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The Outback—so called because it is literally out the back of all major cities in Australia—has been the setting of many of Australia’s exported culturally defining stories and cinematography. Cattle stations or ranches in the Outback provide ample settings for tales to be dreamed up and shared through poem, song, and story. Two Years in Australia’s Wild West explores one man’s journey into this famed landscape. In this entertaining memoir, author, D. Alexander Steel shares the often harsh, and sometimes amusing, ways life can take us to unexpected but necessary places. Travel from Adelaide to the extreme and wild western edges of the Australian continent via sometimes humorous, sometimes serious vignettes. This book examines a young man’s coming of age and discusses the myriad ways God intervenes to help us grow into the people we’re meant to become. Through tales of brotherhood, family, and friends, be reminded that we each have a role in God’s grand design; it might just take a bit of wandering to find the way.
"During the 1800s, many settlers moved westward across North America to seek their fortunes as farmers, ranchers, and miners. In the Wild West, there were few towns and few people paid much attention to laws. Readers will take a trip through this thrilling period of American history as they join Louise and Nat for a tale of cowboys in a frontier town. They will find out how people lived, worked, and traveled in the Wild West, and much more."--Publisher's description.
This book is the first comprehensive account of how Australia attained the world's highest living standards within a few decades of European settlement, and how the nation has sustained an enviable level of income to the present. Why Australia Prospered is a fascinating historical examination of how Australia cultivated and sustained economic growth and success. Beginning with the Aboriginal economy at the end of the eighteenth century, Ian McLean argues that Australia's remarkable prosperity across nearly two centuries was reached and maintained by several shifting factors. These included imperial policies, favorable demographic characteristics, natural resource abundance, institutional adaptability and innovation, and growth-enhancing policy responses to major economic shocks, such as war, depression, and resource discoveries. Natural resource abundance in Australia played a prominent role in some periods and faded during others, but overall, and contrary to the conventional view of economists, it was a blessing rather than a curse. McLean shows that Australia's location was not a hindrance when the international economy was centered in the North Atlantic, and became a positive influence following Asia's modernization. Participation in the world trading system, when it flourished, brought significant benefits, and during the interwar period when it did not, Australia's protection of domestic manufacturing did not significantly stall growth. McLean also considers how the country's notorious origins as a convict settlement positively influenced early productivity levels, and how British imperial policies enhanced prosperity during the colonial period. He looks at Australia's recent resource-based prosperity in historical perspective, and reveals striking elements of continuity that have underpinned the evolution of the country's economy since the nineteenth century.
In this volume, Drake focuses on the famous pastoral explorers, drovers and trail drivers; the poddydodgers, horse-thieves and rustlers; the wars of the land grabbers with Australian Aborigines and the American Indians; the clashes of lawless western entrepreneurs with the laws of the bit cities in the east; the colourful females who ventured our into a man¿s world and made thier names, the transport by puffing billies and famous stage coach lines and buckjumpers, roughriders and rodeos.
In this volume of The Wild West, Drake tells stories about the squattocracy, the cattle kings and the land barons; mounted police, sheriffs and posses in the pursuit of their elusive prey; bushrangers and outlaws and why they are so loved in popular fantasy; stockmen, ringers and cowboys; early white settlement and both friendly and hostile contact with indigenous peoples; and six shooters, gun slingers, snider rifles and infamous shoutouts.
The story of a man wanting to move forward by travelling back to where he was born, the Northern Territory. Finding himself on a merciless cattle station where you weren't taught to be a stockman but broken to fit into the mould, he is caught in the middle of race wars and deadly violence between white station managers and Aboriginal traditional land owners. As black power surges, his sympathy grows for an Indigenous elder and his besieged community... "It was like reading parts of Alex Haley's Roots, only it happened in Australia. The tale of brutality and injustice in an indifferent country." - Geoff McDonald, author of Red Over Black "The writer looked death in the face to protect his Aboriginal friends, we owe it to put our hands up and support his story. Made me angry, sad and proud but couldn't put it down. A must read for all Australian's as it exposes a dark, mostly unknown part of our race relations most people would rather not know, but need to see to remind them standing up to racism demands constant vigil." - Reggie Jobuda, Council of Aboriginal Elders and Indigenous Advancement.
A cloth bag containing ten copies of the title.
Despite the passage of time, our vision of Native Americans remains locked up within powerful stereotypes. That's why some images of Indians can be so unexpected and disorienting: What is Geronimo doing sitting in a Cadillac? Why is an Indian woman in beaded buckskin sitting under a salon hairdryer? Such images startle and challenge our outdated visions, even as the latter continue to dominate relations between Native and non-Native Americans. Philip Deloria explores this cultural discordance to show how stereotypes and Indian experiences have competed for ascendancy in the wake of the military conquest of Native America and the nation's subsequent embrace of Native "authenticity." Rewriting the story of the national encounter with modernity, Deloria provides revealing accounts of Indians doing unexpected things-singing opera, driving cars, acting in Hollywood-in ways that suggest new directions for American Indian history. Focusing on the late nineteenth and early twentieth centuries--a time when, according to most standard American narratives, Indian people almost dropped out of history itself—Deloria argues that a great many Indians engaged the very same forces of modernization that were leading non-Indians to reevaluate their own understandings of themselves and their society. He examines longstanding stereotypes of Indians as invariably violent, suggesting that even as such views continued in American popular culture, they were also transformed by the violence at Wounded Knee. He tells how Indians came to represent themselves in Wild West shows and Hollywood films and also examines sports, music, and even Indian people's use of the automobile-an ironic counterpoint to today's highways teeming with Dakota pick-ups and Cherokee sport utility vehicles. Throughout, Deloria shows us anomalies that resist pigeonholing and force us to rethink familiar expectations. Whether considering the Hollywood films of James Young Deer or the Hall of Fame baseball career of pitcher Charles Albert Bender, he persuasively demonstrates that a significant number of Indian people engaged in modernity-and helped shape its anxieties and its textures-at the very moment they were being defined as "primitive." These "secret histories," Deloria suggests, compel us to reconsider our own current expectations about what Indian people should be, how they should act, and even what they should look like. More important, he shows how such seemingly harmless (even if unconscious) expectations contribute to the racism and injustice that still haunt the experience of many Native American people today.