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Visionary landscape architecture and garden design at mid-century in North America is captured by the greats of the era, including Julius Shulman and Ezra Stoller in many previously unpublished photographs. The treasures of mid-century American architecture have long been celebrated. Less appreciated has been the landscape design that provides the framing for these masterworks. But more than frame, landscape architecture is an art worthy of the spotlight, particularly at mid-century, when the notion that “gardens are outdoor spaces for people to live in” was championed and brought to the fore; now gardens and landscapes are not just external attributes to the house but a continuation of it and its living spaces in a relationship of symbiosis, with its pools and terraces, its winding lawns, and its partly enclosed room-like spaces flanked by brick or stone or plantings in a range of colors and forms. Approximately seventy-five mostly residential projects are thoroughly documented and recounted. Landscape architects whose work is featured include Thomas Church, Lawrence Halprin, and Garrett Eckbo, among others. Highlights include the dramatic surrounds of Richard Neutra’s Perkins House in its Pasadena hillside setting and Frank Lloyd Wright’s Marin County Civic Center, where environment and building comingle in an extraordinary modernist vision of the future made real. This book is both a wishful gesture toward a realignment of building with nature and a must-have for anyone with a visceral appreciation for a designed environment understood as an integrated whole. Ultimately, the book underlines the fundamental importance of gardens and landscape design, intended in the widest possible sense, for the quality of living of all individuals.
Published to accompany the exhibition Jackson Pollock held the Museum of Modern Art, New York, from 1 November 1998 to 2 February 1999.
Near the end of World War II, as Allied armies swept across battle-torn Germany and leading scientists at Los Alamos were racing to assemble the atomic bombs America would drop over Japan later that summer, General Leslie Groves, the military head of the Manhattan Project, established Alsos, a unit of scientists, soldiers, and secret agents to find the Nazi Germany’s physicists and technicians working on the development of a German atomic bomb and to determine how far along they were. In this book, Samuel Goudsmit, the Dutch-American physicist who was the scientific leader of the Alsos mission, recounts the mission and its findings. “Alsos is more than a dramatic chronicle of how Goudsmit and his staff accompanied Allied troops in order to ferret out German atomic secrets and round up German scientists who might have been working on a fission bomb. It is also an overview and critique of the German research establishment under Nazi control.” — Albert Moyer,American Scientist “Highly readable and informative... [T]he immediacy of Goudsmit’s experience makes this memoir of enduring value... inspired story-telling that provides in retrospect a great deal of information on the operations of the postwar intelligence teams... An extraordinary book.” — Alan Beyerchen, New Scientist “Samuel Goudsmit... the scientific leader of Alsos... tells the fascinating story of the mission’s work... To the extent that the average citizen is permitted to learn how his servants spend his money for the purpose of insuring his safety, it will be useful for every intelligent American to hear Goudsmit’s story and ponder his views. In any case,Alsos is highly entertaining... Goudsmit’s assessment of Nazi war science is excellent... There are a lot of things in Goudsmit’s book that we had better keep in mind.” — Paul Ridenour, The New York Times “[Goudsmit’s] short memoir is a thrilling combination of detective story and scientific deduction.” — Stephen Budiansky, Wall Street Journal “[Alsos] is the compelling story of what the Germans did [to develop an atomic bomb], what went wrong and why.” — Lee Dembart, Los Angeles Times “For the history of science this chatty little book is surely one of the most important books to emerge from World War II, since it is the account of one of the most absorbing war assignments to fall to the lot of any scientist.” — Henri Guerlac, Isis, A Journal of the History of Science Society
Doing Oral History is considered the premier guidebook to oral history, used by professional oral historians, public historians, archivists, and genealogists as a core text in college courses and throughout the public history community. The recent development of digital audio and video recording technology has continued to alter the practice of oral history, making it even easier to produce and disseminate quality recordings. At the same time, digital technology has complicated the preservation of the recordings, past and present. This basic manual offers detailed advice for setting up an oral history project, conducting interviews and using oral history for research, making video recordings, preserving oral history collections in archives and libraries, and teaching and presenting oral history.
Includes entries for maps and atlases.
This book is an overview of the Blue Ridge Parkway's first fifty years, with photographs by William Bake. Noted Blue Ridge Parkway Historian, Harley E. Jolley, wrote the descriptions and text.
"Project Orion describes one of the most awesome 'might have beens' (and may yet bes!) of the space age. This is essential reading for anyone interested in government bureaucracies and the military industrial complex." -Sir Arthur C. Clarke
Human rights offer a vision of international justice that today’s idealistic millions hold dear. Yet the very concept on which the movement is based became familiar only a few decades ago when it profoundly reshaped our hopes for an improved humanity. In this pioneering book, Samuel Moyn elevates that extraordinary transformation to center stage and asks what it reveals about the ideal’s troubled present and uncertain future. For some, human rights stretch back to the dawn of Western civilization, the age of the American and French Revolutions, or the post–World War II moment when the Universal Declaration of Human Rights was framed. Revisiting these episodes in a dramatic tour of humanity’s moral history, The Last Utopia shows that it was in the decade after 1968 that human rights began to make sense to broad communities of people as the proper cause of justice. Across eastern and western Europe, as well as throughout the United States and Latin America, human rights crystallized in a few short years as social activism and political rhetoric moved it from the hallways of the United Nations to the global forefront. It was on the ruins of earlier political utopias, Moyn argues, that human rights achieved contemporary prominence. The morality of individual rights substituted for the soiled political dreams of revolutionary communism and nationalism as international law became an alternative to popular struggle and bloody violence. But as the ideal of human rights enters into rival political agendas, it requires more vigilance and scrutiny than when it became the watchword of our hopes.
Why does the University of Illinois campus at Urbana-Champaign look as it does today? Drawing on a wealth of research and featuring more than one hundred color photographs, An Illini Place provides an engrossing and beautiful answer to that question. Lex Tate and John Franch trace the story of the university's evolution through its buildings. Oral histories, official reports, dedication programs, and developmental plans both practical and quixotic inform the story. The authors also provide special chapters on campus icons and on the buildings, arenas and other spaces made possible by donors and friends of the university. Adding to the experience is a web companion that includes profiles of the planners, architects, and presidents instrumental in the campus's growth, plus an illustrated inventory of current and former campus plans and buildings.