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SCIENCE is a left-brained subject. It sees the world in mathematical models. It is all built on logic. RELIGION is a right-brained subject. It sees the world in associations. It is all built on symbolism. Misconceptions are what prevent us from reconciling the associations with the mathematical models. Once the misconceptions are revealed, the problem goes away. The teachings of Eastern Philosophy are interwoven throughout the Old and New Testaments. What they have to say explains a great deal about what the Holy Bible is trying to say to us. It reveals much of the symbolism used in religion so that it can be understood. It takes you beyond the realm of faith and into the realm of knowing. The Mayan Calendar and its apparent connection to end-time prophecy is also reviewed. The evolution of consciousness that it reveals is leading us on a very definite path. Taken collectively, evolution, split brain, Eastern Philosophy, Christianity, and the Mayan Calendar are interwoven to present a worldview that is equally fascinating and very promising.
The Transformation of Society in the Valley of Puebla, 1570-1640
No two nations in the world are as integrated, economically and socially, as are the United States and Canada. We share geography, values and the largest unprotected border in the world. Regardless of this close friendship, our two countries are on a slow-motion collision course—with each other and with the rest of the world. While we wrestle with internal political gridlock and fiscal challenges and clash over border problems, the economies of the larger world change and flourish. Emerging economies sailed through the meltdown of 2008. The International Monetary Fund forecasts that by 2018, China's economy will be bigger than that of the United States; when combined with India, Japan and the four Asian Tigers—South Korea, Taiwan, Singapore and Hong Kong--China's economy will be bigger than that of the G8 (minus Japan). Rather than continuing on this road to mutual decline, our two nations should chart a new course. Bestselling author Diane Francis proposes a simple and obvious solution: What if the United States and Canada merged into one country? The most audacious initiative since the Louisiana Purchase would solve the biggest problems each country expects to face: the U.S.'s national security threats and declining living standards; and Canada's difficulty controlling and developing its huge land mass stemming from a lack of capital, workers, technology and military might. Merger of the Century builds both a strong political argument and a compelling business case, treating our two countries not only as sovereign entities but as merging companies. We stand on the cusp of a new world order. Together, by marshalling resources and combining efforts, Canada and America have a greater chance of succeeding. As separate nations, the future is in much greater doubt indeed.
THE ALCHEMICAL MAGIC EMERGES, WITHIN THE CONSCIOUS MERGER OF OPPOSITES In any such merger, the primary elements are fire and water, applied through a process of friction and non-attachment. However, for the magical miraculous to emerge, this must be done with conscious harmony, immersed in care and grounded on Truth. The surreal existence of the hybrid-human being, is the product of this: As a physical, sentient, mindful, yet also psychic and spiritual entity, its reality seems improbable, yet somehow, it magically is. If adding to the enigma, that this being is of a finite and temporal form, with an acknowledged understanding of the existant reality of infinity, that exists within a timeless construct known as the Cosmos, the wondrous mystery takes the next level. When then considering its collective organism called ‘civilization’, with all its joy, beauty, innovation and achievement, balanced against fear-based greed and destructive barbarism, then certainly, none of it by rights should exist – and yet it does – and it gets better: This microscopic human being, who exists for only a flash of Time, within the absurdly complex yet magnificent, endless and eternal Universe, can – within that single spark of Time – become aware of the whole: the All and Everything! By Merging the Inner and Outer World of Man we will find, that nothing is random and everything has purpose; the good and bad, the beautiful and ugly. It contemplates WHY this is so, which enables us to understand HOW to live, love and accept, every part – unconditionally. This is important, as non-understanding leads to fear, anger, greed and a cyclic realm of non-existence. The effects of the phenomena, as described in Book I & II, The Inner Evolution of Man, and The Outer World of Man, now enable us to enhance magic, and transcend out of the illusory, by Merging the Inner and Outer World of Man.
Explores the degree to which a belief in parallel universes shapes the thinking of contemporary physicists in areas as diverse as relativity, psychology, quantum mechanics, and cosmology.
This book examines Jhumpa Lahiri as an author interested in non- gender-specific issues such as immigration, identity, alienation, and diaspora addressed in the domain of postcolonial theory, by highlighting marginality, alienation, and nostalgia as the three chief features in her writings testifying to a sensibility that remains compulsively subsumed in her family’s ethnic heritage and the lives of South Asian immigrants in the United States. The study explains how her search for the self and national identity merged in two cultures and two nations perforce crystallize the “metaphors of her own creative consciousness.
As readers head into the second fifty years of the modern critical study of blackness and black characters in Renaissance drama, it has become a critical commonplace to note black female characters’ almost complete absence from Shakespeare’s plays. Despite this physical absence, however, they still play central symbolic roles in articulating definitions of love, beauty, chastity, femininity, and civic and social standing, invoked as the opposite and foil of women who are “fair”. Beginning from this recognition of black women’s simultaneous physical absence and imaginative presence, this book argues that modern Shakespearean adaptation is a primary means for materializing black women’s often elusive presence in the plays, serving as a vital staging place for historical and political inquiry into racial formation in Shakespeare’s world, and our own. Ranging geographically across North America and the Caribbean, and including film and fiction as well as drama as it discusses remade versions of Othello, Romeo and Juliet, Antony and Cleopatra, and The Taming of the Shrew, Shakespearean Adaptation, Race, and Memory in the New World will attract scholars of early modern race studies, gender and performance, and women in Renaissance drama.
'A Complete Identity' is an examination of the hero figure in the works of G.A. Henty (1832-1902) and George MacDonald (1824-1905) and a reassessment of oppositional critiques of their writing. It demonstrates the complementary characteristics of the hero figure, which construct a complete identity commensurate with the Victorian ideal hero. The relationship between the expansion of the British Empire and youthful heroism is established through investigation of the Victorian political, social, and religious milieu, the construct of the child, and the construct of the hero. A connection between the exotic geographical space of empire and the unknown psychological space is drawn through examination of representation of the other in the work of Henty and MacDonald. This book demonstrates that Henty's work is more complex than the stereotypically linear, masculine, imperialistic critique of his stories that historical realism allows, and that MacDonald's work displays more evidence of historical embedding and ideological interpellation than the critical focus on his work as fantasy and fairy tale considers.
This essay develops a response to the historical situation of the North Atlantic world in general and the United States in particular through theological reflection. It offers an overview of some decolonial perspectives with which theologians can engage, and argues for a general perspective for a decolonial theology as a possible response to modern/colonial structures and relations of power, particularly in the United States. Decolonial theory holds together a set of critical perspectives that seek the end of the modern/colonial world-system and not merely a democratization of its benefits. A decolonial theology, Joseph Drexler-Dreis argues, critiques how the confinement of knowledge to European traditions has closed possibilities for understanding historical encounters with divinity, and thus possibilities of critical reflection. A decolonial theology reflects critically on a historical situation in light of faith in a divine reality, the understanding of which is liberated from the monopoly of modern/colonial ways of knowing, in order to catalyze social transformation.
What is the nature of the relationship between the Hollywood Western and American frontier mythology? How have Western films helped develop cultural and historical perceptions, attitudes and beliefs towards the frontier? Is there still a place for the genre in light of revisionist histories of the American West?Myth of the Western re-invigorates the debate surrounding the relationship between the Western and frontier mythology, arguing for the importance of the genre's socio-cultural, historical and political dimensions. Taking a number of critical-theoretical and philosophical approaches, Matthew Carter applies them to prominent forms of frontier historiography. He also considers the historiographic element of the Western by exploring the different ways in which the genre has responded to the issues raised by the frontier. Carter skilfully argues that the genre has - and continues to reveal - the complexities and contradictions at the heart of US society. With its clear analyses of and intellectual challenges to the film scholarship that has developed around the Western over a 65-year period, this book adds new depth to our understanding of specific film texts and of the genre as a whole - a welcome resource for students and scholars in both Film Studies and American Studies.