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Life is not easy in the Soviet Union at mid-20 th century, especially for a factory worker who becomes an unwed mother. But Antonina is lucky to get a room in a communal apartment that she and her little girl share with three elderly women. Glikeria is a daughter of former serfs. Ariadna comes from a wealthy family and speaks French. Yevdokia is illiterate and bitter. All have lost their families, all are deeply traditional, and all become “grannies” to little Suzanna. Only they secretly name her Sofia. And just as secretly they impart to her the history of her country as they experienced it: the Revolution, the early days of the Soviet Union, the blockade and starvation of World War II. The little girl responds by drawing beautiful pictures, but she is mute. If the authorities find out she will be taken from her home and sent to an institution. When Antonina falls desperately ill, the grannies are faced with the reality of losing the little girl they love – a stepfather can be found before it is too late. And for that, they need a miracle.
In this important volume, Jo Freeman brings us the very full, rich story of how American women entered into political life and party politics-well before suffrage and, in many cases, completely separate from it. She shows how women carefully and methodically learned about the issues, the candidates, and the institutions, put themselves to work, and made themselves indispensable not only to the men running for office, but to the political system overall.
"Eleanor Roosevelt never wanted her husband to run for president. When he won, she . . . went on a national tour to crusade on behalf of women. She wrote a regular newspaper column. She became a champion of women's rights and of civil rights. And she decided to write a book." -- Jill Lepore, from the Introduction "Women, whether subtly or vociferously, have always been a tremendous power in the destiny of the world," Eleanor Roosevelt wrote in It's Up to the Women, her book of advice to women of all ages on every aspect of life. Written at the height of the Great Depression, she called on women particularly to do their part -- cutting costs where needed, spending reasonably, and taking personal responsibility for keeping the economy going. Whether it's the recommendation that working women take time for themselves in order to fully enjoy time spent with their families, recipes for cheap but wholesome home-cooked meals, or America's obligation to women as they take a leading role in the new social order, many of the opinions expressed here are as fresh as if they were written today.
This book argues for the importance of age as a source of diversity and difference amongst women. It compares three generations of women’s accounts of a range of gender issues, including the domestic division of labour, equality, abortion and sexuality. It also compares their understandings of and orientations toward the feminist movement. Drawing on Karl Mannheim’s argument that an individual’s location in historical time shapes their social outlooks or world views, it is shown that women of different ages do not share the same gendered life courses due to differing cohort memberships. Consequently, women of different ages interpret, define and give meaning to gender issues and to feminism in varied and contrasting ways. A key concern of the book is to show that findings from qualitative studies are an important supplement to surveys of cohort differences in women’s gender attitudes, in that they are more revealing of the complex ways cohort influences the construction of gender issues, including the very language used to do so.
NATIONAL BESTSELLER WINNER OF THE BOOKER PRIZE “A must-read about modern Britain and womanhood . . . An impressive, fierce novel about the lives of black British families, their struggles, pains, laughter, longings and loves . . . Her style is passionate, razor-sharp, brimming with energy and humor. There is never a single moment of dullness in this book and the pace does not allow you to turn away from its momentum.” —Booker Prize Judges Bernardine Evaristo is the winner of the 2019 Booker Prize and the first black woman to receive this highest literary honor in the English language. Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of Black British women that paints a vivid portrait of the state of contemporary Britain and looks back to the legacy of Britain’s colonial history in Africa and the Caribbean. The twelve central characters of this multi-voiced novel lead vastly different lives: Amma is a newly acclaimed playwright whose work often explores her Black lesbian identity; her old friend Shirley is a teacher, jaded after decades of work in London’s funding-deprived schools; Carole, one of Shirley’s former students, is a successful investment banker; Carole’s mother Bummi works as a cleaner and worries about her daughter’s lack of rootedness despite her obvious achievements. From a nonbinary social media influencer to a 93-year-old woman living on a farm in Northern England, these unforgettable characters also intersect in shared aspects of their identities, from age to race to sexuality to class. Sparklingly witty and filled with emotion, centering voices we often see othered, and written in an innovative fast-moving form that borrows technique from poetry, Girl, Woman, Other is a polyphonic and richly textured social novel that shows a side of Britain we rarely see, one that reminds us of all that connects us to our neighbors, even in times when we are encouraged to be split apart.
The classic manifesto of the liberated woman, this book explores every facet of a woman's life.
A groundbreaking book--based on years of the same thorough research that made the "Dress For Success" books national bestsellers--about how women can statistically improve their chances of getting married.
Bernice Archer has raised her blind twin daughters, Eva and Ava, in the relative isolation of their low-income downtown neighborhood. Every night Bernice tells her daughters the same bedtime stories; stories that are sometimes magical, and often cautionary, about the dangers of the world outside the walls of their small apartment. Eva and Ava, now middle-aged, still wait for their motherÕs stories with a combination of excitement and suspicion, knowing that there is much they havenÕt been told. They are particularly mistrustful of BerniceÕs warnings of the dangers of the opposite sex, and want to know more about the story of their own origins. As loving as she is loud and as full of secrets as she is of stories, Bernice is the centre of the universe for Eva and Ava, even as they yearn for freedom and experiences of their own. When Bernice notices two new neighbours in their building, she is inspired to tell a new story. And so begins the saga of Violet and Rose. Bernice believes that these two women were born at the exact same moment, hemispheres apart, and that they share the same soul. Like Eva and Ava, the reader is swept along in the wake of Bernice's stories, not knowing what is real and what is fantasy, but believing none the less.
The book that changed the consciousness of a country—and the world. Landmark, groundbreaking, classic—these adjectives barely describe the earthshaking and long-lasting effects of Betty Friedan's The Feminine Mystique. This is the book that defined "the problem that has no name," that launched the Second Wave of the feminist movement, and has been awakening women and men with its insights into social relations, which still remain fresh, ever since. A national bestseller, with over 1 million copies sold.
Reproduction of the original.