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The Oral History Manual, Fourth Edition, is a comprehensive and user-friendly book designed to take novice or experienced oral historians through the entire life cycle of creating an oral history project, from idea through planning, interviewing, caring for, and making oral history interviews accessible. It includes updated information on: evolving technology, including the use of—and challenges associated with—automated transcription apps; ethical and practical considerations related to oral history and social justice, including interviews with people experiencing trauma; and challenges associated with real-time interviews conducted in the wake of natural and human-caused disasters. It emphasizes that an oral historian’s work is not finished when the recorder is turned off, describing in detail the importance of fully processing and preserving oral histories and related materials. The book emphasizes the importance of oral history practitioners providing context for their work so researchers and others who encounter the materials in the future will understand fully the circumstances in which the oral histories were created. The Oral History Manual, Fourth Edition also provides readers background on the evolution of oral history practice and includes appendices with sample forms that oral historians will find useful as they develop their own projects.
In this brief, practical guide, internationally known oral historian Barbara W. Sommer applies the best practices of contemporary oral historians to the projects that historical organizations of all sizes and sorts might develop.
The presidency of George W. Bush has been the subject of extensive commentary but limited scholarly analysis in the years since he left office. 43 draws extensively, but not solely, from the recently released interviews of the Miller Center’s Presidential Oral History Program at the University of Virginia. This volume consists of ten chapters—written by some of today’s most eminent presidency scholars—examining key topics and themes, including 9/11, the unitary executive, Supreme Court appointments, compassionate conservatism, Cheney’s vice presidency, the Iraq War, and the financial crisis of 2008. 43 is an inside look at one of the most controversial and consequential presidencies in US history. The essays in this volume take seriously the complexities of a White House trying to respond to the most devastating attack on American soil since Pearl Harbor, examining both the successes and failures of this administration in the first systemic effort to mine the confidential, candid oral history interviews recorded with senior officials from the Bush presidency. Relying heavily on insider accounts, the essays are critical, yet balanced, in providing assessments of Bush’s controversial victory in 2000; “endless wars” precipitated by the 9/11 terrorist attacks; and legislative battles over taxes, education reform, Medicare, and attempts to address the Great Recession. These landmark events are illuminated by conversations with the decision makers who made history.
This Companion authoritatively points to the main areas of enquiry within the subject of African American art history. The first section examines how African American art has been constructed over the course of a century of published scholarship. The second section studies how African American art is and has been taught and researched in academia. The third part focuses on how African American art has been reflected in art galleries and museums. The final section opens up understandings of what we mean when we speak of African American art. This book will be of interest to graduate students, researchers, and professors and may be used in American art, African American art, visual culture, and culture classes.