offering spontaneous, custom-composed poems to an enthusiastic crowd. The event quickly blossomed and rodeos began popping up all over the world.
The connoisseur's guide to the typewriter, entertaining and practical What do thousands of kids, makers, poets, artists, steampunks, hipsters, activists, and musicians have in common? They love typewriters—the magical, mechanical contraptions that are enjoying a surprising second life in the 21st century, striking a blow for self-reliance, privacy, and coherence against dependency, surveillance, and disintegration. The Typewriter Revolution documents the movement and provides practical advice on how to choose a typewriter, how to care for it, and what to do with it—from National Novel Writing Month to letter-writing socials, from type-ins to typewritten blogs, from custom-painted typewriters to typewriter tattoos. It celebrates the unique quality of everything typewriter, fully-illustrated with vintage photographs, postcards, manuals, and more.
“Robbins’s comic philosophical musings reveal a flamboyant genius.”—People Still Life with Woodpecker is a sort of a love story that takes place inside a pack of Camel cigarettes. It reveals the purpose of the moon, explains the difference between criminals and outlaws, examines the conflict between social activism and romantic individualism, and paints a portrait of contemporary society that includes powerful Arabs, exiled royalty, and pregnant cheerleaders. It also deals with the problem of redheads.
How to Survive Your Freshman Year (6th edition) is the perfect send-off gift for college-bound high school graduates. This revamped edition of America's #1 college advice guide includes new advice from hundreds of college students from around the country, alongside the best timeless advice from earlier editions. This ultimate “insider’s guide” to college life helps entering freshmen navigate the challenging transition to college life. In addition, the book features expert advice from college advisers and administrators, mental health professionals and others.
While so many books on technology look at new advances and digital technologies, The Routledge Companion to Media Technology and Obsolescence looks back at analog technologies that are disappearing, considering their demise and what it says about media history, pop culture, and the nature of nostalgia. From card catalogs and typewriters to stock tickers and cathode ray tubes, contributors examine the legacy of analog technologies, including those, like vinyl records, that may be experiencing a resurgency. Each essay includes a brief history of the technology leading up to its peak, an analysis of the reasons for its decline, and a discussion of its influence on newer technologies.
Recollections and reflections in poetry and prose on the author's childhood from early 40s to mid-60s in a small Bible Belt Texas town. Written for her children, the book is a meandering journey through the past that guided the author to a better understanding of who she is today.
Longlisted for the 2020 Moving Image Book Award by the Kraszna-Krausz Foundation As only an accomplished author, consummate collector, and savvy insider can, John Kobal tells the story of the man who invented Hollywood, Cecil Blount DeMille (1881–1959). Kobal narrates the story of DeMille’s life and follows the director’s career from his first film, The Squaw Man, in 1914, through the seventy films he directed culminating with The Ten Commandments in 1956 before his death in 1959. Even that first film received an enthusiastic response from the public, and that popular enthusiasm would follow DeMille throughout his career. DeMille got his start by observing a film being shot—once standing for hours on a box looking through a window, watching every move made by the director, players, and cameraman. From that humble beginning, he soon mastered the craft of directing and created one of show business’s greatest careers. Autocrat and artist, DeMille immersed himself totally in each picture he directed and demanded complete fealty from his casts and crews. DeMille was said to know more about what the American public wanted than anyone else in Hollywood. He pushed the boundaries of censorship, and audiences responded by forming long lines at the box office. From the American West to ancient Egypt, he created such magical films as The Crusades and The Greatest Show on Earth that brought vividly to life fantasies perfectly suited to post–World War I and mid-century America. Kobal describes DeMille’s impact on Hollywood as a director and showman. He argues that this master filmmaker stands for something largely lost in American filmmaking, a sort of naïve, generous, big-thinking self-confidence—a belief that all things are possible. John Kobal wrote over thirty books on film and photography. His final manuscript, The Lost World of DeMille, was completed shortly before his death in 1991. It is published at last by University Press of Mississippi.
Jett Ryder wants to do an amazing stunt that honors the biggest wreck in history: the Titanic. Jett and his best friend Mika devise a plan for Jett to literally leap over the sunken ship. Can Jett stay above water in his most daring motocross stunt yet?
Jett Ryder heads to Italy for his stunt at Mount Etna, a still-active volcano. Jett and his best friend Mika want to showcase the volcano’s awesome beauty with his bike’s own power. Can Jett soar past the lava in a feat comparable to the volcano itself?
Jett Ryder wants his motocross stunt at Niagara Falls to be his most amazing yet. But he’s not sure what it should be. Then Jett and his best friend Mika come across the statue of the inventor Nikola Tesla, and the pair gets an electric idea. Can Jett pull off this never-been-done-before stunt?