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This volume is an abridement of the original 1899 edition.
Tells the story of a New York socialite and her friend who braved the Yukon in 1898 in search of gold. In diary form, Hitchcock describes in detail the people they met and her impressions of rural Alaska and Dawson City.
Here are the stories of those fascinatingly diverse women -- entrepreneurs, domestics, nuns, doctors, nurses, and journalists -- who played a critical role in the Klondike gold rush at the turn of the century.
This collection of Alaskan adventures begins with a newspaper article written by John Muir during his first visit to Alaska in 1879, when the sole U.S. government representative in all the territory's 586,412 square miles was a lone customs official in Sitka. It closes with accounts of the gold rush and the 1909 Alaska-Yukon-Pacific Exposition in Seattle. Jean Meaux has gathered a superb collection of articles and stories that captivated American readers when they were first published and that will continue to entertain us today. The authors range from Charles Hallock (the founder of Forest and Stream, a precursor of Field and Stream) to New York society woman Mary Hitchcock, who traveled with china, silver, and a 2,800 square foot tent. After explorer Henry Allen wore out his boots, he marched barefoot as he continued mapping the Tanana River, and Episcopal Archdeacon Hudson Stuck mushed by dog sled in Arctic winters across a territory encompassing 250,000 miles of the northern interior. Although the United States acquired Alaska in 1867, it took more than a decade for American writers and explorers to focus attention on a territory so removed from their ordinary lives. These writers-adventurers, tourists, and gold seekers-would help define the nation's perception of Alaska and would contribute to an image of the state that persists today. This collection unearths early writings that offer a broad view of American encounters with Alaska accompanied by Meaux's lively and concise introductions. The present-day adventurer will find much to inspire exploration, while students of the American West can gain new access to this valuable trove of pre-Gold Rush Alaska archives. For more information go to: http://www.inpursuitofalaska.com
The 1st volume (1896) includes important publications of 1895.
Previous biographies of Willa Cather have either recycled the traditional view of a writer detached from social issues whose work supported a wholesome view of a vanished America, or they have focused solely on revelations about her private life. Challenging these narrow interpretations, Janis P. Stout presents a Cather whose life and quietly modernist work fully reflected the artistic and cultural tensions of her day. A product of the South--she was born in Virginia--Cather went west with her family at an early age, a participant in the aspirations of Manifest Destiny. Known for her celebrations of immigrants on the prairie, she in fact shared many of the ethnic suspicions of her contemporaries. Loved by a popular audience for her pieties of family and religion, she was in her youth a freethinker who resisted traditional patterns for women's lives, cutting her hair like a boy's and dressing in men's clothing. Seen by critics since the 1930s as a practitioner of an escapist formalism, she was, in Stout's view, profoundly ambivalent about most of the important questions she faced. Cather structured her writing to control her uncertainty and project a serenity she did not in fact feel. Cather has at times been viewed as a writer preoccupied with the past whose literary project had little to do with the intellectual currents of her time. On the contrary, Stout argues, Cather was a full participant in the doubts and conflicts of twentieth-century modernity. Only in recoil from her distress at these conflicts did she turn to overt celebrations of the past and construct a retiring, crotchety persona. The Cather that emerges from Stout's treatment is a modernist conservative in the mold of T. S. Eliot, though more responsive to her time and simultaneously less assured in her pronouncements. Cather's sexuality, too, is more complicated in Stout's version than previous biographers have allowed. Willa Cather: The Writer and Her World presents a woman and an artist who fully exemplifies the ambivalence, the foreboding, and above all the complexity that we associate with the twentieth-century mind.
Spokane, Washington’s first female physician, Mary Archard Latham moved to the community with her three sons—leaving her husband behind in Ohio—in 1888. She sought a better climate for her health and worked tirelessly for the health of all of Spokane’s citizens, but particularly women and children and especially the poor. She helped found the Spokane Humane Society and the Spokane Public Library, and she was beloved and respected in the community. Then, in 1903, one of her sons died and she seemingly became unhinged. She would be seen wandering the streets, wailing and inconsolable, and her behavior became extremely erratic. In 1905, she was accused, arrested, and convicted of arson, then sentenced to four years of hard labor in the state penitentiary. She escaped into the forests of Idaho, where she hid from a massive manhunt for a week before being captured and sent to prison in Walla Walla. She eventually returned to Spokane a broken yet determined woman and died in 1917. Despite the tragic and violent events that characterized her later years, today Dr. Mary A. Latham is honored in Spokane for the good she did in the first part of her life. Mercy and Madness captures the captivating, outrageous, and sometimes-sorrowful life of Dr. Mary Archard Latham in her own words.